Kirkus
Copyright © Kirkus Reviews, used with permission.

You may know the Easter Bunny, but get ready to meet Peter Easter Frog! Peter loves Easter, and he’s not going to let the fact that he’s a frog and not a bunny stop him, especially when he’s so good at hopping! He looks absolutely delighted to be hopping around delivering Easter eggs. As he hops along, so does a repeated refrain, which always begins with two words ending with “-ity” coupled with “Easter’s on its—” (“Squishity, squashity, Easter’s on its—”; “Yippity, yappity, Easter’s on its—”); each page turn playfully upends the expected conclusion of the line. Karas’ cheery art portrays a growing array of animals: a turtle decked out in lipstick and a spiffy Easter bonnet, a cow with flower choker necklace, and a sheepdog and a chipmunk sans finery. As Peter gives out colorful, patterned Easter eggs to the other animals, they are, at first, shocked to see an Easter frog but soon join him in his charitable mission to spread Easter cheer. The moment when the cow responds to the dog’s challenge that she is not a cow-bunny by pointing out its own breed as a “sheepdog” may elicit laughs, especially from adult readers. When the group finally meets the real Easter Bunny—hilariously, at the end of a dark tunnel—it seems that things may go awry, but all ends hoppily, happily, and inclusively. The text does not use dialogue tags, instead setting narration and dialogue in separate, distinctive typefaces; unfortunately, this design is not consistently applied, which may confuse readers. (This book was reviewed digitally with 10-by-22-inch double-page spreads viewed at 26.8% of actual size.) Charming Easter fun. (Picture book. 3-5) Copyright © Kirkus Reviews, used with permission.

Kirkus
Copyright © Kirkus Reviews, used with permission.

You may know the Easter Bunny, but get ready to meet Peter Easter Frog! Peter loves Easter, and hes not going to let the fact that hes a frog and not a bunny stop him, especially when hes so good at hopping! He looks absolutely delighted to be hopping around delivering Easter eggs. As he hops along, so does a repeated refrain, which always begins with two words ending with -ity coupled with Easters on its (Squishity, squashity, Easters on its; Yippity, yappity, Easters on its); each page turn playfully upends the expected conclusion of the line. Karas cheery art portrays a growing array of animals: a turtle decked out in lipstick and a spiffy Easter bonnet, a cow with flower choker necklace, and a sheepdog and a chipmunk sans finery. As Peter gives out colorful, patterned Easter eggs to the other animals, they are, at first, shocked to see an Easter frog but soon join him in his charitable mission to spread Easter cheer. The moment when the cow responds to the dogs challenge that she is not a cow-bunny by pointing out its own breed as a sheepdog may elicit laughs, especially from adult readers. When the group finally meets the real Easter Bunnyhilariously, at the end of a dark tunnelit seems that things may go awry, but all ends hoppily, happily, and inclusively. The text does not use dialogue tags, instead setting narration and dialogue in separate, distinctive typefaces; unfortunately, this design is not consistently applied, which may confuse readers.(This book was reviewed digitally with 10-by-22-inch double-page spreads viewed at 26.8% of actual size.) Charming Easter fun. (Picture book. 3-5) Copyright Kirkus Reviews, used with permission.