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by Downham, Jenny

Book list *Starred Review* Mikey's 15-year-old sister, Karyn, is holed up in the family's apartment, unwilling to go out or see anyone since accusing an older boy of sexual assault. Feeling helpless and outraged, Mikey vows to seek revenge for his sister, even as the court case against Tom Parker continues. Meanwhile, Tom's sister, Ellie, the only witness to the alleged crime, feels unsure about her statement to the police. When Mikey (who at first hides his identity) meets Ellie, their attraction to each other only exacerbates matters. The family dynamics of their very different home lives powerfully dictate the moves each makes: Mikey lives with a drunken single mother in subsidized housing, while Ellie comes from a family of privilege. Ellie's dilemma is especially harrowing, threatening to separate her from one or both of her parents as the day of her testimony approaches. Each time, Ellie and Mikey draw close, pull apart, then draw close again, Downham puts readers inside their heads, feeling and understanding their complicated emotions as she masterfully shifts points of view. This excellent sophomore effort from the author of Before I Die (2007) should have broad appeal for teens looking for weighty issues tied to their romance.--Cruze, Karen Copyright 2010 Booklist

From Booklist, Copyright American Library Association. Used with permission.

Publishers Weekly After Mikey's 15-year-old younger sister Karyn accuses college student Tom Parker of raping her, Mikey plans to avenge her. But when he goes to the Parkers' sprawling house, heavy spanner in hand, he meets Tom's younger sister, Ellie, and an attraction sparks between them. Downham's (Before I Die) sophomore novel is set in coastal England, and while there's a fair amount of detail about the English legal and school systems, as well as regional vernacular, the book's powerful themes are universal. As Mikey and Ellie's relationship deepens, and both feel forced to choose "sides," they struggle with their loyalty to their families, their feelings for one another, and broader issues of class, gender, and power. Well-drawn characters allow readers to sympathize with nearly everyone; Ellie, "the primary witness," is in a particularly difficult spot as she begins to waver about testifying for her brother ("I keep going over and over that night in my head and more stuff comes back to me, more things fit into place," she says). With no tidy solutions, it's an unflinching portrayal of love under pressure. Ages 14-up. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Gr 8 Up-Mikey's life is a juggling act: Mum spends her days and nights with cheap sherry, seven-year-old sister Holly needs help getting to school each day, and Mikey is working at a menial job that offers the hope of a tantalizing career. He faces further complications when his 15-year-old sister, Karyn, completely withdraws, suffering the devastating aftermath of a rape by Tom Parker. Ellie Parker has always been a quiet little nerd until she witnesses her brother's brutal sexual assault of her classmate. The pressure from her family to protect Tom at all costs has forced her into the position of fabricating a statement to the police about what she knows. For both Mikey and Ellie, the balancing act of their personal lives becomes more precarious when they meet. They are drawn to each other but are torn between family solidarity, an inability to trust any member of the enemy's family, and the feelings of their hearts. Downham brilliantly captures the struggle of these two star-crossed lovers as they navigate the stormy waters of family loyalty, social workers and legal systems, job and school. With touching honesty, she brings her characters to life in this poignant story of love and choice. Mesmerizing.-Barbara M. Moon, Suffolk Cooperative Library System, Bellport, NY (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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by Ed Young

Book list Ages 6^-9. Young incorporates a wolf image into every illustration in this Chinese version of the familiar Red Riding Hood tale, imparting a sense of courage as well as danger.

From Booklist, Copyright American Library Association. Used with permission.

Book list Through dramatic wolf images, Young brings new perspectives to this compelling story of three little girls who outwit a wolf posing as their grandmother. The 1990 Caldecott Award Book.

From Booklist, Copyright American Library Association. Used with permission.

School Library Journal Gr 1-5-With forceful impressionistic paintings, Young artfully entices readers across the fairy-tale threshold into a story of three girls' fearless battle of wits with a famished wolf. (Dec. 1989)

Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Publishers Weekly This version of the Red Riding Hood story from Young ( The Emperor and the Kite ; Cats Are Cats ; Yeh-Shen ) features three daughters left at home when their mother goes to visit their grandmother. Lon Po Po, the Granny Wolf, pretends to be the girls' grandmother, until clever Shang, the eldest daughter, suspects the greedy wolf's real identity. Tempting him with ginkgo nuts, the girls pull him in a basket to the top of the tree in which they are hiding, then let go of the rope--killing him. One of Young's most arresting illustrations accompanies his dedication: ``To all the wolves of the world for lending their good name as a tangible symbol for our darkness.'' Like ancient Oriental paintings, the illustrations are frequently grouped in panels. When the girls meet the wolf, e.g., the left panel focuses on their wary faces peering out from the darkness, the middle enlarges the evil wolf's eye and teeth, and the third is a vivid swirl of the blue clothes in which the wolf is disguised. The juxtaposition of abstract and realistic representations, the complicated play of color and shadow, and the depth of the artist's vision all help transform this simple fairy tale into an extraordinary and powerful book. Ages 4-8. (Nov.)

Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Book list Ages 6-9. See Focus p.672.

From Booklist, Copyright American Library Association. Used with permission.

School Library Journal Gr 1-5-- A gripping variation on Red Riding Hood that involves three little sisters who outsmart the wolf ( lon or long in Cantonese) who has gained entry to their home under the false pretense of being their maternal grandmother ( Po Po ). The clever animal blows out the candle before the children can see him , and is actually in bed with them when they start asking the traditional ``Why, Grandma!'' questions. The eldest realizes the truth and tricks the wolf into letting them go outside to pick gingko nuts , and then lures him to his doom. The text possesses that matter-of-fact veracity that characterizes the best fairy tales. The watercolor and pastel pictures are remarkable: mystically beautiful in their depiction of the Chinese countryside, menacing in the exchanges with the wolf, and positively chilling in the scenes inside the house. Overall, this is an outstanding achievement that will be pored over again and again.--John Philbrook, San Francisco Pub . Lib .

Copyright Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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by Clare Vanderpool

School Library Journal Gr 5-8-History and fiction marry beautifully in this lively debut novel. It's as if readers jump off the train in Manifest, KS, in 1936 with Abilene Tucker, 12, the feisty, likable, and perceptive narrator. She is there to live with Pastor Shady Howard, her father's friend, while her father works on the railroad back in Iowa. An equally important story set during World War I is artfully intertwined. Since her mother went off on her own 10 years earlier, Abilene and Gideon have been alone. Though their life together is unsettled, their bond is strong. Shady's place is shabby, but he is welcoming. The mystery about Manifest and Gideon unfolds after Abilene finds a box filled with intriguing keepsakes. It includes a letter dated 1917 to someone named Jinx from Ned Gillen that has a warning, "THE RATTLER is watching." This starts Abilene, with the help of new friends Ruthanne and Lettie, on a search to learn the identity of the pair. The story cleverly shifts back and forth between the two eras. Abilene becomes connected to Miss Sadie, a "diviner" who slowly leads her through the story of Ned and Jinx. Though the girl is lonely, she adjusts to her new life, feeling sure that her father will come for her at summer's end. The Ku Klux Klan and its campaign against the many immigrants working in the coal mines and the deplorable conditions and exploitation of these men provide important background. This thoroughly enjoyable, unique page-turner is a definite winner.-Renee Steinberg, formerly at Fieldstone Middle School, Montvale, NJ (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list *Starred Review* After a life of riding the rails with her father, 12-year-old Abilene can't understand why he has sent her away to stay with Pastor Shady Howard in Manifest, Missouri, a town he left years earlier; but over the summer she pieces together his story. In 1936, Manifest is a town worn down by sadness, drought, and the Depression, but it is more welcoming to newcomers than it was in 1918, when it was a conglomeration of coal-mining immigrants who were kept apart by habit, company practice, and prejudice. Abilene quickly finds friends and uncovers a local mystery. Their summerlong spy hunt reveals deep-seated secrets and helps restore residents' faith in the bright future once promised on the town's sign. Abilene's first-person narrative is intertwined with newspaper columns from 1917 to 1918 and stories told by a diviner, Miss Sadie, while letters home from a soldier fighting in WWI add yet another narrative layer. Vanderpool weaves humor and sorrow into a complex tale involving murders, orphans, bootlegging, and a mother in hiding. With believable dialogue, vocabulary and imagery appropriate to time and place, and well-developed characters, this rich and rewarding first novel is like sucking on a butterscotch. Smooth and sweet. --Isaacs, Kathleen Copyright 2010 Booklist

From Booklist, Copyright American Library Association. Used with permission.

Publishers Weekly Set in 1936, this memorable coming-of-age story follows 12-year-old Abilene Tucker's unusual summer in her father's hometown of Manifest, Kans., while he's away on a railroad job. Having had an itinerant upbringing, Abilene is eager to connect to her father's childhood, a goal that proves difficult. The immigrant town has become rundown, but is populated with well-developed, idiosyncratic characters and has a dynamic past involving the KKK, an influenza scare, and a bootlegging operation. Manifest's history emerges in stories recounted by Miss Sadie (a Hungarian medium) and in news columns written in 1917 by Hattie Mae Harper, "Reporter About Town." With new friends Lettie and Ruthanne, Abilene pieces together the past, coming to understand, as Miss Sadie says, that "maybe what you're looking for is not so much the mark your daddy made on this town, but the mark the town made on your daddy." Witty, bold, and curious, Abilene is as unforgettable as the other residents of Manifest, and the variety of voices allows the town's small mysteries to bloom. Replete with historical details and surprises, Vanderpool's debut delights, while giving insight into family and community. Ages 9-12. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

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by Ken Follett

Book list Those eagerly awaiting volume three of Follett's ambitious Century Trilogy will not be disappointed. Despite the long wait Winter of the World was published in 2012 both the history propelling the multiple plots and the third generation of the interrelated cast of characters are so familiar, readers should have no trouble picking up the threads of the story line left dangling at the end of the previous installment. Spanning the globe and the latter third of twentieth century, this saga continues to follow the lives and loves of the members of five global families, as they struggle against a backdrop of tumultuous international events. As the years roll by, the Cold War, the Cuban Missile Crisis, the Berlin Wall, the assassination of JFK, the civil rights movement, the Vietnam War, and the crumbling of communism are intimately viewed through the eyes and emotions of a representative array of witnesses to history. Follett does an outstanding job of interweaving and personalizing complicated narratives set on a multicultural stage. HIGH-DEMAND BACKSTORY: Follett needs no hard sell. The previous two installments of the ambitious Century Trilogy were best-sellers; expect no less from this superb concluding chapter.--Flanagan, Margaret Copyright 2010 Booklist

From Booklist, Copyright American Library Association. Used with permission.

Library Journal The final volume in Follett's latest trilogy (after Fall of Giants and Winter of the World) is worth the wait. The formula is the same as in previous books: the continuing history of five families, now conflated into four-British, American, German, Russian-traced against the background of dramatic public events. The second book ended in 1948 with the Rosenberg spy trial, and now Follett starts in 1961, when Rebecca Hoffman learns an unpleasant truth about her East German husband. George Jakes, the biracial son of a white senator from the previous volume, is hired by the White House as window dressing-the Kennedys mustn't look like bigots-but soon becomes a trusted aide to Bobby Kennedy. Thus he witnesses what goes on in the -Kennedy White House and in the civil rights campaign. German families are separated for decades by the Berlin Wall. Two grandchildren-German and English-form a successful rock band, our entree to the everything-goes 1960s. Follett covers all the bases in this sprawling, energetic novel. Bad things abound, but, the tone is upbeat. The book ends with the televising of Obama's 2008 election speech. Watching with his family, George has tears in his eyes for the fallen martyrs who made the event possible. VERDICT Once again, Follett has written pitch-perfect popular fiction that readers will devour. [See Prepub Alert, 3/24/14.]-David Keymer, Modesto, CA (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly In the ambitious, commanding capstone to his multigenerational Century Trilogy (after Winter of the World), Follett expertly chronicles the pivotal events of the closing decades of the 20th century through the eyes of a vast array of deftly-drawn characters, all suffering the slings and arrows of a world marred by war and global unrest. Among them is Rebecca Hoffman, a good-natured school teacher in Communist Berlin, who discovers in 1961 that her secretive husband, Hans, is a clandestine Stasi agent and has been spying on her for years. When she eventually confronts him, he angrily vows to destroy her family. Elsewhere, mixed-race, civil-rights-minded George Jakes forsakes a lucrative law career to work for Bobby Kennedy and the Justice Department, then battles racial inequality as a congressman. Dmitri "Dimka" Dvorkin, an aide to Nikita Khrushchev, finds himself embroiled in heated U.S.-Soviet nuclear political power plays and his sister, Tanya, thrusts herself into the fray of governmental global turmoil. Cameron Dewar, a senator's grandson, also becomes politically active with espionage on his mind while Rebecca's brother, the musician Walli, must choose between a rising-star career in rock-and-roll and his pregnant lover, Karolin. Sweeping through the Johnson, Nixon, and Reagan administrations, Follett's smooth page-turner concludes in 2008 with an epilogue set on the night of President Obama's electoral victory. This mesmerizing final installment is an exhaustive but rewarding reading experience dense in thematic heft, yet flowing with spicy, expertly paced melodrama, character-rich exploits, familial histrionics, and international intrigue. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved.

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