|New York Times Bestsellers|
| ||The First Phone Call From Heaven|
by Mitch Albom
Publishers Weekly Albom (The Five People You Meet in Heaven) has a nose for "thin places": places where the boundary between secular and sacred is porous, and ultimate meaning is easier to encounter. In his new novel, Coldwater, Mich., is this thin place, a town where people who have lost loved ones begin receiving phone calls from the dead in heaven. Sully Harding's wife died while he was in prison, and their young son, Jules, hopes his mom will call, even while Sully smells a hoax. Albom weaves a thread of satire into a narrative braided from the lives of smalltown residents; Coldwater becomes a media hotspot as well as battleground for religious and antireligious zealots, all awaiting the revelation they expect. A historical thread-popping into the narrative like a change-up in baseball-deals with Alexander Graham Bell's invention of the telephone and how the instrument came to be the premier human connector. This brisk, page-turner of a story climaxes at Christmas. Another winner from Albom; this book just about shouts "Give me for a holiday gift." Agent: David Black, David Black Agency. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved.
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|Oprah's Book Club|
| ||Songs in Ordinary Time|
by Mary McGarry Morris
Set in Vermont during the summer of 1960, Morris's latest concerns a dysfunctional family that falls prey to a dangerous con man.
Copyright 1996 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms
|Caldecott Medal Winners|
| ||Hey, Al|
by Richard Egielski
School Library Journal
K Up The theme here is, ``be happy with who you are,'' or maybe, ``there's no free lunch.'' Al, a janitor, lives a meager existence with his companion (dog) Eddie in New York City. They complain to each other about their lot and are ready to take off to a better place with a huge bird who just pops in and invites them. This ``island in the sky'' is perfect. All its inhabitants are friendly birds, and there's nothing to do but enjoy the tropical paradise. But when they both begin to sprout feathers and beaks, they realize that there is a price to pay, so they take off, Icarus-styleincluding a plunge into New York Harbor. Safely home, they discover that ``Paradise lost is sometimes Heaven found.'' Egielski's solid naturalism provides just the visual foil needed to establish the surreal character of this fantasy. The muted earth tones of the one-room flat contrast symbolically with the bright hues of the birds' plumage and the foliage of the floating paradise. The anatomical appropriateness of Al and Eddie plays neatly against the flamboyant depiction of the plants. Text and pictures work together to challenge readers' concept of reality, with touches such as the stacks of delivered newspapers outside Al's door when he returns fromhis ``dream''? Kenneth Marantz, Art Education Department, Ohio State University, Columbus
Copyright 1987 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms