Publishers Weekly “When I was growing up in Iran, my grandma lived with us. I followed her everywhere. When she swept, I swept. When she cooked, I cooked. When she prayed, I prayed like her, too.” Thus begins Javaherbin’s narrative tribute to her Iranian grandmother, which affectionately sweeps the reader into the heart of their daily relationship. Readers follow along as the two say namaz at dawn, buy bread to share with their neighbors, sew chadors, and share a meal during Ramadan. In blues, roses, and golds, Yankey’s exquisite mixed-media illustrations relay details: Persian designs, dreams of space travel, baskets of bread hoisted from the street. Together, the narrative and images result in a deeply personal story that offers a broader portrait of a tender familial experience. Ages 4–8. (Aug.)

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Kirkus Love, childhood adventures, religion, and tradition are the centerpieces of this book about the author and her late grandmother, with whom she grew up in the same household in pre-revolutionary Iran.The narrator joins her grandmother, whom she loves dearly, in everything as she goes about her day. When grandma sweeps, she does too; when grandma wakes up for prayer at dawn, she does too; and when grandma sews herself a chador, she helps, even if nominally. The delicately lined illustrations gracefully evince both the mundane and the magic in the details of the narrator's everyday life as a child: the boy delivering towers of bread on his bike; Ramadan meals with her grandma, both at home and at the mosque; and playtime with her friend Annette while both of their grandmothers chat, knit blankets, and drink coffee. This sweet story is intermingled naturally with details about Iranian and Islamic traditions and values and supported by such visuals as an easy mix of traditional and Western attire and thoughtful inclusion of Persian design elements. It peaks in a moment of solidarity between the two grandmothers, each praying for the other to go to heaven, but via their different Muslim and Christian religions: a poignant, inclusive note. In its celebration of specific manifestations of universal love, this is highly recommended for families and educators, Muslim and non- alike, looking to teach children about Islam.A deep and beautiful book modeling grandmothers as heroines. (Picture book. 4-9) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list The author reminisces about her grandmother, with whom she spent a childhood in Iran. Short vignettes fondly describe mundane activities: waking up together for namaz (Islamic prayer), collecting bread from the delivery boy, visiting their Christian neighbors next door. Little Mina plays hopscotch with her friend while their grandmothers knit together a usefully inclusive note, as most of the memories revolve around Islamic tradition. Mina helps her grandma craft long, veiling chadors, and during Ramadan she playfully pretends to join in the fasting. Yankey's mixed-media illustrations will transport readers to an idyllic twentieth-century Iran, recalling the style of Persian art, with dusty, muted colors and intricately patterned rugs. A sweet tranquility is evoked in all the elements, touched by a gentle melancholy when Mina and her friend imagine their grandmas together in heaven. While this book presents a relationship in a specific cultural context, a subtle message of interreligious peace and unity shines through, supported by the memories' emotional universality, through which young readers will learn empathy and cultural understanding.--Ronny Khuri Copyright 2019 Booklist

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School Library Journal PreS-Gr 2—Grandparents can have an enormous effect on their grandchildren and books that showcase such relationships are always welcome. The Iranian grandmother here has endless patience and love for her little granddaughter. When Grandma swept, the child swept; when Grandma prayed, the girl prayed; and when Grandma cooked, her granddaughter did as well. She follows her around daily, mirroring everything she does. The love and kindness the child receives is satisfying and speaks to the bond between the two characters. Some of their interactions are specific to their culture, such as fasting during Ramadan and donning their chadors and walking together to the mosque. The illustrations are created using a soft, inviting palette that incorporates tile and rug patterns particular to Iran. This book offers both windows and mirrors into a warm and loving familial relationship and will be appreciated by a wide range of young readers. VERDICT A lovely book for anyone looking for intergenerational stories for one-on-one or group sharing.—Joan Kindig, James Madison University, Harrisonburg, VA

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Horn Book The narrator recalls her childhood growing up in Iran. The child accompanies her grandma on her daily routines, including spending time with friends; as Grandma and her best friend laugh, drink coffee, and knit blankets for their mosque and church, respectively, the children (and readers) witness a beautiful interfaith friendship. Yankey's muted illustrations work well to convey cherished memories and love, with thoughtful cultural details incorporated throughout. (c) Copyright 2021. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Book list Portable telephones were originally celebrated as a way to stay connected to friends and family. But in the early 2010s, with the onset of smartphones and their easy access to the internet, children’s brains were being effectively rewired, shifting from "play-based" to "phone-based." Parents, who worked to keep their children safe from outdoor play and predators, now allowed their kids to stroll unfettered through the internet. Excessive phone use can lead to social deprivation, sleep deprivation, attention fragmentation, and addiction. For young women, Haidt writes, it can lead to depression; for young men, it can lead to existing in their own separate realities. The author admits to some benefits of online use for children, including lower rates of injury and alcohol use and a measure of intellectual stimulation, but the pluses are overshadowed by the loss of social interactions and life experiences. Academic Haidt (The Coddling of the American Mind, 2018) backs up his claims with scientific studies and graphics, and presents plans to limit the effects of smartphones by large tech companies, schools, and parents. This is a practical look at a vital topic.

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Kirkus A pitched argument against the “firehose of addictive content” aimed at children via technology. Psychologist Haidt, author of The Righteous Mindand co-author of The Coddling of the American Mind, turns to the disaffection of children rendered zombielike by their smartphones and social media. “The members of Gen Z are…the test subjects for a radical new way of growing up,” he writes, their sensibilities formed by the instant gratifications and instant peer-pressure judgments delivered by online outlets. Before 2009, writes the author, social media use was largely harmless, mostly a means of keeping up with friends and family, without the toxicity inherent in being constantly subject to opinions given and received—a good way to get locked into “defend mode…on permanent alert for threats, rather than being hungry for new experiences.” This corresponds to the shift, beginning in the 1980s, from what Haidt calls “play-based childhood” to “phone-based childhood,” one effect of which is to remove children from the socialization they would otherwise have undergone simply by one-on-one play. It wasn’t necessarily phones but overanxious parents who took down the sky-high monkey bars. However, coupled with the rapid rise of addictive technology, this drove children indoors and into anxieties and depressions of their own as their lives are “radically rewired.” Haidt concludes by advocating a regime of free play and strictly monitored social media use, including not allowing children under high school age to have smartphones and forming parental associations that would essentially police for this kind of behavior. That program may seem draconian, especially to a 12- or 13-year-old, but Haidt argues persuasively that it’s an essential defense against the assaults on mental health that social media inflict on unformed young minds. A strong case for tempering children’s technological dependency in favor of fresh air and sunshine. Copyright © Kirkus Reviews, used with permission.

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School Library Journal : Gr 5–8—Somewhere in contemporary Britain, "the man Jack" uses his razor-sharp knife to murder a family, but the youngest, a toddler, slips away. The boy ends up in a graveyard, where the ghostly inhabitants adopt him to keep him safe. Nobody Owens, so named because he "looks like nobody but himself," grows up among a multigenerational cast of characters from different historical periods that includes matronly Mistress Owens; ancient Roman Caius Pompeius; an opinionated young witch; a melodramatic hack poet; and Bod's beloved mentor and guardian, Silas, who is neither living nor dead and has secrets of his own. As he grows up, Bod has a series of adventures, both in and out of the graveyard, and the threat of the man Jack who continues to hunt for him is ever present. Bod's love for his graveyard family and vice versa provide the emotional center, amid suspense, spot-on humor, and delightful scene-setting. The child Bod's behavior is occasionally too precocious to be believed, and a series of puns on the name Jack render the villain a bit less frightening than he should be, though only momentarily. Aside from these small flaws, however, Gaiman has created a rich, surprising, and sometimes disturbing tale of dreams, ghouls, murderers, trickery, and family.—Megan Honig, New York Public Library

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Publishers Weekly: Nineteen-year-old Harley is left to rear his three younger sisters after their mother is imprisoned for murdering their abusive father in this searing, hardscrabble Party of Five set in Pennsylvania mining country. Doubly resentful because his best friend is off at college, Harley spends his days slogging as a Shop Rite bagger and appliance-shop delivery person, coming home to cold cereal dinners prepared by six-year-old Jody. Harley is bitter about having to take over for his mother--"she still had us kids but we didn't have her"--and he can't shake the feeling that she prefers prison to their home life; a mystery lingers around his father's death. Meanwhile, 16-year-old Amber is sleeping her way through the town's teenage boys and flaunting her body in front of Harley; middle sister Misty, once her father's favorite and his hunting companion, practices shooting. Desperate for relief, Harley finds solace in rough but exhilarating encounters with married Callie Mercer, little Jody's best friend's mother, losing his virginity to her on a muddy creek bank and reveling in her sophisticated, sensitive words. But memories are stirring in his subconscious, and erotic dreams of the Virgin Mary metamorphose into nightmarish sexual visions. In his sessions with a court-appointed therapist, Harley edges closer to understanding his family's twisted dynamic, but it is only when the horrors of the present begin to catch up with those of the past that a series of shattering truths are revealed. By then it is too late for Harley to save everyone he loves, but in sacrificing himself, however hopelessly, he introduces a note of grace. O'Dell's scorching tale touches on all the tropes of dysfunctional families, but her characters fight free of stereotypes, taking on an angry, authentic glow. (Jan.)

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