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Click to search this book in our catalog Finding Me
by Viola Davis

Book list Davis is the first African American actress to achieve an Academy Award, an Emmy, and two Tony Awards, the “triple crown of acting.” Still, few know the paths she took to overcome a complicated past and find purpose in her life. Finding Me is a reflective memoir about her childhood and college years in Central Falls, Rhode Island, studying at Juilliard, and her early acting years in New York City. Davis closely examines how she dealt with poverty, domestic abuse, molestation, and racism throughout her early years. As a teenager, acting became a vehicle that helped her release childhood trauma. Yet, because she experienced so much pain, she could not understand self-love, nor could she ever feel worthy of any of her accomplishments. Still, she did thrive, due to her close bond with her family, especially her sisters, along with tremendous support from educators, acting coaches, and friends. Davis gives readers hope, encouraging us to look back and embrace childhood dreams or failures, let go of shame, and move forward to become the best version of ourselves. HIGH-DEMAND BACKSTORY: Davis' legions of fans will be eager to read and talk about her candid, challenging, and inspiring memoir.

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus The life story of an actor whose success has been shaped by grit and determination.In a starkly forthright memoir, Oscar and Tony winner Davis reflects on family, love, motherhood, and acting. Born in South Carolina on a plantation where her grandparents had been sharecroppers, she grew up in dire poverty in Central Falls, Rhode Island. Her father was a physically abusive alcoholic, and the family lived in a rat-infested apartment where they often had no heat or hot water. Besides being taunted by her classmates for being Black, she was shunned because she smelled, often of urine. As she writes, she wet the bed until she was 14. I was an awkward, angry, hurt, traumatized kid, Davis writes. I couldnt articulate what I was feeling and nobody asked. I didnt believe anybody cared. I was saturated in shame. Inspired by seeing Cicely Tyson on TV, Davis wanted to become an actora goal that seemed far out of reach. But an acting coach in an Upward Bound program encouraged her, and she won a scholarship to Rhode Island College. After graduating with a theater degree, Davis worked tirelessly to hone her craft, both by performing and studying. At Juilliard, she bristled, at first, at their Eurocentric approach. A trip to Africa, when she was 25, energized her. Early in her career, Davis was discouraged about the stereotypical roles she was offered, most for drug-addicted mothers. Later, she writes, I did a huge slate of what I call best friends to white women roles. For years, money worries dogged her. Even when working in theater, movies, and TV, she needed to supplement her income, and always, her familys financial straits weighed heavily. Therapy finally helped Davis face the generational trauma that created her sense of emotional abandonment. About her professional triumphs, the author is modest: Its an eenie, meenie, miny, mo game of luck, relationships, chance, how long youve been out there, and sometimes talent.An unvarnished chronicle of hard-won, well-earned success. Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Kirkus The life story of an actor whose success has been shaped by grit and determination. In a starkly forthright memoir, Oscar and Tony winner Davis reflects on family, love, motherhood, and acting. Born in South Carolina on a plantation where her grandparents had been sharecroppers, she grew up in dire poverty in Central Falls, Rhode Island. Her father was a physically abusive alcoholic, and the family lived in a rat-infested apartment where they often had no heat or hot water. Besides being taunted by her classmates for being Black, she was shunned because she smelled, often of urine. As she writes, she wet the bed until she was 14. “I was an awkward, angry, hurt, traumatized kid,” Davis writes. “I couldn’t articulate what I was feeling and nobody asked. I didn’t believe anybody cared. I was saturated in shame.” Inspired by seeing Cicely Tyson on TV, Davis wanted to become an actor—a goal that seemed far out of reach. But an acting coach in an Upward Bound program encouraged her, and she won a scholarship to Rhode Island College. After graduating with a theater degree, Davis worked tirelessly to hone her craft, both by performing and studying. At Juilliard, she bristled, at first, at their Eurocentric approach. A trip to Africa, when she was 25, energized her. Early in her career, Davis was discouraged about the stereotypical roles she was offered, most for “drug-addicted mothers.” Later, she writes, “I did a huge slate of what I call ‘best friends to white women’ roles.” For years, money worries dogged her. Even when working in theater, movies, and TV, she needed to supplement her income, and always, her family’s financial straits weighed heavily. Therapy finally helped Davis face the generational trauma that created her sense of “emotional abandonment.” About her professional triumphs, the author is modest: “It’s an eenie, meenie, miny, mo game of luck, relationships, chance, how long you’ve been out there, and sometimes talent.” An unvarnished chronicle of hard-won, well-earned success. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Oprah's Book Club
Click to search this book in our catalog Open House
by Elizabeth Berg

Book list *Starred Review* Publishers say that historical fiction is a hard sell, and books with religion at their core are few and far between. Kudos, then, to Berry (All the Truth That's in Me, 2013) for creating a sweeping saga that not only deeply entwines both but also dissects its characters' humanity as it looks at the often troubling beliefs that underlay their actions. The story-within-a-story begins in 1290. A friar is gathering papers and testimonies that will show how the inquisitions here on the border of France and Spain were God's holy work. But one tale troubles him, so much so that he begins to stitch the strands together, and that is where the main story begins. Botille is a sassy teenager who makes money in her seaside village of Bajas by matchmaking. A disruptive childhood and a drunken father has bound Botille and her sisters closely together, but their lives are good: Plazensa runs the tavern, Botille makes her matches, and Sazia tells fortunes with uncanny accuracy. To the north, in Tolosos, there is another girl, Dolssa. Aristocratic by birth and a mystic by the grace of God, she spends her days with her beloved, Jesus, who wraps her in his murmurs and consumes her with his love. That much love cannot be contained, and Dolssa begins telling others how much her beloved cherishes all people. The simplicity of her message is seen by the inquisitors as a threat to the church, a devil's deception, and there is only one place it can end: in a public burning. Miraculously, Dolssa escapes the pyre. She wanders until she meets Botille, who saves and shelters her. This beautifully crafted plot would be enough on its own, but Berry does so much more. First, she establishes a convincing setting, in part by peppering the dialogue with Old Provençal language. Using many voices, some of which, including Botille and Dolssa, relate their own stories, she picks beneath words and actions to expose the motives of the heart, revealing how lofty ideas can turn into terrorizing actions, and how fear and self-preservation can make friends and neighbors turn on one another. Yet despite the book's gravity, Berry also manages to infuse her story with laughter and light welcome surprises. The final surprise awaiting readers at the book's conclusion adds yet another layer to the storytelling. Also at the book's end, Berry has included a wealth of back matter, a glossary, a list of characters (possibly of more help if placed at the book's beginning), and an author's note explaining the roots of the religious discord, inquisitions, and wars, and touching on such female mystics as Hildegard of Bingen, who is referenced in the novel. The beauty of historical fiction is that it brings to life long-ago times and places even as it shows how hopes, fears, and dreams remain constant across the ages. The strength of religious-centric novels is their revelation of the myriad ways people grapple with their faith and spirituality. The Passion of Dolssa's rich brew will leave readers thinking about all of these things, even as it profoundly influences their own struggles and questions.--Cooper, Ilene Copyright 2016 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Horn Book A (fictional) Catholic mystic, Dolssa de Stigata, escapes being burned as a heretic in 1241 France; mostly, this is the story of Botille, an enterprising young matchmaker from a tiny fishing village who rescues Dolssa. Botille's spirited character, the heart-rending suspense of events, and the terrifying context of the Inquisition in medieval Europe all render the novel irresistibly compelling. Historical note appended. Bib., glos. (c) Copyright 2016. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal Gr 7 Up-This magnificent tale is set in post-Crusades 13th-century France. A pious young noblewoman blessed with the gift of healing, Dolssa de Stigata is judged a heretic by the Roman Catholic Church and sentenced to burn at the stake. Forced to watch her beloved mother burn first, Dolssa is surprised when someone cuts the ropes binding her hands and feet and implores her to run. Driven into hiding from the churchmen dispatched to track her down, Dolssa is found nearly dead from starvation and exhaustion by a young tavern keeper and matchmaker, Botille, who vows to protect the young heretic despite the danger posed to herself and her family. Unlikely allies, the girls unwittingly put an entire village at risk in their effort to stand up for their beliefs. The account is told in alternating voices by Dolssa, Botille, and Arnaut d'Avinhonet, a Dominican friar. This lush and compelling book is enhanced by brilliant narration by Jayne Entwistle, Allen Corduner, and Fiona Hardingham. Lucky listeners will be haunted by their voices long after the book concludes. VERDICT Highly recommended for all junior high and high school audio collections. ["An expertly crafted piece of historical fiction, Berry's latest is a must for middle and high school libraries": SLJ 3/16 starred review of the Viking book.]-Lisa E. Hubler, Charles F. Brush High School, Lyndhurst, OH © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal Gr 7 Up-Botille is a matchmaker in the small seaside town of Bajas in medieval France. She struggles to run the family's tavern and keep her sisters and herself afloat. Dolssa is a young woman with a secret that she can't help but share-her lover is God, and she speaks to him regularly. When the two young women cross paths, both deep friendship and mortal peril await them. A beautifully rendered portrait of a little-known portion of history, this work is a meticulously researched piece of fiction. Yet it is not just in the accurate details that the novel shines. The strength and humanity of the almost entirely female set of characters are inspiring and well drawn. The panic and suspicion of post-Inquisition France is omnipresent, giving the story of a supposed heretic a constant edge of danger. As the novel slips in and out of magical realism, readers will be transported into Dolssa and Botille's world. VERDICT An expertly crafted piece of historical fiction, Berry's latest is a must for middle and high school libraries.-Erinn Black Salge, Saint Peter's Prep, Jersey City, NJ © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus A girl matchmaker in 13th-century southern France meets a mystic on the run from the Inquisition. A generation after the horrors of the Albigensian Crusade, the elders are still broken by memories of entire towns put to the sword, but the younger folk, such as Botille and her sisters, focus on the present. After a childhood on the run, the sisters seek stability in poverty-stricken Bajas: brewing ale, telling fortunes, and helping their neighbors. Bajas is depicted through a scattering of third- and first-person viewpoints (but primarily Botille's) as a town where all look out for one other as a matter of course, where goodness is found in prostitutes, fishermen, hustlers, and drunks. Bajas' generosity is challenged when Botille discovers Dolssa, an injured, spirit-shattered girl on the run. Dolssa's a convicted heretic for speaking publicly of her intimate relationship with "her beloved...Senhor Jhesus." She trails miracles like bread crumbs, from a never-emptying ale jug to repeated uncanny cures. The villagers venerate her, but the arrival of the Inquisitionin a world where branding and burnings are mild punishments compared to recent historyputs their goodness to the test. The slow build reveals Botille as a compelling, admirable young woman in a gorgeously built world that accepts miracles without question. The medieval Languedoc countryside is so believably drawn there's no need for the too-frequent italicized interjections in Old Provenal that pepper the narrative. Immersive and mesmerizing. (character list, historical note, glossary, bibliography) (Historical fantasy. 14-17) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

School Library Journal Gr 7 Up-Two young women-Botille, a tavern wench, and Dolssa, a noblewoman possibly in communion with God-form a deep bond in a world that seeks to destroy them. Berry has reimagined 13th-century France with vigor, from the small intricacies of daily village life to the brutal ruthlessness of the Inquisition. Readers looking for a work steeped in female friendship, mysticism, and blood, with extensive back matter to boot, will be well rewarded. © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly When Botille Flasucra finds Dolssa de Stigata lying on a riverside close to death, she takes the stranger to her family's tavern. Botille, a young matchmaker, and her sisters nurse Dolssa back to health in secret-a Dominican friar obsessively hunts Dolssa, whom he condemned as a heretic to be burned at the stake. The year is 1241 in Provensa (now Provence), where the aftereffects of the Albigensian Crusade have led to an inquisition meant to rid the Christian world of heretics. Dolssa, however, feels called to heal the sick in the name of her beloved Jhesus, and her miracles eventually bring danger to the small town of Bajas. Berry (All the Truth That's in Me) again delivers an utterly original and instantly engrossing story. Drawing from meticulous historical research (highlighted in extensive back matter), she weaves a tense, moving portrait of these two teenage girls and their struggle to survive against insurmountable odds. Love, faith, violence, and power intertwine in Berry's lyrical writing, but Botille's and Dolssa's indomitable spirits are the heart of her story. Ages 12-up. Agent: Alyssa Eisner Henkin, Trident Media Group. (Apr.) © Copyright PWxyz, LLC. All rights reserved.

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