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ALA Best Books for Young Adults
Click to search this book in our catalog The Reader G.P. Putnams Sons Books for Young Readers
by Chee, Traci

School Library Journal Gr 8 Up-Sefia, who lives in a world without books and reading, is on the run for her life, desperate to avenge the murder of her father and rescue her aunt. The only clue she has is a strange rectangular object-a book-whose secrets she's slowly learning to uncover. With layers upon layers of tales woven throughout the narrative, Chee's debut novel establishes a fantastically populated world with a diverse cast of characters. Meticulous storytelling and a memorable adventure. © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list *Starred Review* Sefia's father drilled her on what to do if they were ever in danger, but she never expected to return home one day and find him brutally murdered. She escapes with one vital thing: a heavy square wrapped in cloth, containing bound pages with intricate symbols. It's a book, but reading in Sefia's kingdom is a skill limited to an elite few, and now that this precious volume is in her possession, she's in grave danger. Sefia spends years on the run with her aunt, Nin, until the day when the murderer catches up to them and violently steals Nin away. With the help of a mute boy she saves from a slave ring and the magic she finds in the words of the book, she seeks out her parents' killer. Chee's debut, the first in a projected series, is a stunning piece of storytelling. She deftly weaves together disparate elements, such as magic, fighting rings, swashbuckling pirates, assassins, and a kingdom beset by war, where books are illegal. Additionally, she seamlessly integrates a book within a book, as Sefia learns to read and discovers the powers of her precious cargo, and astute readers will notice hidden messages in the novel's clever design. With evocative language, fascinating world building, multifaceted characters, and a compelling plot, this is a series fantasy lovers will want to sink their teeth into.--Tomsu, Lindsey Copyright 2016 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal Gr 8 Up-"Two curves for her parents. A curve for Nin. The straight line for herself. The circle for what she had to do." This is the seal branded onto the book that was passed down to Sefia by her parents right before they were murdered by an assassin whose blade reeked of copper. Under the guidance of Aunt Nin, who is a thief, the teen learns to hide and hunt before her mentor is brutally torn away. In solitude, Sefia vows to rescue Nin. She is eventually joined by a strange, mute, and brutalized boy she saves. In a world where books and the very act of reading are limited to a select, powerful few, Sefia begins to understand the weight of her heirloom and what might transpire should it fall into the wrong hands. Sefia digs deep within herself and slowly begins to unlock the power of the written word. This work is deftly rendered in beautiful prose, narrated through three shifting time lines woven into an interconnected history of duty, honor, and magic. Chee provokes some resounding questions: What is there left to be remembered of us after death, and what must we do to be worthy of remembrance? This is a must-have for all those who value a good read with genuine character growth, mystery, unique world-building, adventure, unyielding bonds of loyalty, and pirates. Savvy teens will notice a message scattered through the page numbers. VERDICT A fresh, diverse fantasy; highly recommended for fans of Cornelia Funke's Inkheart and female-powered adventures.-Zeying Wang, School Library Journal © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly After 15-year-old orphan Sefia is separated from her aunt, she sets out on a rescue mission. Determined to learn the truth about her past and the rectangular object she's spent her life hiding, Sefia eventually discovers that the item-bound paper covered in symbols-is a book. Books, reading, and writing are unheard of in the land of Kelanna, but Sefia is certain that this book holds the answers she seeks. She is joined in her quest by a mute, nameless boy, whom she rescues from a life of forced cage fighting. The book Sefia carries, which initially seems to be filled with stories and myths, becomes increasingly mysterious when she learns that the people and accounts detailed within are true. Chee's debut is an intricate, multilayered reading experience, but the author avoids leading readers along too transparently, trusting them to puzzle together the pieces surrounding the mystery of Sefia's past. An exploration of self-determination and the magic of the written word, Sefia's story is an absorbing introduction to the Sea of Ink and Gold series. Ages 12-up. Agent: Barbara Poelle, Irene Goodman Agency. (Sept.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

ALA Notable Books for Children
Click to search this book in our catalog How to Read a Book
by Kwame Alexander

Book list Come, let your fingers wonder as they wander through this engaging and mesmerizing ode to reading. Beginning with the captivating front endpapers that contain a poem and letters of the alphabet, this title is a treat to ears and eyes with its lyrical language and visual metaphors. Newbery medalist Alexander instructs the reader on how to best go about devouring a book, likening it to peeling a piece of fruit and savoring its goodness. First, pick a comfortable place to sit, open a book, and open your mind to all that volume has to offer. Caldecott Honor Book illustrator Sweet's intricate collage art uses an array of materials, including text and images from Bambi, old book covers, watercolors, and gouache paintings. Popping pink, orange, yellow, and purple leap from the artwork, creating an energy and optimism that will keep readers glued to the pages. Books take on the shape of a bookmobile, a guitar, a record player, and a toaster that spews forth letters spelling Once upon a Time. One gatefold and a die-cut page continue to enthrall and expand enthusiasm. The author admonishes readers: Don't rush though: Your eyes need time to taste. Your soul needs room to bloom. Endnotes by the author and illustrator describe how they came to create this delightful and appealing instruction manual.HIGH-DEMAND BACKSTORY: Newbery medalist Alexander is popular across genres, and Caldecott Honoree Sweet's illustratrions enhance any project; together, they make an irresistible (and multi-award-winning) team--Maryann Owen Copyright 2019 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal PreS-Gr 2—Award-winning poet Alexander compares reading a book to peeling the gentle skin of a clementine, digging in to its juiciness, enjoying it "piece by piece, part by part," until you can "watch a novel world unfurl right before your eyes." And who better to illustrate this delicious poem than Caldecott Honoree Sweet. The artwork is done in watercolor, gouache, mixed media, handmade and vintage papers, found objects including old book covers, and a paint can lid. Not a splash of color, a piece of paper, or a line is out of place. Starting with the initial collage that incorporates the building blocks of reading (the letters A to Z) and the lines from a poem by Nikki Giovanni that careful readers will have to pay attention to see, the tone is set. "So get/real cozy/between/the covers/And let your/fingers wonder/as they wander…" for there is much to relish in this poem and its exuberant images. "Squeeze/every morsel/of each plump line/until the last/drop of magic/drips from the infinite sky." The book includes a note from both the poet and the artist. VERDICT A beautiful book not to be rushed through, but to be enjoyed morsel by tasty morsel.—Lucia Acosta, Children's Literature Specialist, Princeton, NJ

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus A linguistic and visual feast awaits in Alexander and Sweet's debut collaboration.If the mechanics of deciphering words on a page is a well-covered topic, the orchestration of finding magic between pages is an art emphasized but unexplaineduntil now. First things are first: "find a treea black tupelo or dawn redwood will doand plant yourself." Once settled, take the book in hand and "dig your thumb at the bottom of each juicy section and pop the words out[then] // Squeeze every morsel of each plump line until the last drop of magic / drips from the infinite sky." Reading, captured here in both content and form, is hailed as the unassailably individual, creative act it is. The prosody and rhythm and multimodal sensuousness of Alexander's poetic text is made playfully material in Sweet's mixed-media collage-and-watercolor illustrations. Not only does the book explain how to read, but it also demonstrates the elegant and emotive chaos awaiting readers in an intricate partnership of text and image. Despite the engaging physicality of gatefolds and almost three-dimensional spreads, readers with lower contrast sensitivity or readers less experienced at differentiating shapes and letters may initially find some of the more complex collage spreads difficult to parse. Children depicted are typically kraft-paper brown.New readers will be eager to follow such unconventional instructions, and experienced readers will recognize every single step. (Picture book. 4-7) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Publishers Weekly Newbery Medalist Alexander's love poem to literacy conjures up startling, luscious images: to begin reading a book, he tells readers, "peel its gentle skin,/ like you would/ a clementine..../ Dig your thumb/ at the bottom/ of each juicy section." Caldecott Honor artist Sweet (Some Writer!) riffs on his verse, line by line, imbuing spreads with the feel of a continually evolving, handmade Valentine (as the copyright page pointedly notes, "no computer was used in making this art"). By turns dreamy and ecstatic, the images include portraits of blissed-out readers in a variety of settings, all constructed from swaths of saturated neon color and literary-themed ephemera (pages from Bambi are used throughout). One gatefold transforms a book into an electric orange triple-decker party bus, with 18 windows revealing allusive scenes made from cut paper and collage. The text, set in hand-lettered capitals, sprawls and stacks energetically as it proclaims its bibliophilia-sometimes whispering and cooing, sometimes shouting from the rooftops that it's got it bad for books. And why not? As Alexander writes, "Now, sleep./ dream./ hope./ (you never reach)/ the end." Ages 4-8. (June) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Caldecott Medal Winners
Click to search this book in our catalog The Hello, Goodbye Window
by Norton Juster

School Library Journal PreS-Gr 1-The window in Nanna and Poppy's kitchen is no ordinary window-it is the place where love and magic happens. It's where the girl and her doting grandparents watch stars, play games, and, most importantly, say hello and goodbye. The first-person text is both simple and sophisticated, conjuring a perfectly child-centered world. Sentences such as "When I get tired I come in and take my nap and nothing happens until I get up" typify the girl's happy, imaginative world. While the language is bouncy and fun, it is the visual interpretation of this sweet story that sings. Using a bright rainbow palette of saturated color, Raschka's impressionistic, mixed-media illustrations portray a loving, mixed-race family. The artwork is at once lively and energetic, without crowding the story or the words on the page; the simple lines and squiggles of color suggest a child's own drawings, but this is the art of a masterful hand. Perfect for lap-sharing, this book will find favor with children and adults alike.-Angela J. Reynolds, Washington County Cooperative Library Services, Hillsboro, OR Copyright 2005 Reed Business Information.

(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Juster (The Phantom Tollbooth) crafts a cozy portrait of a grandchild and her grandparents in this endearing book, illustrated in paintbox colors by Raschka (Be Boy Buzz). A curly haired girl-who dances with wiggly energy in Raschka's lush paintings-describes playful visits to her Nanna and Poppy, whose kitchen window provides the perfect venue to say hello and goodbye. "You can climb up on the flower barrel and tap," she says, "then duck down and they won't know who did it." Her grandparents welcome her into a sunlit, spacious kitchen filled with plants, where she doodles and listens to Poppy play "Oh, Susannah" on the harmonica. At night, the "Hello, Goodbye Window" functions as a mirror, and the girl jokes about being outside looking in: "Poppy says, `What are you doing out there? You come right in and have your dinner.' And I say, `But I'm here with you, Poppy,' and then he looks at me in his funny way." Juster departs from the over-the-top punning of his earlier works to create a gently humorous account of a family's conversations and games, all centered on the special window. Raschka warms the pages with glowing yellow, emerald, sapphire and golden brown, and he pictures the garden and trees in emphatic midsummer greens. The characters smile at one another with a doting twinkle in their eyes, and grandparents especially will be charmed by this relaxed account of how a child's visit occasions everyday magic. Ages 2-up. (Apr.) Copyright 2005 Reed Business Information.

(c) Copyright PWxyz, LLC. All rights reserved

Book list PreS-Gr. 2. Two well-known names come together in a book that speaks to the real lives of children and their experiences. The young narrator visits her grandparents, Nanna and Poppy, in their big house. They explore Nanna's garden, and Poppy plays his harmonica. The narrator rides her bike and takes a nap, and nothing happens till I get up. Looking out the picture window, the hello, goodbye window, she sees the pizza guy, and, more fancifully, a dinosaur. She also spots her parents coming to pick her up. The curly-haired girl is happy to see them, but sad because it means the end of the visit. The window imagery is less important than the title would make it seem. More intrinsic is Juster's honest portrayal of a child's perceptions (a striped cat in the yard is a tiger) and emotions (being happy and sad at the same time just happens that way sometimes ). Raschka's swirling lines, swaths, and dabs of fruity colors seem especially vibrant, particularly in the double-page spreads, which have ample room to capture both the tender moments between members of the interracial family and the exuberance of spending time in the pulsating outdoors, all flowers, grass, and sky. --Ilene Cooper Copyright 2005 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

New York Times Bestsellers
Click to search this book in our catalog The House Of Hidden Meanings
by RuPaul

Library Journal RuPaul's memoir is the polar opposite of his breezy 1995 autobiography, Letting It All Hang Out. In this book, the drag superstar, Tony Award winner and 12-time Emmy winner, bares his soul about his dysfunctional family and the battles he has fought. He eloquently excavates old memories of growing up in San Diego with three sisters and a flinty and hot-tempered mother. Although he learned independence and self-sufficiency from his mother, she often told him (even when he was as young as five) that he was too sensitive and pensive. When his father left the family, his mother was bedridden for years. At 15, he moved in with one of his older sisters and her husband in Atlanta. By age 21, he had found supportive friends and experimented with non-glamorous, thrift-store drag items that were more punk than disco. After several attempts to live in New York City (often couch surfing or sleeping in parks), RuPaul reinvented himself and found success with the 1993 single "Supermodel (You Better Work)." VERDICT A probing, emotionally raw memoir that's an introspective examination of RuPaul's family and the issues he confronted before embracing self-love.—Kevin Howell

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Drag queen RuPaul (GuRu) excavates his childhood, early romances, and rise to fame in this unvarnished personal history. He begins in 1960s San Diego, where he lived with his fiery mother, self-absorbed father, and three sisters until his parents divorced. At 15, he moved with his sister, Renetta, and her husband to Atlanta, where he eventually dropped out of high school and fell in with the city’s bohemian art scene. The memoir luxuriates in this period, recounting the author’s tumultuous affairs, early dabblings with drag, and eventual move to New York City, where he and his former Atlanta BFF Lady Bunny rose to rule the downtown scene. Unlike the performer’s featherweight previous autobiographies (including 1995’s Lettin’ It All Hang Out), the tone here is intimate, almost conspiratorial, which both helps and hurts. On the one hand, he discusses his substance abuse and lifelong sexual insecurity with sometimes-stunning candor; on the other, he offers up some alarming pop psychology pablum, including the assertion that his father’s provincial family were “still slaves” who were “afraid of everything.” Fans looking for dishy Drag Race drama will be disappointed—the volume ends well before the show’s premiere—but readers eager for a peek behind RuPaul’s glamorous persona will get just what they came for. Agent: Cait Hoyt, CAA. (Mar.)

(c) Copyright PWxyz, LLC. All rights reserved

Kirkus The trailblazing “mother” of all drag queens unpacks the baggage of his childhood, broken family, and adventuresome adulthood. RuPaul (b. 1960), the pioneering creator of RuPaul’s Drag Race, writes eloquently about his early decades. While his fearless mother taught him independence and self-sufficiency, his father offered largely indifference and disappointment. “My inheritance from my father was a stage presence,” writes the author, which has served him well across a dazzling career of iconic performances and appearances. As he recounts, he was 12 when his “secret girl” awakened, spurred by the film Cleopatra Jones, and in his early teen years, he took inspiration from Anne Francis, Cher, and Diana Ross, among other significant cultural figures. In the progressive Atlanta of the 1970s and ’80s, RuPaul studied performing arts and experimented with drugs before acknowledging that “the promise of New York was irresistible.” In NYC, he writes, “I was finally getting sexual attention, but it was by disguising myself. I was only doing drag as a joke. But suddenly it seemed like the joke was on me. Back then, my drag wasn’t yet refined in the way it would become.” Despite being “treated with disdain” by many of the “cool kids of the downtown scene,” RuPaul persevered for years, eventually finding massive success. The author writes poignantly about meeting the love of his life, Georges LeBar, on a Manhattan dance floor, as well as the bittersweet evolution of their relationship. While RuPaul punctuates his life story with knowledgeable opinions on issues like systemic oppression, Black victimization, and the queer community, he occasionally dampens the intensity of the narrative with saccharine platitudes about inner magic and strength, or how “it’s the ego that grips, and nonattachment is the path to freedom.” Nonetheless, RuPaul fans will undoubtedly devour this meticulously recollected, heartfelt excavation of his life’s highs and lows. A highly candid, empowering celebrity self-portrait. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Newbery Medal Winners
Click to search this book in our catalog The Graveyard Book
by Neil Gaiman

Publishers Weekly : Starred Review. A lavish middle-grade novel, Gaiman's first since Coraline, this gothic fantasy almost lives up to its extravagant advance billing. The opening is enthralling: There was a hand in the darkness, and it held a knife. Evading the murderer who kills the rest of his family, a child roughly 18 months old climbs out of his crib, bumps his bottom down a steep stairway, walks out the open door and crosses the street into the cemetery opposite, where ghosts take him in. What mystery/horror/suspense reader could stop here, especially with Gaiman's talent for storytelling? The author riffs on the Jungle Book, folklore, nursery rhymes and history; he tosses in werewolves and hints at vampires—and he makes these figures seem like metaphors for transitions in childhood and youth. As the boy, called Nobody or Bod, grows up, the killer still stalking him, there are slack moments and some repetition—not enough to spoil a reader's pleasure, but noticeable all the same. When the chilling moments do come, they are as genuinely frightening as only Gaiman can make them, and redeem any shortcomings. Ages 10–up. (Oct.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : Gr 5–8—Somewhere in contemporary Britain, "the man Jack" uses his razor-sharp knife to murder a family, but the youngest, a toddler, slips away. The boy ends up in a graveyard, where the ghostly inhabitants adopt him to keep him safe. Nobody Owens, so named because he "looks like nobody but himself," grows up among a multigenerational cast of characters from different historical periods that includes matronly Mistress Owens; ancient Roman Caius Pompeius; an opinionated young witch; a melodramatic hack poet; and Bod's beloved mentor and guardian, Silas, who is neither living nor dead and has secrets of his own. As he grows up, Bod has a series of adventures, both in and out of the graveyard, and the threat of the man Jack who continues to hunt for him is ever present. Bod's love for his graveyard family and vice versa provide the emotional center, amid suspense, spot-on humor, and delightful scene-setting. The child Bod's behavior is occasionally too precocious to be believed, and a series of puns on the name Jack render the villain a bit less frightening than he should be, though only momentarily. Aside from these small flaws, however, Gaiman has created a rich, surprising, and sometimes disturbing tale of dreams, ghouls, murderers, trickery, and family.—Megan Honig, New York Public Library

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

Oprah's Book Club
Click to search this book in our catalog River, Cross My Heart
by Breena Clarke

Library Journal: YA-Set in Georgetown, this poignant coming-of-age story begins with the drowning death of six-year-old Clara Bynum. Johnnie May, at 12, was supposed to be minding her the morning the children went down to the river, knowing they were not allowed to play near it, much less swim in it. The Bynums had come to Washington, DC, from North Carolina looking for a better life, and life for the colored in Georgetown in the 1920s was better: plenty of work and good schools for the children. But Johnnie May's independent spirit causes trouble from the beginning. She is always asking why-why couldn't she swim in the pool on Volta Place, right across from Aunt Ina's house? Why does she always have to mind her little sister and clean up after her? Johnnie May is a natural leader, and "knowing her place" is a struggle. The story, which follows the Bynum family and friends in Georgetown for about a year, ends in triumph as Johnnie May wins a swim meet held in the new pool built for black people. Much of the book describes Johnnie May's relationships with her mother, her relatives, and her friends, painting a revealing picture of a river, a family, and a community.-Molly Connally, Kings Park Library, Fairfax County, VA

Copyright 1999 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly: Debut writer and Washington, D.C., native, Clarke has written a novel as lyric and alternately beguiling and confounding as its title. It is the story of the drowning of a six-year-old child, and the tragedy's ramifications for her family and neighbors in the black area of Georgetown in 1925 D.C. Clarke's scene-building skills are the novel's strengths and occasionally its weaknesses, as each chapter is an intense set piece that sometimes provokes more questions than answers. The story is ultimately that of the effects of Clara Bynum's death on her 12-year-old sister, Johnnie Mae, who was babysitting Clara at the time she fell into the river. Johnnie Mae suffers guilt, fear and loss, endures dreams, imaginings and confusion as she sees visions of her sister everywhere: in a trauma-stung classmate who wears braids like Clara's, and the vapor from a boiling pot of green beans that resembles her sister's face. Against a felt, poignant and meticulously detailed panorama of the African-American (then called "colored") community of Georgetown, Johnnie Mae struggles to find her bearings, to cope with institutional and family expectations, and with puberty and race. Johnnie Mae ultimately derives strength from her element, the water, as she becomes a talented swimmer, but her parents Alice and Willie struggle with inextinguishable grief. From the first vivid description of the Potomac, liquid elements provide themes and narrative tension in this plangent coming-of-age story, granting the reader a necessary, if temporary, distancing from the blunt fact of a dead child. Indeed, Clarke's research about African-American Georgetown in the early 20th century revisits a time and place as intricate as any, but so remote from most memories that the historical details are fascinating footnotes to an era. While authorial asides are sometimes intrusive, this is a haunting story. Agent, Cynthia Cannell.

Copyright 1999 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

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