Book list *Starred Review* Egan is a writer of cunning subtlety, embedding within the risky endeavors of seductively complicated characters a curious bending of time and escalation of technology's covert impact. Following her diabolically clever The Keep (2006), Egan tracks the members of a San Francisco punk band and their hangers-on over the decades as they wander out into the wider, bewildering world. Kleptomaniac Sasha survives the underworld of Naples, Italy. Her boss, New York music producer Bennie Salazar, is miserable in the suburbs, where his tattooed wife, Stephanie, sneaks off to play tennis with Republicans. Obese former rock-star Bosco wants Stephanie to help him with a Suicide Tour, while her all-powerful publicist boss eventually falls so low she takes a job rehabilitating the public image of a genocidal dictator. These are just a few of the faltering searchers in Egan's hilarious, melancholy, enrapturing, unnerving, and piercingly beautiful mosaic of a novel. As episodes surge forward and back in time, from the spitting aggression of a late-1970s punk-rock club to the obedient, socially networked herd gathered at the Footprint, Manhattan's 9/11 site 20 years after the attack, Egan evinces an acute sensitivity to the black holes of shame and despair and to the remote-control power of the gadgets that are reordering our world.--Seaman, Donna Copyright 2010 Booklist
Publishers Weekly Readers will be pleased to discover that the star-crossed marriage of lucid prose and expertly deployed postmodern switcheroos that helped shoot Egan to the top of the genre-bending new school is alive in well in this graceful yet wild novel. We begin in contemporaryish New York with kleptomaniac Sasha and her boss, rising music producer Bennie Salazar, before flashing back, with Bennie, to the glory days of Bay Area punk rock, and eventually forward, with Sasha, to a settled life. By then, Egan has accrued tertiary characters, like Scotty Hausmann, Bennie's one-time bandmate who all but dropped out of society, and Alex, who goes on a date with Sasha and later witnesses the future of the music industry. Egan's overarching concerns are about how rebellion ages, influence corrupts, habits turn to addictions, and lifelong friendships fluctuate and turn. Or as one character asks, "How did I go from being a rock star to being a fat fuck no one cares about?" Egan answers the question elegantly, though not straight on, as this powerful novel chronicles how and why we change, even as the song stays the same. (June) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Library Journal Time changes both everything and nothing in this novel about former punk rocker-turned-music executive Bennie Salazar and Sasha, his indispensable secretary with an unhappy past. A host of characters from San Francisco's 1970s music scene collide in ways that are hard to summarize, with peripheral characters in one chapter more fully developed in others. These well-defined characters and the engaging narrative are hallmarks of Egan's earlier fiction, which include Look at Me, a National Book Award finalist, and the best-selling The Keep. Here, we learn that power is transient, authenticity is not all it's cracked up to be, and friendships are often fragile, but the connections among people matter terribly. Often, we survive the self-destructive tendencies of youth only to realize that we've just exchanged one set of problems for another. Verdict In the end, this novel does offer hope, but it is the grubby kind that keeps you going once you've been kicked to the curb. Readers will enjoy seeing the disparate elements of this novel come full circle. [See Prepub Alert, LJ 2/15/10.]-Gwen Vredevoogd, Marymount Univ., Arlington, VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Library Journal In her third novel, New York Times best-selling author Strout (Abide with Me) tracks Olive Kitteridge's adult life through 13 linked stories. Olive-a wife, mother, and retired teacher-lives in the small coastal town of Crosby, ME. A large, hulking woman with a relentlessly unpleasant personality, Olive intimidates generations of community members with her quick, cruel condemnations of those around her-including her gentle, optimistic, and devoted husband, Henry, and her son, Christopher, who, as an adult, flees the suffocating vortex of his mother's displeasure. Strout offers a fair amount of relief from Olive's mean cloud in her treatment of the lives of the other townsfolk. With the deft, piercing shorthand that is her short story-telling trademark, she takes readers below the surface of deceptive small-town ordinariness to expose the human condition in all its suffering and sadness. Even when Olive is kept in the background of some of the tales, her influence is apparent. Readers will have to decide for themselves whether it's worth the ride to the last few pages to witness Olive's slide into something resembling insight. For larger libraries. [See Prepub Alert, LJ 12/07.]-Beth E. Andersen, Ann Arbor Dist. Lib., MI Copyright 2008 Reed Business Information.
Book list *Starred Review* Hell. We're always alone. Born alone. Die alone, says Olive Kitteridge, redoubtable seventh-grade math teacher in Crosby, Maine. Anyone who gets in Olive's way had better watch out, for she crashes unapologetically through life like an emotional storm trooper. She forces her husband, Henry, the town pharmacist, into tactical retreat; and she drives her beloved son, Christopher, across the country and into therapy. But appalling though Olive can be, Strout manages to make her deeply human and even sympathetic, as are all of the characters in this novel in stories. Covering a period of 30-odd years, most of the stories (several of which were previously published in the New Yorker and other magazines) feature Olive as their focus, but in some she is bit player or even a footnote while other characters take center stage to sort through their own fears and insecurities. Though loneliness and loss haunt these pages, Strout also supplies gentle humor and a nourishing dose of hope. People are sustained by the rhythms of ordinary life and the natural wonders of coastal Maine, and even Olive is sometimes caught off guard by life's baffling beauty. Strout is also the author of the well-received Amy and Isabelle (1999) and Abide with Me (2006).--Quinn, Mary Ellen Copyright 2008 Booklist
Library Journal In 13 linked stories that delineate the life and times of fussy but sympathetic Olive Kitteredge, Strout beautifully captures the sticky little issues of small-town life-and the entire universe of human longing, dis-appointment, and love. (LJ 2/1/08) Copyright 2008 Reed Business Information.
Publishers Weekly Thirteen linked tales from Strout (Abide with Me, etc.) present a heart-wrenching, penetrating portrait of ordinary coastal Mainers living lives of quiet grief intermingled with flashes of human connection. The opening "Pharmacy" focuses on terse, dry junior high-school teacher Olive Kitteridge and her gregarious pharmacist husband, Henry, both of whom have survived the loss of a psychologically damaged parent, and both of whom suffer painful attractions to co-workers. Their son, Christopher, takes center stage in "A Little Burst," which describes his wedding in humorous, somewhat disturbing detail, and in "Security," where Olive, in her 70s, visits Christopher and his family in New York. Strout's fiction showcases her ability to reveal through familiar details-the mother-of-the-groom's wedding dress, a grandmother's disapproving observations of how her grandchildren are raised-the seeds of tragedy. Themes of suicide, depression, bad communication, aging and love, run through these stories, none more vivid or touching than "Incoming Tide," where Olive chats with former student Kevin Coulson as they watch waitress Patty Howe by the seashore, all three struggling with their own misgivings about life. Like this story, the collection is easy to read and impossible to forget. Its literary craft and emotional power will surprise readers unfamiliar with Strout. (Apr.) Copyright 2007 Reed Business Information.
Library Journal Having caught everyone's attention with his short stories, D!az offers a debut novel starring ghetto geek Oscar, whose family labors under a Fuk# (or curse) that delivers prison, tragic accidents, and, worst of all, bad luck in love. With a national tour. Copyright 2007 Reed Business Information.
Book list "*Starred Review* Díaz's gutsy short story collection Drown (1996) made the young Dominican American a literary star. Readers who have had to wait a decade for his first novel are now spectacularly rewarded. Paralleling his own experiences growing up in the Dominican Republic and New Jersey, he has choreographed a family saga at once sanguinary and sexy that confronts the horrific brutality at loose during the reign of the dictator Trujillo. Díaz's besieged characters look to the supernatural for explanations and hope, from fukú, the curse unleashed when Europeans arrived on Hispaniola, to the forces dramatized in the works of science fiction and fantasy so beloved by the chubby ghetto nerd Oscar Wao, the brilliantly realized boy of conscience at the center of this whirlwind tale. Writing in a combustible mix of slang and lyricism, Díaz loops back and forth in time and place, generating sly and lascivious humor in counterpoint to tyranny and sorrow. And his characters Oscar, the hopeless romantic; Lola, his no-nonsense sister; their heartbroken mother; and the irresistible homeboy narrator cling to life with the magical strength of superheroes, yet how vibrantly human they are. Propelled by compassion, Díaz's novel is intrepid and radiant."--"Seaman, Donna" Copyright 2007 Booklist
Publishers Weekly Violence, in McCarthy's postapocalyptic tour de force, has been visited worldwide in the form of a "long shear of light and then a series of low concussions" that leaves cities and forests burned, birds and fish dead and the earth shrouded in gray clouds of ash. In this landscape, an unnamed man and his young son journey down a road to get to the sea. (The man's wife, who gave birth to the boy after calamity struck, has killed herself.) They carry blankets and scavenged food in a shopping cart, and the man is armed with a revolver loaded with his last two bullets. Beyond the ever-present possibility of starvation lies the threat of roving bands of cannibalistic thugs. The man assures the boy that the two of them are "good guys," but from the way his father treats other stray survivors the boy sees that his father has turned into an amoral survivalist, tenuously attached to the morality of the past by his fierce love for his son. McCarthy establishes himself here as the closest thing in American literature to an Old Testament prophet, trolling the blackest registers of human emotion to create a haunting and grim novel about civilization's slow death after the power goes out. 250,000 announced first printing; BOMC main selection. (Oct.) Copyright 2006 Reed Business Information.
Book list A man and a boy, father and son, each the other's world entire, walk a road in the ashes of the late world. In this stunning departure from his previous work, McCarthy ( No Country for Old Men, 2005) envisions a postapocalyptic scenario. Cities have been destroyed, plants and animals have died, and few humans survive. The sun is hidden by ash, and it is winter. With every scrap of food looted, many of the living have turned to cannibalism. The man and the boy plod toward the sea. The man remembers the world before; as his memories die, so, too dies that world. The boy was born after everything changed. The man, dying, has a fierce paternal love and will to survive--yet he saves his last two bullets for himself and his son. Although the holocaust is never explained, this is the kind of grim warning that leads to nightmares. Its spare, precise language is rich with other explorations, too: hope in the face of hopelessness, the ephemeral nature of our existence, the vanishing worlds we all carry within us. McCarthy evokes Beckett, using repetition and negation to crushing effect, showing us by their absence the things we will miss. Hypnotic and haunting, relentlessly dark, this is a novel to read in late-night solitude. Though the focus never leaves the two travelers, they carry our humanity, and we can't help but feel the world hangs in the balance of their hopeless quest. A masterpiece. --Keir Graff Copyright 2006 Booklist
Library Journal Winner of the National Book Award and the National Book Critics Circle Award, McCarthy (All the Pretty Horses) here offers a prescient account of a man and his son trying to survive in a devastated country where food is scarce and everyone has become a scavenger. The term survival of the fittest rings true here-very few people remain, and friends are extinct. Essentially, this is a story about nature vs. nurture, commitment and promises, and though there aren't many characters, there is abundant life in the prose. We are reminded how McCarthy has mastered the world outside of our domestic and social circles, with each description reading as if he had pulled a scene from the landscape and pasted it in the book. He uses metaphors the way some writers use punctuation, sprinkling them about with an artist's eye, showing us that literature from the heart still exists. Recommended for all libraries. [See Prepub Alert, LJ 5/1/06.]-Stephen Morrow, Columbus, OH Copyright 2006 Reed Business Information.
Book list To find out what really happened to her purportedly dead sister, sharpshooting 13-year-old Georgie Burkhardt and her sister's one-time suitor Billy McCabe follow the trail of pigeon hunters and discover far worse going on near Placid, Wisconsin, in 1871. Georgie tells her story in a first-person narrative that rings true to the time and place. She is smart, determined, and not a little blind to the machinations of adults around her, including Billy, who has been sent by Georgie's storekeeper grandfather to follow her and keep her safe. She does notice that Billy is well made, but this is no love story; it's a story of acceptance, by Georgie, her family, and her small town. Timberlake weaves in the largest passenger pigeon nesting ever seen in North America, drought and fatal fires along Lake Michigan that year, a currency crisis that spawned counterfeiters, and advice on prairie travel from an actual handbook from the times. Historical fiction and mystery combine to make this a compelling adventure, and an afterword helps disentangle facts from fiction.--Isaacs, Kathleen Copyright 2010 Booklist
School Library Journal Gr 5-8-Thirteen-year-old Georgie Burkhardt can shoot better than anyone in Placid, Wisconsin. She can handle accounts and serve customers in her family's general store. What she can't do is accept that the unrecognizable body wearing her older sister's blue-green gown is Agatha. Determined to discover what happened after Agatha abruptly left town with a group of pigeoners, Georgie sets out to follow her route. In return for the loan of a mule, she reluctantly allows Billy McCabe, one of Agatha's suitors, to accompany her. The journey includes a menacing cougar and ruthless counterfeiters, but Georgie's narration offers more than action-packed adventure. She unravels the tangle of events that led to Agatha's sudden departure and acknowledges her own role. By turns humorous and reflective, Georgie's unique and honest voice includes confusion about her feelings for Billy and doubts about her ability to kill even in desperate circumstances. Timberlake seamlessly integrates information about two significant events that occurred in Wisconsin in 1871: the largest recorded nesting of passenger pigeons in spring and devastating firestorms in fall. Georgie's physical and emotional odyssey that occurs between those two events will linger in readers' minds.-Kathy Piehl, Minnesota State University, Mankato (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.