School Library Journal Gr 7 Up-In a time when a young woman's exterior life can be stifling and dull, Faith Sunderly's interior life is cavernous. She has a sharp mind; a keen interest in the scientific research that has made her father, the formidable Reverend Sunderly, famous; and an irresistible impulse for sneaking, spying, and skulking around. Faith's curiosity about the world around her, which she must keep hidden, is a source of personal shame and the one thing about herself she longs for people, especially her father, to notice. When the Reverend is invited to take part in an archaeological dig on the insular island community of Vane, the whole family packs up and moves with him. It doesn't take long for Faith to suspect there are darker reasons the family left London in such a hurry, and just as she's starting to put things together, her father is found dead. Setting out to prove her father's death was a murder, Faith uncovers a web of secrets the Reverend has been keeping, all centered on one of his specimens-a small tree that thrives on lies and bears a fruit that tells the truth. Faith believes she can use the tree to find her father's killer and begins feeding it lies. As the tree grows, so do Faith's lies and her fevered obsession with finding out the truth. Hardinge, who can turn a phrase like no other, melds a haunting historical mystery with a sharp observation on the dangers of suppressing the thirst for knowledge, and leaves readers to wonder where science ends and fantasy begins. VERDICT Smart, feminist, and shadowy, Hardinge's talents are on full display here.-Beth McIntyre, Madison Public Library, WI © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Book list *Starred Review* On the small island of Vale, something unnatural this way comes. Is it wicked? Perhaps, but it is quickly evident in Hardinge's newest tale following her acclaimed Cuckoo Song (2015) that things are not what they seem, and the answers to such questions are rarely black and white. As 14-year-old Faith Sunderly and her family arrive at their new home, many questions swirl in the girl's head. It isn't long before she learns that their exodus from Kent has less to do with an ongoing excavation on Vale than it does with escaping scandal. After catching a glimpse of one of her father's private letters, she understands that he, Reverend Erasmus Sunderly, a renowned naturalist, has been accused of faking his most famous fossil discovery. Faith meets this news with incredulity: His bleak and terrible honesty were the plague and pride of the family. She bears a fierce love for her stern and distant father, which is underpinned by an unrequited yearning for his affection and approval. Despite possessing a highly intelligent and inquisitive mind, the reverend's daughter is never permitted to be anything but dutiful and demure; unlike her six-year-old brother, Howard, who ignites his father's pride simply by being a boy. Throughout the novel, Faith is thwarted by limits placed on her gender. In 1868, the roles of women, science, and religion are under scrutiny and often at odds with one another; Darwin's The Origin of Species is only nine years old, and its ideas of evolution are beginning to knock against the teachings of the church. Faith, who has spent hours reading the scientific volumes of her father's library, longs (in vain) to be part of these heated debates, even as the local doctor informs her that the small female skull makes it impossible for women to be intellectuals. As these injustices are bandied about, Faith feels not only incensed and confused but also ashamed for masking her own cleverness so that she might be thrown a scrap of worthwhile conversation: Rejection had worn Faith down. . . . Even so, each time she pretended ignorance, she hated herself and her own desperation. These concerns are interwoven with a story of intrigue and, possibly, murder. From the outset, Reverend Sunderly's behavior is strange. He is secretive and disappears for hours to care for a plant no one is permitted to see. When Faith interrupts her father one evening, he is forced to take her into his confidence. Thrilled by this moment of bonding, Faith agrees to help him relocate his precious plant in the dead of night, but come morning, the reverend's body is discovered with a broken neck. She is positive that someone is behind his death, and she takes it upon herself to discover who. Faith finds some answers in the reverend's journal, but it contains even more mysteries prime among them the plant she recently helped him to hide: the Mendacity Tree. According to her father, a man of science and reason, this rare specimen feeds not on sunshine but on lies, from which it bears a fruit that will reveal great truths to the person who consumes it. Faith can't help but wonder whether this tree, seemingly the stuff of fairy tales, might show her what happened to her father. And so she follows in the reverend's footsteps: she conducts scientific research on the plant and nurtures it with lies, the ramifications of which outstrip both logic and imagination. There is an effortless beauty to Hardinge's writing, which ranges from frank to profound. Though layered, the plot refuses to sag, driven as it is by mystery, taut atmosphere, complex characters, and Faith's insatiable curiosity. The 2015 winner of the UK's Costa Book of the Year Award, this novel is the first children's book since Philip Pullman's The Amber Spyglass (2000) to receive the honor, and both books use the lens of fantasy to observe a young girl caught in the cross fire of science and religion though Hardinge's touch is more nuanced. It is a book in which no details are wasted and each chapter brings a new surprise. Readers of historical fiction, mystery, and fantasy will all be captivated by this wonderfully crafted novel and the many secrets hidden within its pages.--Smith, Julia Copyright 2016 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly In Hardinge's (Cuckoo Song) superb tale of overarching ambition and crypto-botany, which recently won the Costa Book Award in the U.K., the Reverend Erasmus Sunderly, an eminent if unpleasant Victorian, has suddenly moved his family to a remote island, ostensibly to participate in a paleontological dig, but actually to escape scandal. Noticing that he is acting strangely, his 14-year-old daughter, Faith, a budding scientist whose intellectual curiosities are dismissed and discouraged, offers her aid and soon finds herself party to a terrifying discovery, a mysterious tree that apparently feeds on lies, rewarding the liar with astonishing visions. This so-called "Mendacity Tree" gives the tale an oddly allegorical feel, like something out of Spenser's The Faerie Queene. When Sunderly is found dead, an apparent suicide, it is up to Faith to clear his name, expose the murderer, and perhaps endanger her very soul. Hardinge's characteristically rich writing is on full display-alternately excoriating, haunting, and darkly funny-and the novel also features complex, many-sided characters and a clear-eyed examination of the deep sexism of the period, which trapped even the most intelligent women in roles as restrictive as their corsets. The Reverend's murder is a compelling mystery, grounded not just in professional envy and greed, but in the theological high-stakes game of Darwinian evolution and its many discontents. It's a ripping good yarn, one that should hold particular appeal for readers who are attracted to philosophically dense works like those of David Almond and Margo Lanagan. Ages 13-up. Agent: Nancy Miles, Miles Stott Agency. (May) © Copyright PWxyz, LLC. All rights reserved.

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School Library Journal Gr 7 Up-Faith Sunderly is intensely curious about her famous father's scientific research. When he is suddenly found dead, she is convinced that he was murdered, and pieces together clues and uncovered secrets, like the reverend's prized specimen-a tree that thrives on lies and bears a fruit that, when eaten, reveals a hidden truth. In this dark and haunting mystery, Hardinge creates her own truth-telling magic. © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Horn Book Everything in this audacious novel is on the cusp or in limbo, setting up delicious tensions and thematic riches. The time is nineteenth-century England; the setting is a fictional island; the main character is a fourteen-year-old girl caught between society's expectations and her fierce desire to be a scientist. Hardinge maintains masterful control of the whole complex construct. A stunner. (c) Copyright 2016. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly From chaotic bloodshed emerges a coherent struggle for freedom in this sweeping second volume of Pulitzer winner Atkinson’s Revolution Trilogy (after The British Are Coming). He recaps the war’s muddled middle years, focusing on three inept British campaigns: Gen. John Burgoyne’s 1777 expedition down the Hudson River from Canada, which ended with a humiliating surrender at Saratoga that emboldened the French to ally with America; Gen. William Howe’s 1778 defeat of George Washington’s Continental Army and occupation of Philadelphia, which the British then fecklessly abandoned; and British efforts to capture Savannah and Charleston in futile hopes of galvanizing Loyalist support. Atkinson also tracks international developments, following Benjamin Franklin’s sly diplomacy in Paris and escalating tension between Britain and France. Through vivid battle scenes (“Ghostly, muddy figures illuminated by British muzzle flashes... began climbing... their bayonets pricking the night”) and complex portraits of key figures (from Washington—a paragon of honor but also a consummate spin-doctor—to neurotic British commander-in-chief Henry Clinton, who repeatedly begged to be relieved of command), Atkinson distills a larger interpretation: though the British were winning more battles, they were losing the ideological war, partly due to the Patriots’ brutal suppression of Loyalists and America’s already robust tradition of self-governance, but also because the fight for liberty inspired passionate solidarity abroad. Epic in scale but rich in detail, this captures the drama and world-historical significance of the revolution. (Apr.)

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Book list In The Fate of the Day, the second volume of a trilogy covering the fledgling nation’s quest for independence, acclaimed author Atkinson (The British Are Coming, 2019) provides a riveting narrative covering the middle years of the American Revolution. In typical Atkinson fashion, this work provides a vast amount of substance supported by an equal amount of research to provide an exhaustive chronicle of the years that helped shape the Revolution. The American-British fight for the Americas was influenced by a wide array of characters often overlooked in the vast amount of historical works, including personalities like Charles Gravier, Count of Vergennes; John Montagu, the fourth Earl of Sandwich; and scholar Edward Gibbon, coupled with the likes of better-known participants like Lafayette, Washington, Howe, and Franklin. This work is not only an entertaining story, but more importantly, a comprehensive addition to a well-studied period of history. For readers of American history, this is a must-have volume to complete an already vast library covering the fight for democracy some 250 years in the past.

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus The Revolutionary War enters its most desperate phase in the second volume of Atkinson’s trilogy. To read this book by prolific military historian Atkinson is to see the Revolutionary War as both a civil war—loyalists against rebels, with a sizable number of uncommitted colonists in between—and an international war involving numerous European powers. Indeed, Atkinson’s book opens in France, where two nobles, Baron Johann de Kalb and Gilbert du Motier, a.k.a. the Marquis de Lafayette, are surreptitiously making their way to a boat to America, where both have been recruited to join the Continental Army at high rank. Atkinson then shifts the scene to the frontier: to Ticonderoga, where Continentals were routed twice, and to a farm settlement where British-allied Indians infamously scalped a young woman—ironically, engaged to a loyalist officer—while she was still alive, whipping up a furiously vengeful response: “Newspaper accounts of the atrocity, published over the coming weeks…fueled American contempt for the British and rage at the Indians.” Atkinson thoughtfully appraises some of the principal figures in the conflict, including British General John Burgoyne, immensely popular with his troops and insistent on recruiting Irish Catholics, “traditionally excluded from the army.” (Toward the close of his book, Atkinson writes of anti-Catholic riots in London that in the end were quashed with military force.) As for George Washington, having survived disastrous defeats and the hard winter at Valley Forge, Atkinson concludes that “in an era of great men, he already was in the front rank.” Between vivid accounts of engagements such as the crushing Continental defeat at Charleston, Atkinson looks at the practical facts of the war, including the heavy casualty rate the British suffered in trying to retain their colonies for an adamant King George III—for, as Atkinson rightly asks, “Without America, would Britain even have an empire?” As ever with Atkinson, an exemplary work of narrative history. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.