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Caldecott Medal Winners
Click to search this book in our catalog Locomotive
by Brian Floca

Publishers Weekly In 1869, not long after the golden spike is driven into the rails at Promontory Summit, a mother and her two children climb aboard the Transcontinental Railroad, leaving behind their old life in Omaha for a new one in California, where Papa awaits. Floca (Moonshot) chronicles their journey from multiple perspectives: documentarian, poet, historian, tour guide, and irrepressible railroad geek. With the rhythmic, verselike text that's become his signature; expressive typography; and handsome, detailed watercolor, ink, and gouache paintings, he celebrates the majestic (the passing western landscape), the marvelous (the engineering and sheer manpower required to keep the engine safely on its course), and the mundane, from the primitiveness of the toilets to the iffiness of depot food ("If the chicken/ tastes like prairie dog,/ don't ask why"). It's a magisterial work (even the endpapers command close reading), but always approachable in its artistry and erudition. And readers will come away understanding that the railroad wasn't just about getting a group of passengers from Point A to Point B; it carried an entire nation into a new, more rapid world: "Faster, faster, turn the wheels,/ faster, faster breathes the engine!/ The country runs by, the cottonwoods and river./ Westward, westward,/ runs the train,/ through the prairies,/ to the Great Plains,/ on to the frontier." Ages 4-10. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Gr 3-5-It all started with "a new road of rails/made for people to ride" where "covered wagons used to crawl." Almost 150 years ago-just after the Civil War-the completion of the transcontinental railway radically changed both this country's landscape and the opportunities of its people. The book traces the advent of cross-country train travel, focusing on an early trip from Omaha to Sacramento. As in Moonshot (2009) and Lightship (2007, both S & S), Floca proves himself masterful with words, art, and ideas. The book's large format offers space for a robust story in a hefty package of information. Set in well-paced blank verse, the text begins with a quick sketch of "how this road was built" and moves abruptly to the passengers on the platform and the approaching train. The author smoothly integrates descriptions of the structure and mechanics of the locomotive, tasks of crew members, passing landscapes, and experiences of passengers. Simply sketched people and backgrounds, striking views of the locomotive, and broad scenes of unpopulated terrain are framed in small vignettes or sweep across the page. Though a bit technical in explaining engine parts, the travelogue scheme will read aloud nicely and also offers absorbing details for leisurely personal reading. Substantial introductory and concluding sections serve older readers. There's also a detailed explanation of the author's efforts and sources in exploring his subject. Train buffs and history fans of many ages will find much to savor in this gorgeously rendered and intelligent effort.-Margaret Bush, Simmons College, Boston (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list *Starred Review* Floca follows up the acclaimed Moonshot: The Flight of Apollo 11 (2009) with this ebullient, breathtaking look at a family's 1869 journey from Omaha to Sacramento via the newly completed Transcontinental Railroad. The unnamed family is a launching point for Floca's irrepressible exploration into, well, everything about early rail travel, from crew responsibilities and machinery specifics to the sensory thrills of a bridge rumbling beneath and the wind blasting into your face. The substantial text is delivered in nonrhyming stanzas as enlightening as they are poetic: the smoke and cinders, / ash and sweat of the coal engine and the Great Plains stretching out empty as an ocean. Blasting through these artful compositions are the bellows of the conductor ( FULL STEAM AHEAD ) and the scream of the train whistle, so loud that it bleeds off the page: WHOOOOOOO! Font styles swap restlessly to best embody each noise (see the blunt, bold SPIT versus the ornate, ballooning HUFF HUFF HUFF ). Just as heart pounding are Floca's bold, detailed watercolors, which swap massive close-ups of barreling locomotives with sweeping bird's-eye views that show how even these metal giants were dwarfed by nature. It's impossible to turn a page without learning something, but it's these multiple wow moments that will knock readers from their chairs. Fantastic opening and closing notes make this the book for young train enthusiasts.--Kraus, Daniel Copyright 2010 Booklist

From Booklist, Copyright American Library Association. Used with permission.

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Newbery Medal Winners
Click to search this book in our catalog Bomb
by Steve Sheinkin

Publishers Weekly In his highly readable storytelling style, Sheinkin (The Notorious Benedict Arnold) weaves together tales of scientific and technological discovery, back-alley espionage, and wartime sabotage in a riveting account of the race to build the first atomic weapon. The famous (Robert Oppenheimer) and infamous (spy Harry Gold) headline an enormous cast of characters, which also includes Norwegian resistance fighter Knut Haukelid, whose secret wartime missions prevented Hitler from acquiring an atom bomb. B&w portraits of key players appear in photo- montages that begin each of the book's four sections. Sheinkin pulls from numerous sources to supply every chapter with quotations that swiftly move the narrative forward. Suspenseful play-by-play moments will captivate, from the nuclear chain reaction test at the University of Chicago to the preparations for and dropping of the first bomb over Hiroshima. In a "genie out of the bottle" epilogue, details of the Cold War's escalating arms race and present-day weapons counts will give readers pause, especially Sheinkin's final thoughts: "It's a story with no end in sight. And, like it or not, you're in it." A must-read for students of history and science. Ages 10-up. (Sept.) ? (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Book list Using some of the same narrative techniques he used in the YALSA Award for Excellence in Nonfiction-winning The Notorious Benedict Arnold (2010), Sheinkin shapes the story of the Manhattan Project into a dense, complicated thriller that intercuts the action with the deftness of a Hollywood blockbuster. There are more characters than readers will be able to handle, but they'll follow the three main threads. The first is a tale of spy versus spy, as Soviet informants infiltrate America's Los Alamos laboratory. The second tracks the heroism of Knut Haukelid as he parachutes into Norway to destroy Germany's heavy water plant. Most amazing is Robert Oppenheimer's assemblage of the greatest scientific minds in the U.S. (aka the world's largest collection of crackpots ), who under great duress design the most lethal weapon in history. Sheinkin's prose understandably favors plot machinations over character, and positioning photos in the back matter feels anticlimactic. Nonetheless, the painstakingly sourced narrative crackles and drives home the strange mix of pride and horror felt by the scientists who had just won the war but lost something of equal worth.--Kraus, Daniel Copyright 2010 Booklist

From Booklist, Copyright American Library Association. Used with permission.

School Library Journal Gr 5 Up-"Harry Gold was right: This is a big story." So begins this depiction of the "creation-and theft-of the deadliest weapon ever invented." As he did in The Notorious Benedict Arnold (Roaring Brook, 2010), Sheinkin has again brought his superior talent for storytelling to bear in what is truly a gripping account of discovery, espionage, and revolutionary changes in both physics and the modern world. This fascinating tale, packed with a wide cast of characters, focuses mainly on three individuals: spy for the Soviets Harry Gold, leader of the Manhattan Project J. Robert Oppenheimer, and Knut Haukelid, who sabotaged German bomb efforts while working for the Norwegian resistance. Sheinkin skillfully combines lucid, conversational snapshots of the science behind the atomic bomb with a fast-paced narrative of the remarkable people who made it possible and attempted to steal it. Handsomely designed and loaded with archival photos and primary-source documents, the accessible volume lays out how the bomb was envisioned and brought to fruition. While the historical information and hard facts presented here will likely be new to the intended audience, they in no way overwhelm readers or detract from the thoroughly researched, well-documented account. It reads like an international spy thriller, and that's the beauty of it.-Brian Odom, Pelham Public Library, AL (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly In his highly readable storytelling style, Sheinkin (The Notorious Benedict Arnold) weaves together tales of scientific and technological discovery, back-alley espionage, and wartime sabotage in a riveting account of the race to build the first atomic weapon. The famous (Robert Oppenheimer) and infamous (spy Harry Gold) headline an enormous cast of characters, which also includes Norwegian resistance fighter Knut Haukelid, whose secret wartime missions prevented Hitler from acquiring an atom bomb. B&w portraits of key players appear in photo- montages that begin each of the book's four sections. Sheinkin pulls from numerous sources to supply every chapter with quotations that swiftly move the narrative forward. Suspenseful play-by-play moments will captivate, from the nuclear chain reaction test at the University of Chicago to the preparations for and dropping of the first bomb over Hiroshima. In a "genie out of the bottle" epilogue, details of the Cold War's escalating arms race and present-day weapons counts will give readers pause, especially Sheinkin's final thoughts: "It's a story with no end in sight. And, like it or not, you're in it." A must-read for students of history and science. Ages 10-up. (Sept.) ? (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Book list Using some of the same narrative techniques he used in the YALSA Award for Excellence in Nonfiction-winning The Notorious Benedict Arnold (2010), Sheinkin shapes the story of the Manhattan Project into a dense, complicated thriller that intercuts the action with the deftness of a Hollywood blockbuster. There are more characters than readers will be able to handle, but they'll follow the three main threads. The first is a tale of spy versus spy, as Soviet informants infiltrate America's Los Alamos laboratory. The second tracks the heroism of Knut Haukelid as he parachutes into Norway to destroy Germany's heavy water plant. Most amazing is Robert Oppenheimer's assemblage of the greatest scientific minds in the U.S. (aka the world's largest collection of crackpots ), who under great duress design the most lethal weapon in history. Sheinkin's prose understandably favors plot machinations over character, and positioning photos in the back matter feels anticlimactic. Nonetheless, the painstakingly sourced narrative crackles and drives home the strange mix of pride and horror felt by the scientists who had just won the war but lost something of equal worth.--Kraus, Daniel Copyright 2010 Booklist

From Booklist, Copyright American Library Association. Used with permission.

School Library Journal Gr 5 Up-"Harry Gold was right: This is a big story." So begins this depiction of the "creation-and theft-of the deadliest weapon ever invented." As he did in The Notorious Benedict Arnold (Roaring Brook, 2010), Sheinkin has again brought his superior talent for storytelling to bear in what is truly a gripping account of discovery, espionage, and revolutionary changes in both physics and the modern world. This fascinating tale, packed with a wide cast of characters, focuses mainly on three individuals: spy for the Soviets Harry Gold, leader of the Manhattan Project J. Robert Oppenheimer, and Knut Haukelid, who sabotaged German bomb efforts while working for the Norwegian resistance. Sheinkin skillfully combines lucid, conversational snapshots of the science behind the atomic bomb with a fast-paced narrative of the remarkable people who made it possible and attempted to steal it. Handsomely designed and loaded with archival photos and primary-source documents, the accessible volume lays out how the bomb was envisioned and brought to fruition. While the historical information and hard facts presented here will likely be new to the intended audience, they in no way overwhelm readers or detract from the thoroughly researched, well-documented account. It reads like an international spy thriller, and that's the beauty of it.-Brian Odom, Pelham Public Library, AL (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Oprah's Book Club
Click to search this book in our catalog The Poisonwood Bible
by Barbara Kingsolver

Library Journal It's been five years since Kingsolver's last novel (Pigs in Heaven, LJ 6/15/93), and she has used her time well. This intense family drama is set in an Africa on the verge of independence and upheaval. In 1959, evangelical preacher Nathan Price moves his wife and four daughters from Georgia to a village in the Belgian Congo, later Zaire. Their dysfunction and cultural arrogance proves disastrous as the family is nearly destroyed by war, Nathan's tyranny, and Africa itself. Told in the voices of the mother and daughters, the novel spans 30 years as the women seek to understand each other and the continent that tore them apart. Kingsolver has a keen understanding of the inevitable, often violent clashes between white and indigenous cultures, yet she lets the women tell their own stories without being judgmental. An excellent novel that was worth the wait and will win the author new fans. [Previewed in Prepub Alert, LJ 7/98.]?Ellen Flexman, Indianapolis-Marion Cty. P.L.

Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Library Journal Fiery evangelist Nathan Price takes his wife and four daughters to the Belgian Congo in 1959, where they find that they are more transformed than transforming. Kingsolver's first since Pigs in Heaven.

Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Publishers Weekly In this risky but resoundingly successful novel, Kingsolver leaves the Southwest, the setting of most of her work (The Bean Trees; Animal Dreams) and follows an evangelical Baptist minister's family to the Congo in the late 1950s, entwining their fate with that of the country during three turbulent decades. Nathan Price's determination to convert the natives of the Congo to Christianity is, we gradually discover, both foolhardy and dangerous, unsanctioned by the church administration and doomed from the start by Nathan's self-righteousness. Fanatic and sanctimonious, Nathan is a domestic monster, too, a physically and emotionally abusive, misogynistic husband and father. He refuses to understand how his obsession with river baptism affronts the traditions of the villagers of Kalinga, and his stubborn concept of religious rectitude brings misery and destruction to all. Cleverly, Kingsolver never brings us inside Nathan's head but instead unfolds the tragic story of the Price family through the alternating points of view of Orleanna Price and her four daughters. Cast with her young children into primitive conditions but trained to be obedient to her husband, Orleanna is powerless to mitigate their situation. Meanwhile, each of the four Price daughters reveals herself through first-person narration, and their rich and clearly differentiated self-portraits are small triumphs. Rachel, the eldest, is a self-absorbed teenager who will never outgrow her selfish view of the world or her tendency to commit hilarious malapropisms. Twins Leah and Adah are gifted intellectually but are physically and emotionally separated by Adah's birth injury, which has rendered her hemiplagic. Leah adores her father; Adah, who does not speak, is a shrewd observer of his monumental ego. The musings of five- year-old Ruth May reflect a child's humorous misunderstanding of the exotic world to which she has been transported. By revealing the story through the female victims of Reverend Price's hubris, Kingsolver also charts their maturation as they confront or evade moral and existential issues and, at great cost, accrue wisdom in the crucible of an alien land. It is through their eyes that we come to experience the life of the villagers in an isolated community and the particular ways in which American and African cultures collide. As the girls become acquainted with the villagers, especially the young teacher Anatole, they begin to understand the political situation in the Congo: the brutality of Belgian rule, the nascent nationalism briefly fulfilled in the election of the short-lived Patrice Lumumba government, and the secret involvement of the Eisenhower administration in Lumumba's assassination and the installation of the villainous dictator Mobutu. In the end, Kingsolver delivers a compelling family saga, a sobering picture of the horrors of fanatic fundamentalism and an insightful view of an exploited country crushed by the heel of colonialism and then ruthlessly manipulated by a bastion of democracy. The book is also a marvelous mix of trenchant character portrayal, unflagging narrative thrust and authoritative background detail. The disastrous outcome of the forceful imposition of Christian theology on indigenous natural faith gives the novel its pervasive irony; but humor is pervasive, too, artfully integrated into the children's misapprehensions of their world; and suspense rises inexorably as the Price family's peril and that of the newly independent country of Zaire intersect. Kingsolver moves into new moral terrain in this powerful, convincing and emotionally resonant novel. Agent, Frances Goldin; BOMC selection; major ad/promo; author tour. (Nov.)

Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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