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Go to the new Kid's Catalog A new way to search! Una versión española del catálogo de la biblioteca. A spanish version of the library catalog.
 

The Beast

by Walter Dean Myers


Publishers Weekly :

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Myers (Monster) sketches a provocative picture of an intelligent, likable 16-year-old straddling two worlds: his neighborhood on 145th Street in Harlem and the privileged world of Wallingford, the boarding school where he is spending his senior year. Anthony Witherspoon (or Spoon, as his friends call him) comes from a loving home and has an aspiring-poet girlfriend, Gabi-introduced in the opening chapter, as Spoon departs for Wallingford. In the next chapter, Spoon and his fellow students make plans to return home for Christmas break, and it quickly becomes clear that Chanelle, an Upper East Side New Yorker, fancies him. In a first-person account, Spoon describes the myriad ways things have changed in the three months that he's been away. A close friend has dropped out of school, Gabi's younger brother has been "gang banging" (trying to get into a gang) and Spoon finds a hypodermic needle on Gabi's dresser. Readers glimpse Spoon's complex universe as he enters a drug den to retrieve Gabi and gets snubbed by Chanelle's doorman when he arrives at her home for a party. Such scenes are tantalizing, yet the ideas introduced seem only partially developed (the chapter about finding the drug den is titled "the labyrinth," and implies that addiction is "the beast," yet Spoon refers to his purposeless childhood buddies in a similar fashion: "They seem as if they're wandering around in some monster maze"). Readers will recognize that Spoon's surroundings have changed but may be left to wonder how those changes have affected him. Ages 14-up.

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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School Library Journal :

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Gr 8 Up-Anthony "Spoon" Witherspoon, 17, leaves Harlem, and his girl, Gabi, to spend his senior year at Wallingford Academy in Connecticut, with the hope that he will get into an Ivy League college. While he adjusts to prep-school life and navigates the racial and social divides of the haves and the want-to-haves, Gabi's life comes undone. Her mother is dying, her younger brother may be running with a gang, and her blind grandfather has come to stay. When Spoon comes home for Christmas, Gabi is different. She's thinner, certainly, and so is her spirit. Spoon discovers a needle in her room and "the beast," heroin, is uncovered. Gabi-a clear-eyed, sassy Dominicana who writes poetry and dreams of attending Columbia-explains that she has lost the road that once ran through her life to her future. Most of the first-person narrative takes place during the holiday break in Harlem, and Myers's descriptions of the streets and people-the bright, clean, working-class hope and the slate-gray bankruptcy of drugs and crime-are photographically authentic and dizzyingly musical. Spoon's observations are philosophical and precocious, but the story races along at the pace of his anxieties-about a future, with or without Gabi, and about his place in Harlem and in the world. The language is simple and clean; the plot unfolds seamlessly; and the characters emerge shaky, worldly wise, and cautiously optimistic.-Johanna Lewis, New York Public Library

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

distributed by Syndetic Solutions, Inc.:
BookList :

From BookList, October 1, 2003, Copyright © American Library Association. Used with permission.

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Gr. 9-12. High-school senior Spoon hopes to marry his girlfriend, Gabi, an aspiring poet with “a smile that pleases the angels,” and he hates to leave her for a year to attend a Connecticut prep school. During the fall, Gabi's letters become infrequent, and when Spoon returns home for the holidays, he's heartbroken to discover that she has begun to use “the beast”: drugs. In his latest novel, Myers tells a powerful story of first love and the profound ways that drugs touch everyone: “If Gabi could lose her way, so could I.” Spoon narrates in a voice that's artistic and colloquial, his thoughts tumbling out as poetry, and readers may miss the precise sense of some passages. But Myers captures the disorientation of living between worlds, where home is “the same, but not the same,” and Spoon's sharp observations about race and love will resonate deeply with teens, as will his ambivalence about the future: “I don't know. I'm not even sure what there is to know.”
GillianEngberg.

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