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| Caldecott Medal Winners |  | | Hot Dog
by Doug Salati
Kirkus Cool ocean breezes prove to be the perfect antidote to city burnout in this loving doggy tale. On a hot summer’s day in a metropolis reminiscent of New York, a middle-aged human and a wiener dog run errands. But today the little dog is feeling overwhelmed by the crowds and the heat. Spare text reveals their unhappiness: “too close! too loud! too much! THAT’S IT!” The dog digs in their heels, refusing to go any further. The owner sympathizes and immediately whisks the little dog away. Not simply off the streets, but from a train to a boat to an island, “wild and long and low.” After a day playing by the sea (and encountering what turns out to be a seal), they return to the city, where the world has cooled down and the two can come home to dinner and a sleep filled with dreams of seals. Salati expertly captures the stifling claustrophobia of hot and crowded city streets. One can almost feel the palpable temperature shift when the colors on the pages move from vibrant oranges, reds, and yellows to blues and greens, like a tonal reprieve. Happily, the book avoids demonizing cities in favor of the country, showing instead how a bad day affects your every sense. Spare poetic text also perfectly captures this small canine’s mindset. The dog’s human presents as White; other characters are diverse. (This book was reviewed digitally.) You needn’t be a dog owner to identify with this expertly wrought tale of physical and emotional relief. (Picture book. 3-6) Copyright © Kirkus Reviews, used with permission. Copyright © Kirkus Reviews, used with permission. Horn Book It's a hot time in the city. A small, low-slung pup greets the morning from the window of a narrow NYC brownstone. But as the dog's day unfolds, it all becomes too much. "City summer / steamy sidewalks... / crowds close in... / too loud / too close / too much!" Fortunately, the dog's devoted owner understands. She breaks off her round of errands mid-crosswalk, picks up her dog, and takes a taxi, then a train, and finally a ferry to an island, "wild and long and low," where the pair enjoys an idyllic beach day. The dog runs and runs, chases waves, delivers shells and stones to its owner, digs holes; the woman relaxes under an umbrella. Restored, they return to the city in the evening, now able to cherish its many pleasures -- skateboarders in the park, street pretzels, a fruit stand. "What a day for a dog!" Minimal, impressionistic free-verse text beautifully sets scenes and conveys character and emotion, expertly matched by the illustrations. Claustrophobic vertical panels, angular lines, and hot oranges, reds, and yellows (of the city) give way to expansive, sometimes full-spread horizontal panels and cool blues and greens (of the island escape). In the end, back home in the woman's small walk-up apartment, our doggo settles down for the night, "ready to leap / into a deep / ocean / sleep." Entirely delightful; a breath of fresh air from start to finish. (c) Copyright 2023. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. (c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. Publishers Weekly Set on one sizzling summer day, this remarkable slice-of-life story, a solo debut, stars a copper-hued, city-dwelling dachshund—the titular hot dog. In pencil, gouache, and digital spreads that have a candid feel, Salati (Lawrence in the Fall) captures the city’s crush, and the dog’s plunking down in the center of a crosswalk, refusing to move. But the hound’s human—a white-skinned individual who wears glasses and a fanny pack—knows just what they need. The two grab a cab, then board a train and a ferry. As the images transition from warm to cool colors, and the text moves from vertically set staccato lines to horizontal fare, the duo arrive at “an island... wild and long and low,” where, at last, “a pup can run.” Full spreads open out onto luxurious stretches of ocean, sand, and reeds, where the two share a blissful afternoon. As the dog scavenges and the human rests, vignettes capture the joy of companions who are utterly relaxed in the other’s presence. And when the setting sun precipitates a return home, the gentle introduction of urban blues and greens suggest a better balance as “everyone/ cools/ down.” Employing snapshots of city life that create a strong sense of place, Salati makes smart use of the picture book format to craft a calming portrait of escape and renewal. Ages 4–8. Agent: Erica Rand Silverman, Stimola Literary. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved |
| Newbery Medal Winners |  | | The Graveyard Book
by Neil Gaiman
Publishers Weekly
: Starred Review. A lavish middle-grade novel, Gaiman's first since Coraline, this gothic fantasy almost lives up to its extravagant advance billing. The opening is enthralling: There was a hand in the darkness, and it held a knife. Evading the murderer who kills the rest of his family, a child roughly 18 months old climbs out of his crib, bumps his bottom down a steep stairway, walks out the open door and crosses the street into the cemetery opposite, where ghosts take him in. What mystery/horror/suspense reader could stop here, especially with Gaiman's talent for storytelling? The author riffs on the Jungle Book, folklore, nursery rhymes and history; he tosses in werewolves and hints at vampires—and he makes these figures seem like metaphors for transitions in childhood and youth. As the boy, called Nobody or Bod, grows up, the killer still stalking him, there are slack moments and some repetition—not enough to spoil a reader's pleasure, but noticeable all the same. When the chilling moments do come, they are as genuinely frightening as only Gaiman can make them, and redeem any shortcomings. Ages 10–up. (Oct.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms
School Library Journal
: Gr 5–8—Somewhere in contemporary Britain, "the man Jack" uses his razor-sharp knife to murder a family, but the youngest, a toddler, slips away. The boy ends up in a graveyard, where the ghostly inhabitants adopt him to keep him safe. Nobody Owens, so named because he "looks like nobody but himself," grows up among a multigenerational cast of characters from different historical periods that includes matronly Mistress Owens; ancient Roman Caius Pompeius; an opinionated young witch; a melodramatic hack poet; and Bod's beloved mentor and guardian, Silas, who is neither living nor dead and has secrets of his own. As he grows up, Bod has a series of adventures, both in and out of the graveyard, and the threat of the man Jack who continues to hunt for him is ever present. Bod's love for his graveyard family and vice versa provide the emotional center, amid suspense, spot-on humor, and delightful scene-setting. The child Bod's behavior is occasionally too precocious to be believed, and a series of puns on the name Jack render the villain a bit less frightening than he should be, though only momentarily. Aside from these small flaws, however, Gaiman has created a rich, surprising, and sometimes disturbing tale of dreams, ghouls, murderers, trickery, and family.—Megan Honig, New York Public Library Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms
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| Oprah's Book Club |  | | A Fine Balance
by Rohinton Mistry
Library Journal: In mid-1970s urban India-a chaos of wretchedness on the streets and slogans in the offices-a chain of circumstances tosses four varied individuals together in one small flat. Stubbornly independent Dina, widowed early, takes in Maneck, the college-aged son of a more prosperous childhood friend and, more reluctantly, Ishvar and Om, uncle and nephew tailors fleeing low-caste origins and astonishing hardships. The reader first learns the characters' separate, compelling histories of brief joys and abiding sorrows, then watches as barriers of class, suspicion, and politeness are gradually dissolved. Even more affecting than Mistry's depictions of squalor and grotesque injustice is his study of friendships emerging unexpectedly, naturally. The novel's coda is cruel and heart-wrenching but deeply honest. This unforgettable book from the author of Such a Long Journey (LJ 4/15/91) is highly recommended.-Janet Ingraham, Worthington P.L., Ohio Copyright 1996 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms
Publisher's Weekly: The setting of Mistry's quietly magnificent second novel (after the acclaimed Such a Long Journey) is India in 1975-76, when Prime Minister Indira Gandhi, defying a court order calling for her resignation, declares a state of emergency and imprisons the parliamentary opposition as well as thousands of students, teachers, trade unionists and journalists. These events, along with the government's forced sterilization campaign, serve as backdrop for an intricate tale of four ordinary people struggling to survive. Naive college student Maneck Kohlah, whose parents' general store is failing, rents a room in the house of Dina Dalal, a 40-ish widowed seamstress. Dina acquires two additional boarders: hapless but enterprising itinerant tailor Ishvar Darji and his nephew Omprakash, whose father, a village untouchable, was murdered as punishment for crossing caste boundaries. With great empathy and wit, the Bombay-born, Toronto-based Mistry evokes the daily heroism of India's working poor, who must cope with corruption, social anarchy and bureaucratic absurdities. Though the sprawling, chatty narrative risks becoming as unwieldy as the lives it so vibrantly depicts, Mistry combines an openness to India's infinite sensory detail with a Dickensian rendering of the effects of poverty, caste, envy, superstition,corruption and bigotry. His vast, wonderfully precise canvas poses, but cannot answer, the riddle of how to transform a corrupt, ailing society into a healthy one. Copyright 1996 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms
CHOICE: A worthy successor to Mistry's award-winning Such a Long Journey , this wonderful, baggy, Dickensian narrative follows the fortunes of an independent widow, a college student, and two impoverished tailors who share a crowded apartment. The novel includes a large cast of memorable characters, whose stories range from brutal caste struggles in small villages to homelessness in flimsy shacks surrounding the sprawling city teeming with pavement dwellers, beggars, rent collectors, con men, and corrupt police. The novel's world is often cruel and unfeeling, but the characters struggle on, trying to achieve lives of dignity and meaning. Valmik (proofreader and sometime flack for a bogus guru) provides the novel's title: "The secret of life was to balance hope and despair." The Vishram Vegetarian Hotel cook tells the tailors, "You fellows are amazing.... Each time you come here you have a new adventure story." "It's not us; it's this city," replies the tailor, "a story factory, that's what it is, a spinning mill." Mistry's humorous and compassionate tangle of tales and characters is a story factory, too. And we listen spellbound to a master story spinner at work. Distributed by Syndetic Solutions Inc. Terms
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