Book list Gr. 5-8. Igus' prose poems and Wood's evocative paintings combine to give a succinct overview of African American music. A useful time line sets the social context, and brief paragraphs describe the various types of music, from African origins and slave songs through ragtime; the blues; big band, bebop, and cool jazz; gospel; rhythm and blues; and the contemporary sounds of rock, hip-hop, and rap. Igus effectively uses snippets from song lyrics to communicate both a feel for the music itself and a sense of how the various styles played to the emotions of the musicians and their fans ("From the basements to the rooftops, / I see the cool tones of modern jazz / escape the city heat"). Wood's paintings are equally suggestive. Mixing modernist and primitive styles and using color nicely to communicate musical style and tone, her art not only complements the text but vivifies it. Audience may be a problem: the supportive text is too sophisticated for younger readers to grasp themselves, and the format may alienate some older readers. Perhaps best used in a junior-high classroom with audio accompaniment, this striking book, in the hands of a creative teacher or librarian, could give kids a feeling for the majesty, creativity, and continuity of African American music. (Reviewed February 15, 1998)0892391510Bill Ott

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus The collaborators on Going Back Home (1997) return with a stunning history of African-American music. They begin 500 years ago, on the African continent, chronicle the slave trade, and document the work songs and spirituals of American slaves. The blues, ragtime, jazz, gospel, R&B, rock, funk, rap, and hip hop all come under scrutiny in free-verse poems that incorporate lyrics about and the rhythms of every style. In addition, Igus has added a brief description of each musical movement and a terrific timeline noting highlights of African-American history--both musical and more general information--which roots the whole book in a broader context. Wood's vibrant paintings are based in historical detail, and resonate with emotion. The color choices, postures of the figures, as well as the expressions on their faces, reflect various aspects of African-American music; the pictures broadcast joy, innovation, and exuberance in the face of systematic oppression. A child hidden in each scene adds a nice piece of personality for readers to interpret. Stylish and lively design pulls it all together into an absorbing, attractive package. Copyright ©Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Publishers Weekly Ava’s mother works six days a week, so Saturday, their only day together, “was the day they cherished.” Despite a practiced plan and tickets to a “one-night-only puppet show,” though, this one isn’t going particularly well. The library’s story time is canceled, a car’s splash ruins their salon ’dos, and the park is too noisy and crowded to be peaceful. But they face each setback the same way: “They paused, closed their eyes, and—whew!—let out a deep breath,” then Ava’s mother reassures her that “today will be special. Today will be splendid. Today is SATURDAY!” Carefully paced repetition structures the family’s experiences, and brilliantly colored collages by Mora (Thank You, Omu!) convey their trip through the city with elegant energy; their figures dance across the pages, and sometimes the words do, too. Scenes at the family breakfast table, inside the salon, and at the riotously busy park are filled with detail that rewards second looks. When they encounter the worst disaster of all—this one is Ava’s mother’s fault—it’s Ava’s turn to reassure her mom, and she finds special words to do it. The family handles the stress of dashed expectations in a way that acknowledges disappointment while conveying the buoyancy of resilience and the joy of their bond. And a delightful coda may inspire readers to share the inventive way they salvage their day. Ages 4–8. Agent: Steven Malk, Writers House. (Oct.)

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School Library Journal PreS-Gr 2—In her second picture book, Caldecott honoree Mora (Thank You, Omu!) continues to delight and impress with her unique collage style and storytelling tone. In this story, Ava cherishes the one day each week she gets to spend with her working mother. They fill every Saturday with fun activities, until one day everything goes wrong. Storytime at the library is cancelled, their new hairdos get wet, and the park is too crowded. All the while, Ava's mom encourages her, and repeats a mantra that their Saturday will still be special and splendid. But when she forgets their tickets to a special puppet show, it is Ava who reassures her mom that their day isn't ruined, because they spent it together. The story is endearing, and accurately portrays the busy weekends of many families with working parents. Mora's repeated phrases and onomatopoeia ("Zoom! Off they went") lend themselves enjoyably to being read out loud. Her signature collage work using painted paper, patterned paper, and book clippings, is impeccable. Though appearing simple, these are incredibly precise scenes, with no piece of paper out of place. The pages contains mostly blue and green backgrounds, and Ava stands out with her warm brown skin and bright pink tank top. VERDICT A story that weaves mindfulness, appreciation of family time, and the lesson that parents are human, into a gorgeously produced package. Perfection.—Clara Hendricks, Cambridge Public Library, MA

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Kirkus Caldecott Honoree Mora (Thank You, Omu!, 2018) returns in this sophomore offering about a mother and daughter's special Saturday.Young protagonist Ava and her mother love their Saturdays together. Ava's mother works, "Sunday, Monday, Tuesday, Wednesday, Thursday, and Friday," so Saturday is their special day. The pairs' smiles and Ava's outflung hands convey excitement, while realistic details such as Ava's mother's sleep scarf add authenticity. In vignettes, Mora's collage art chronicles some of their past adventures and shows them performing various actions in a circle of repeated figures (clearly intended to convey the passage of time), preparing for their day. Discerning readers may spy something left behind as they head out. Things start to go awry almost immediately, but Ava's mother is full of reassurances, and they have a strategy for dealing with disappointment: pause, close their eyes, breathe deep, and move on. But after the biggest disappointment comes at the end of a daylong string of them, it's Ava who brings comfort to her mother in a touching moment that may bring tears to readers' eyes. Though not a preachy book, it offers lessons that are both beautiful and useful. Ava and her mother are black, with skin of different hues of browns, while other characters are an array of skin tones. How wonderful: a book with both racial diversity and class diversity that feels authentic.Special and splendid. (Picture book. 4-9) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list Saturdays are special. Ava's mother works every other day, but on her only day off, mom and daughter do all sorts of fun things go to story hour, get their hair done, lounge in the park and this Saturday is extra special because they have tickets for a one-night-only puppet show. But this Saturday gets off to a bad start and rolls downhill: the story hour is cancelled; their freshly done hair gets drenched by a puddle as a car speeds by; and worst of all, they arrive at the puppet show without their tickets. Ava's mom is heartbroken, but the little girl tells her not to worry: all Saturdays, even this one, are special "because I spend them with you." The simple yet heartfelt story tugs at the emotions, but it's the paper collage artwork that really packs a punch. Created with acrylic paints, china markers, patterned paper, and print clippings, the bright illustrations are inventively conceived and full of motion just the right vehicle for bringing this Black mother-daughter duo to vibrant life. Readers will get a real sense of their bond, which is defined by their love, not their circumstances. A sweet ending ties a bow on the story.--Ilene Cooper Copyright 2019 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Book list *Starred Review* Before dawn, a Vietnamese American man and his young son set out to fish for their supper in a nearby lake. As they travel the lamp-lit streets, build a small fire, and drop their hook into the water, the little boy contemplates his parents' lives, the everyday task of fishing for their supper, and the stories they've told him about living in Vietnam before coming to America as refugees. Phi's bittersweet story of the resourcefulness of an immigrant family is lovingly illustrated in Bui's evocative artwork. Her expressive ink-black brushstrokes stand out against a background of star-speckled, crepuscular blues, and at poignant moments in Phi's story, she movingly homes in on the facial expressions of the boy and his father. While the story occasionally hints at painful things, the gravity of those events is depicted in the emotional reactions of the characters in the present, rather than images of war in the past. The boy's father has fond memories of Vietnam, heartbreak for the people he lost in the war, and gratitude for the opportunities afforded to him in the U.S., all of which the boy silently internalizes into both appreciation for his life and curiosity about a place he's never been. This wistful, beautifully illustrated story will resonate not only with immigrant families but any family that has faced struggle.--Hunter, Sarah Copyright 2017 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal K-Gr 2-This gorgeous tale about a father/son fishing trip shows the interconnectedness of family and the inexorable way that generational history impacts the present. The story is told from the boy's perspective, as his father wakes him long before dawn to go fishing. Although the child enjoys the outing as a special adventure with his dad, they are fishing for food, not sport, and they must be home in time for the father to leave for work. The quiet time together provides opportunities for the man to talk about his past life fishing with his brother in a different pond in Vietnam, long ago before the war and before coming to America. After they return home, triumphant, with a bucket of fish, the boy contemplates his role as the youngest in the family-no longer a baby-and even though he is sad that both his parents have to work, he knows there will be a happy, love-filled family dinner later that night. Bui's cinematic illustrations make use of panels and weighted lines, evoking the perfect background or facial expression for each piece of text. The text placement and composition of the illustrations allow each occurrence or observation to be its own distinct event, stringing together the small, discrete moments that make up a life, a memory, and a history into a cohesive whole. VERDICT This gentle coming-of-age story is filled with loving, important aspects of the immigrant experience and is a first purchase for all libraries.-Anna Haase Krueger, Ramsey County Library, MN © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Publishers Weekly Phi, a poet whose parents were Vietnamese refugees, draws from childhood memories in this story about fishing with his father before sunrise on the lakes of Minneapolis. They didn't do it for fun; it was a way to put food on the table. "Everything in America costs a lot of money," his father tells him. Sometimes, they run into fishermen from other marginalized communities: a Hmong man "speaks English like my dad and likes to talk about funny movies," and a black man "shows me his colorful lure collection." Though the morning is an adventure for the boy, it's the start of a long day for his father, who heads to work afterward (as does the boy's mother). Bui (The Best We Could Do) uses confident ink lines and watery washes of deep blue to evoke the predawn setting and tender familial relationship. Graphic novel panels and strong figures give the pages the air of a documentary as Phi celebrates an unexpected superhero: a father who endures a strange new culture, works to support his family, cherishes time with his son, and draws no attention to the sacrifices he's made. Ages 6-8. (Aug.) © Copyright PWxyz, LLC. All rights reserved.

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Book list *Starred Review* Publishers say that historical fiction is a hard sell, and books with religion at their core are few and far between. Kudos, then, to Berry (All the Truth That's in Me, 2013) for creating a sweeping saga that not only deeply entwines both but also dissects its characters' humanity as it looks at the often troubling beliefs that underlay their actions. The story-within-a-story begins in 1290. A friar is gathering papers and testimonies that will show how the inquisitions here on the border of France and Spain were God's holy work. But one tale troubles him, so much so that he begins to stitch the strands together, and that is where the main story begins. Botille is a sassy teenager who makes money in her seaside village of Bajas by matchmaking. A disruptive childhood and a drunken father has bound Botille and her sisters closely together, but their lives are good: Plazensa runs the tavern, Botille makes her matches, and Sazia tells fortunes with uncanny accuracy. To the north, in Tolosos, there is another girl, Dolssa. Aristocratic by birth and a mystic by the grace of God, she spends her days with her beloved, Jesus, who wraps her in his murmurs and consumes her with his love. That much love cannot be contained, and Dolssa begins telling others how much her beloved cherishes all people. The simplicity of her message is seen by the inquisitors as a threat to the church, a devil's deception, and there is only one place it can end: in a public burning. Miraculously, Dolssa escapes the pyre. She wanders until she meets Botille, who saves and shelters her. This beautifully crafted plot would be enough on its own, but Berry does so much more. First, she establishes a convincing setting, in part by peppering the dialogue with Old Provençal language. Using many voices, some of which, including Botille and Dolssa, relate their own stories, she picks beneath words and actions to expose the motives of the heart, revealing how lofty ideas can turn into terrorizing actions, and how fear and self-preservation can make friends and neighbors turn on one another. Yet despite the book's gravity, Berry also manages to infuse her story with laughter and light welcome surprises. The final surprise awaiting readers at the book's conclusion adds yet another layer to the storytelling. Also at the book's end, Berry has included a wealth of back matter, a glossary, a list of characters (possibly of more help if placed at the book's beginning), and an author's note explaining the roots of the religious discord, inquisitions, and wars, and touching on such female mystics as Hildegard of Bingen, who is referenced in the novel. The beauty of historical fiction is that it brings to life long-ago times and places even as it shows how hopes, fears, and dreams remain constant across the ages. The strength of religious-centric novels is their revelation of the myriad ways people grapple with their faith and spirituality. The Passion of Dolssa's rich brew will leave readers thinking about all of these things, even as it profoundly influences their own struggles and questions.--Cooper, Ilene Copyright 2016 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Horn Book A (fictional) Catholic mystic, Dolssa de Stigata, escapes being burned as a heretic in 1241 France; mostly, this is the story of Botille, an enterprising young matchmaker from a tiny fishing village who rescues Dolssa. Botille's spirited character, the heart-rending suspense of events, and the terrifying context of the Inquisition in medieval Europe all render the novel irresistibly compelling. Historical note appended. Bib., glos. (c) Copyright 2016. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal Gr 7 Up-This magnificent tale is set in post-Crusades 13th-century France. A pious young noblewoman blessed with the gift of healing, Dolssa de Stigata is judged a heretic by the Roman Catholic Church and sentenced to burn at the stake. Forced to watch her beloved mother burn first, Dolssa is surprised when someone cuts the ropes binding her hands and feet and implores her to run. Driven into hiding from the churchmen dispatched to track her down, Dolssa is found nearly dead from starvation and exhaustion by a young tavern keeper and matchmaker, Botille, who vows to protect the young heretic despite the danger posed to herself and her family. Unlikely allies, the girls unwittingly put an entire village at risk in their effort to stand up for their beliefs. The account is told in alternating voices by Dolssa, Botille, and Arnaut d'Avinhonet, a Dominican friar. This lush and compelling book is enhanced by brilliant narration by Jayne Entwistle, Allen Corduner, and Fiona Hardingham. Lucky listeners will be haunted by their voices long after the book concludes. VERDICT Highly recommended for all junior high and high school audio collections. ["An expertly crafted piece of historical fiction, Berry's latest is a must for middle and high school libraries": SLJ 3/16 starred review of the Viking book.]-Lisa E. Hubler, Charles F. Brush High School, Lyndhurst, OH © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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School Library Journal Gr 7 Up-Botille is a matchmaker in the small seaside town of Bajas in medieval France. She struggles to run the family's tavern and keep her sisters and herself afloat. Dolssa is a young woman with a secret that she can't help but share-her lover is God, and she speaks to him regularly. When the two young women cross paths, both deep friendship and mortal peril await them. A beautifully rendered portrait of a little-known portion of history, this work is a meticulously researched piece of fiction. Yet it is not just in the accurate details that the novel shines. The strength and humanity of the almost entirely female set of characters are inspiring and well drawn. The panic and suspicion of post-Inquisition France is omnipresent, giving the story of a supposed heretic a constant edge of danger. As the novel slips in and out of magical realism, readers will be transported into Dolssa and Botille's world. VERDICT An expertly crafted piece of historical fiction, Berry's latest is a must for middle and high school libraries.-Erinn Black Salge, Saint Peter's Prep, Jersey City, NJ © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Kirkus A girl matchmaker in 13th-century southern France meets a mystic on the run from the Inquisition. A generation after the horrors of the Albigensian Crusade, the elders are still broken by memories of entire towns put to the sword, but the younger folk, such as Botille and her sisters, focus on the present. After a childhood on the run, the sisters seek stability in poverty-stricken Bajas: brewing ale, telling fortunes, and helping their neighbors. Bajas is depicted through a scattering of third- and first-person viewpoints (but primarily Botille's) as a town where all look out for one other as a matter of course, where goodness is found in prostitutes, fishermen, hustlers, and drunks. Bajas' generosity is challenged when Botille discovers Dolssa, an injured, spirit-shattered girl on the run. Dolssa's a convicted heretic for speaking publicly of her intimate relationship with "her beloved...Senhor Jhesus." She trails miracles like bread crumbs, from a never-emptying ale jug to repeated uncanny cures. The villagers venerate her, but the arrival of the Inquisitionin a world where branding and burnings are mild punishments compared to recent historyputs their goodness to the test. The slow build reveals Botille as a compelling, admirable young woman in a gorgeously built world that accepts miracles without question. The medieval Languedoc countryside is so believably drawn there's no need for the too-frequent italicized interjections in Old Provenal that pepper the narrative. Immersive and mesmerizing. (character list, historical note, glossary, bibliography) (Historical fantasy. 14-17) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

School Library Journal Gr 7 Up-Two young women-Botille, a tavern wench, and Dolssa, a noblewoman possibly in communion with God-form a deep bond in a world that seeks to destroy them. Berry has reimagined 13th-century France with vigor, from the small intricacies of daily village life to the brutal ruthlessness of the Inquisition. Readers looking for a work steeped in female friendship, mysticism, and blood, with extensive back matter to boot, will be well rewarded. © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly When Botille Flasucra finds Dolssa de Stigata lying on a riverside close to death, she takes the stranger to her family's tavern. Botille, a young matchmaker, and her sisters nurse Dolssa back to health in secret-a Dominican friar obsessively hunts Dolssa, whom he condemned as a heretic to be burned at the stake. The year is 1241 in Provensa (now Provence), where the aftereffects of the Albigensian Crusade have led to an inquisition meant to rid the Christian world of heretics. Dolssa, however, feels called to heal the sick in the name of her beloved Jhesus, and her miracles eventually bring danger to the small town of Bajas. Berry (All the Truth That's in Me) again delivers an utterly original and instantly engrossing story. Drawing from meticulous historical research (highlighted in extensive back matter), she weaves a tense, moving portrait of these two teenage girls and their struggle to survive against insurmountable odds. Love, faith, violence, and power intertwine in Berry's lyrical writing, but Botille's and Dolssa's indomitable spirits are the heart of her story. Ages 12-up. Agent: Alyssa Eisner Henkin, Trident Media Group. (Apr.) © Copyright PWxyz, LLC. All rights reserved.

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