School Library Journal : Gr 3–6—Brian Selznick's atmospheric story (Scholastic, 2007) is set in Paris in 1931. Hugo Cabret is an orphan; his father, a clockmaker, has recently died in a fire and the boy lives with his alcoholic Uncle Claude, working as his apprentice clock keeper in a bustling train station. When Hugo's uncle fails to return after a three-day absence, the boy decides it's his chance to escape the man's harsh treatment. But Hugo has nowhere to go and, after wandering the city, returns to his uncle's rooms determined to fix a mechanical figure—an automaton—that his father was restoring when he died. Hugo is convinced it will "save his life"—the figure holds a pen, and the boy believes that if he can get it working again, it will deliver a message from his father. This is just the bare outline of this multilayered story, inspired by and with references to early (French) cinema and filmmaker George Méliès, magic and magicians, and mechanical objects. Jeff Woodman's reading of the descriptive passages effectively sets the story's suspenseful tone. The book's many pages of pictorial narrative translate in the audio version into sound sequences that successfully employ the techniques of old radio plays (train whistles, footsteps reverberating through station passages, etc.). The accompanying DVD, hosted by Selznick and packed with information and images from the book, will enrich the listening experience.—Daryl Grabarek, School Library Journal

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Publishers Weekly : Though sobering front-page headlines worry a young paperboy, the comics--especially a strip called Falconman--lift him up. Quite literally, in fact. After Henry peruses a Falconman strip in which a magical falcon converts a police trooper into a superman by lending him the power to fly, the boy's bike collides with a similarly gifted sparrow. Suddenly airborne, the boy delivers his newspapers in flight while saving innocent neighbors from a menacing bully and his growling pooch. For the course of Henry's transformation, the book adopts a comic-strip format, accenting the boxed, action-filled pictures with brief, punchy text and a chorus of sound effects like "CHIRP!", "WHOOSH!" and "THONK!" In a final, satisfying coup, Henry comes to the rescue of the benevolent sparrow, vulnerable because it has temporarily relinquished its powers of flight to Henry, a development that readers will delight in discovering before the boy does. The plot unravels chiefly through Pinkney's (Max Found Two Sticks; see I Smell Honey, reviewed above) airy, motion-filled art, expertly rendered in scratchboard, transparent dyes and gouaches in creamy colors never before seen in a comic book. Clever quips and asides add humor and playful melodrama. Pinkney clearly had a blast creating this soaring story, and his high spirits are transferable to the reader--ZAP! Ages 4-9.

Copyright 1997 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : PreS-Gr 1--Fretting over headlines in the newspapers he's delivering, Henry almost runs over a sparrow on the sidewalk. There's a flash of light, and suddenly, like his comic-strip hero Falconman, the boy is swooping through the skies fighting evil--or, at least, collaring a scary dog, rescuing a cat from a bully's clutches, and repeatedly snatching the temporarily flightless sparrow out of danger in the nick of time. Like newspaper comics, Pinkney's full-color scratchboard scenes are done in page-sized panels, with a minimum of text but maximum action, dramatized by swirling lines, wide gestures, and "THONK!" "ZAP!" sound effects. Henry's heroics will win readers over instantly; he may not save the world, but before he returns to Earth, he does make his suburban neighborhood "just a little better." That's a plausible goal for any actual or would-be superhero.

John Peters, New York Public Library Distributed by Syndetic Solutions Inc. Terms