Catalog Home Calendar Web Links Best Seller Lists News & Weather Online Databases

Featured Book Lists
New York Times Bestsellers
Click to search this book in our catalog Deadline
by John Sandford

Publishers Weekly Starred Review. In Thriller Award-winner Sandfords stellar eighth Virgil Flowers novel (after 2013s Storm Front), the Minnesota Bureau of Criminal Apprehension agent, who works for Lucas Davenport, the hero of the authors other major series, helps friend Johnson Johnson with a little problem that keeps growing in the Mississippi River town of Trippton. Johnsons neighbors are concerned about a series of dognappings by hillbillies who live up by inaccessible Orlys Creek. Roy Zorn, a small-time motorcycle hood, might also be manufacturing some meth up that way. If Virgil cant solve the dog problem, dog lovers may shift to open warfare. Meanwhile, the members of the Buchanan County Consolidated School Board, fearing theyll all go to prison, vote unanimously to kill reporter Clancy Conley, who inadvertently discovered that the school board was stealing the school system blind. Virgil doesnt get much help from Sheriff Jeff Purdy, but 12-year-old McKinley Ruff and high school janitor Will Bacon provide critical assistance as panicky board members escalate the violence. Sandford is an accomplished and amusing storyteller, and he nails both the rural characters and terrain as well as he has skewered urban life in past installments. Agent: Esther Newberg, ICM. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Book list Clancy Conley's journalism career has fallen victim to his methamphetamine addiction, and he's bounced to the bottom of the career ladder, writing part-time for a weekly paper in rural Trippton, Missouri. And that's where his story ends. Clancy is inexplicably gunned down while jogging, and state Bureau of Criminal Apprehension agent Virgil Flowers (Storm Front, 2013), already in town helping his friend Johnson Johnson track down a serial dognapper, is just curious enough to pull rank and investigate. Clancy told his friend Wendy, Trippton's lady of the evening, that he was working on an explosive story that would revive his career. But his editor denies knowing about any such story, and Clancy's computer is suspiciously missing. Undeterred, Virgil hits the jackpot when he finds Clancy's photo card. It seems Clancy had been looking into some sort of budgetary shenanigans and the dark deeds of some of Trippton's most upstanding citizens. Sanford balances straight-talking Virgil Flowers' often hilariously folksy tone and Trippton's dark core of methamphetamine manufacturers and sociopaths; the result is pure reading pleasure for thriller fans.--Tran, Christine Copyright 2010 Booklist

From Booklist, Copyright American Library Association. Used with permission.

...More
Oprah's Book Club
Click to search this book in our catalog While I Was Gone
by Sue Miller

Library Journal Thirty years ago, Joey Becker's carefree bohemian life was shattered by the brutal, unsolved murder of her best friend, Dana. Joey coped with her loss while building a career, marrying, and raising a family. She thinks she is happy, but ever since her children have left home Joey has felt a vague sense of disappointment. She cannot share the depth of her feelings for Dana with anyone, even her husband. Then Eli, Joey and Dana's former housemate, arrives in town. Joey and Eli are first drawn to each other because they both loved Dana and still mourn her, but their mutual attraction grows until it threatens Joey's marriage and her relationship with her daughter. Miller (The Good Mother, LJ 5/15/86) presents a suspenseful, penetrating look at the tenuous bonds of love, the ease with which even a good marriage can be destroyed, and the need to forgive ourselves for the mistakes of the past. Highly recommended for all public libraries. [Previewed in Prepub Alert, LJ 10/1/98.]?Karen Anderson, Superior Court Law Lib., Phoenix

Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Book list The domestic scene is Miller's terrain, a place where steadiness is hoped for by all parties involved but where earthquakes are bound to come along and disassemble the landscape. So it was in perhaps her most famous novel, The Good Mother (1986), about a child-custody battle, and so it is in her latest effort, about the incredibly unexpected results of a close encounter with marital infidelity. Joey Becker is 52, a successful veterinarian and married to a man she deeply loves. She has three children who present her with motherly concerns, but, overall, they are an asset to her life. Then one day a man she had lived with in a community of other young people, at a time when she had fled from her first husband, reappears. But something had happened to one of their housemates back then: she was brutally murdered. When this man from Joey's past reappears, Joey is attracted to him like a moth to a flame. But her attraction leads to his confession of the killing so many years ago. The horror of this knowledge traumatizes her, and the fact that she instigated a rendezvous with the man in the first place threatens to ruin her happy marriage. In her signature straightforward prose, Miller captures the thrill of the unknown and the draw of the known. --Brad Hooper

From Booklist, Copyright American Library Association. Used with permission.

Library Journal Thirty years after she discovers her best friend murdered, Jo Becker finds her now-happy life unraveling.

Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Publishers Weekly The shadowy and inexorable nemesis of past secrets to a reclaimed life, and the inability even of those who are intimates to really know one another, are poignant themes in Miller's resonant fifth novel. Narrator Jo Becker, now a veterinarian married to a minister in a small Massachusetts town, was once a runaway bride who assumed a false name and lived with other dissaffected '60s bohemians in a group house in Cambridge. Her special friend in the house was sweet-spirited and generous Dana Jablonski, whose shocking?and unsolved?murder broke up the group and left Jo with unresolved questions about her own identity. She manages to ignore the memories of that time until, almost three decades later, one of the former housemates, Eli Mayhew, moves to her town. Eli, now a distinguished research scientist, provides a revelation that acts as the catalyst provoking Jo to face her guilt about her past behavior?and to act impulsively once again. Her moral conundrum occasions a heartrending change in her heretofore strong marriage and undermines her relationship with her three grown daughters. As usual, Miller (The Good Mother; Family Pictures) renders the details of quotidian domesticity with bedrock veracity and a sensitivity to minute calibrations of family dynamics, especially the nuances of sibling rivalry. But while the pacing, tone and measured exposition are handled with masterly skill, the way in which Jo's decision to make amends for her past rebounds on her present life seems staged and convoluted, since her husband and children seem to think that retribution for a murder should take second place to their own emotional needs. That cavil aside, Miller's narrative is a beautifully textured picture of the psychological tug of war between finding integrity as an individual and satisfying the demands of spouse, children and community. 150,000 first printing; Random House audio; BOMC selection; author tour. (Feb.)

Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

...More
Sample List One
Click to search this book in our catalog Crispin, The Cross of Lead
by Avi

Book list Gr. 5^-9. In his fiftieth book, (see interview on p.1609) Avi sets his story in fourteenth-century England and introduces some of his most unforgettable characters--a 13-year-old orphan, seemingly without a name, and a huge, odd juggler named Bear. At first, the boy is known as Asta's Son, but when his mother dies, he learns from a priest that his name is really Crispin. He also quickly comes to realize that he is in grave trouble. John Acliffe, the steward of the manor, reveals himself to be Crispin's mortal enemy and declares the boy a "wolf's-head," which means he is anyone's prey. Clutching his only possession, a lead cross, Crispin flees his village into a vast new world of opportunity--and terror. At his lowest ebb, Crispin meets Bear and reluctantly swears an oath to be his servant. Yet Bear becomes much more than a master--he's Crispin's teacher, protector, and liberator. Avi builds an impressive backdrop for his arresting characters: a tense medieval world in which hostility against the landowners and their cruelties is increasing. There's also other nail-biting tension in the story that builds to a gripping, somewhat confusing ending, which finds Crispin, once weak, now strong. Readers may not understand every nuance of the political machinations that propel the story, but they will feel the shifting winds of change beginning to blow through a feudal society. --Ilene Cooper

From Booklist, Copyright American Library Association. Used with permission.

School Library Journal Gr 6-9-As with Karen Cushman's The Midwife's Apprentice (Clarion, 1995), the power of a name is apparent in this novel set in 14th-century England. "Asta's son" is all the destitute, illiterate hero has ever been called, but after his mother dies, he learns that his given name is Crispin, and that he is in mortal danger. The local priest is murdered before he can tell him more about his background, and Aycliffe, the evil village steward for Lord Furnival, declares that the boy is a "wolf's head," less than human, and that he should be killed on sight. On the run, with nothing to sustain him but his faith in God, Crispin meets "Bear," a roving entertainer who has ties to an underground movement to improve living conditions for the common people. They make their way to Great Wexley, where Bear has clandestine meetings and Crispin hopes to escape from Aycliffe and his soldiers, who stalk him at every turn. Suspense heightens when the boy learns that the recently deceased Lord Furnival was his father and that Aycliffe is dead set on preventing him from claiming his title. To trap his prey, the villain captures Bear, and Crispin risks his life to save him. Avi has done an excellent job of integrating background and historical information, of pacing the plot so that the book is a page-turner from beginning to end, and of creating characters for whom readers will have great empathy. The result is a meticulously crafted story, full of adventure, mystery, and action.-Cheri Estes, Detroit Country Day Middle School, Beverly Hills, MI Copyright 2002 Cahners Business Information.

Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Book list Gr. 5^-9. In his fiftieth book, (see interview on p.1609) Avi sets his story in fourteenth-century England and introduces some of his most unforgettable characters--a 13-year-old orphan, seemingly without a name, and a huge, odd juggler named Bear. At first, the boy is known as Asta's Son, but when his mother dies, he learns from a priest that his name is really Crispin. He also quickly comes to realize that he is in grave trouble. John Acliffe, the steward of the manor, reveals himself to be Crispin's mortal enemy and declares the boy a "wolf's-head," which means he is anyone's prey. Clutching his only possession, a lead cross, Crispin flees his village into a vast new world of opportunity--and terror. At his lowest ebb, Crispin meets Bear and reluctantly swears an oath to be his servant. Yet Bear becomes much more than a master--he's Crispin's teacher, protector, and liberator. Avi builds an impressive backdrop for his arresting characters: a tense medieval world in which hostility against the landowners and their cruelties is increasing. There's also other nail-biting tension in the story that builds to a gripping, somewhat confusing ending, which finds Crispin, once weak, now strong. Readers may not understand every nuance of the political machinations that propel the story, but they will feel the shifting winds of change beginning to blow through a feudal society. --Ilene Cooper

From Booklist, Copyright American Library Association. Used with permission.

School Library Journal Gr 6-9-As with Karen Cushman's The Midwife's Apprentice (Clarion, 1995), the power of a name is apparent in this novel set in 14th-century England. "Asta's son" is all the destitute, illiterate hero has ever been called, but after his mother dies, he learns that his given name is Crispin, and that he is in mortal danger. The local priest is murdered before he can tell him more about his background, and Aycliffe, the evil village steward for Lord Furnival, declares that the boy is a "wolf's head," less than human, and that he should be killed on sight. On the run, with nothing to sustain him but his faith in God, Crispin meets "Bear," a roving entertainer who has ties to an underground movement to improve living conditions for the common people. They make their way to Great Wexley, where Bear has clandestine meetings and Crispin hopes to escape from Aycliffe and his soldiers, who stalk him at every turn. Suspense heightens when the boy learns that the recently deceased Lord Furnival was his father and that Aycliffe is dead set on preventing him from claiming his title. To trap his prey, the villain captures Bear, and Crispin risks his life to save him. Avi has done an excellent job of integrating background and historical information, of pacing the plot so that the book is a page-turner from beginning to end, and of creating characters for whom readers will have great empathy. The result is a meticulously crafted story, full of adventure, mystery, and action.-Cheri Estes, Detroit Country Day Middle School, Beverly Hills, MI Copyright 2002 Cahners Business Information.

Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

...More
Sample List Two
Click to search this book in our catalog Kit's Wilderness
by David Almond

Book list Gr. 6^-9. Almond, whose Skellig is the Booklist 1999 Top of the List winner for youth fiction, creates a heartbreakingly real world fused with magic realism in this story, set in an English coal-mining town. Thirteen-year-old Kit Watson and his family have returned to Stonygate to care for Kit's recently widowed grandfather. Almost immediately, Kit is enticed by John Askew, also of an old mining family, into a game called Death. Like the other members of Askew's gang, Kit is left alone in an abandoned mine until he sees ghosts of ancestors who died there as boys. Kit's friend Allie tells him that the other kids pretend to see these apparitions, but Kit really does see--and Askew knows it. The boys share a bond. Both are artistic: Kit is a writer; Askew is an artist. And both are sensitive enough to perceive what may not be there. But Kit comes from a strong, loving family, and Askew is the child of an ineffectual mother and a father who's a vicious drunk. Slowly, as Kit hears stories from his grandfather and writes his own, he realizes he has a mission--to save John Askew, body and soul. Almond has set an enormous task for himself. He juggles several plot elements--grandfather's fading mental capacities, Allie's acting aspirations, one of Kit's stories--along with the boys' struggle for redemption. But he succeeds beautifully, knitting dark and light together and suffusing the multilayered plot with an otherworldly glow. This is a long book, and a complex one, but Almond's language is a pleasure to read; and, as with Skellig, the story's ruminations about death and the healing power of love will strike children in unsuspected ways. --Ilene Cooper

From Booklist, Copyright American Library Association. Used with permission.

Publishers Weekly Revisiting many of the themes from Skellig, Almond offers another tantalizing blend of human drama, surrealism and allegory. He opens the novel with a triumphant scene, in which Kit Watson, the 13-year-old narrator, and his classmates, John Askew and Allie Keenan reemerge from "ancient darkness into a shining valley," as if to reassure readers throughout the course of the cryptic tale that the game of "Death," so central to the book, is indeed just a game. Nevertheless, he takes readers on a thrilling and spine-tingling ride. When Kit moves with his mother and father to the mining town of Stoneygate to keep company with his newly widowed grandfather, he feels drawn to John Askew who, like Kit, comes from a long line of coal miners. Askew presses Kit to take part in a game of "Death," for which the participants spin a knife to determine whose turn it is to "die." The chosen one then remains alone in the darkness of Askew's den, to join spirits with boys killed in a coal mine accident in 1821. Some regular players consider the game to be make-believe, but Kit senses something far more profound and dangerous, and the connection he forges with the ancient past also circuitously seals a deeper bond with Askew. Allie acts as a bridge between the two worlds, much as Mina was for Michael in Skellig. The ability that Askew, Kit and his grandpa possess to pass between two seductive worlds, here and beyond, in many ways expands on the landscape Almond created in Skellig. The intricacy and complexity of the book's darker themes make it a more challenging read than his previous novel for children, but the structure is as awe-inspiring as the ancient mining tunnels that run beneath Stoneygate. Ages 12-up. (Mar.) Copyright 2000 Cahners Business Information.

Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

School Library Journal Gr 6-9-The haunting otherworldliness that distinguished Skellig (Delacorte, 1999) also permeates this book. After the death of his grandmother, 13-year-old Kit Watson moves with his family to Stoneygate, an old coal-mining town, to take care of his elderly grandfather. He forms a tentative friendship with John Askew, who is ridiculed because of his father's public drunkenness and inability to care for his family. In the wilderness area near their town, John organizes an after-school game called "Death," in which Kit and other friends lie alone in an abandoned mine waiting for visions of children who died there long ago. After school officials discover the game and expel John, he disappears. Kit, a budding writer, crafts a story about a prehistoric boy who becomes separated from his family. The story parallels the emotional incidents in John Askew's life and incorporates elements of stories Kit's grandfather has told him about the mines. John's mother pleads with the boy to bring her son home at the same time as the mother in the story Kit is writing appears to him, pleading with him to return her missing children. John resurfaces and, with Kit's help, rejoins his family. Grandpa dies, but Kit is committed to keeping his memory and his stories alive. Almond artfully brings these complicated, interwoven plots to a satisfying conclusion as he explores the power of friendship and family, the importance of memory, and the role of magic in our lives. This is a highly satisfying literary experience, showing readers that some of life's events are beyond explanation.-Ellen Fader, Multnomah County Library, Portland, OR Copyright 2000 Cahners Business Information.

Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

...More