Publishers Weekly Aaron Soto, 16, lives in the projects in a Bronx similar to the real one except for the existence of the Leteo Institute, a neighborhood facility where patients can have painful memories erased (the most fantastical element of this procedure perhaps being that it is covered by Aaron's insurance). If anyone deserves to have his past wiped clean, it's Aaron, who has experienced poverty, his father's suicide, and the violent death of friends in his short life. But what Aaron wants most to forget is that he's gay, especially because the boy he loves is no longer able to be with him, and because his own inability to fly under the radar has made him a target. Silvera's debut is vividly written and intricately plotted: a well-executed twist will cause readers to reassess what they thought they knew about Aaron's life. It's also beyond gritty-parts of it are actually hard to read. Silvera pulls no punches in this portrait of a boy struggling with who he is in the face of immense cultural and societal pressure to be somebody else. Ages 14-up. Agent: Brooks Sherman, Bent Agency. (June) © Copyright PWxyz, LLC. All rights reserved.

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School Library Journal Gr 9 Up-Debut author Silvera pulls readers into the gritty, (near-future) Bronx world of 16-year-old Puerto Rican, Aaron Soto, with a milieu of tight-knit, sometimes dysfunctional relationships. Aaron struggles to find happiness despite the presence of his mother, older brother, and girlfriend, as well as a set of childhood buddies and a new, intriguing friend, Thomas. He is haunted by painful physical and emotional scars: the memory of his father's suicide in their home, his own similar failed attempt with its resulting smiley face scar, not to mention his family's poverty and his personal angst at an increasingly strong attraction for Thomas. This first-person narrative raises ethical, societal, and personal questions about happiness, the ability to choose to eradicate difficult memories (through a scientific procedure), and gender identity. The protagonist is as honest with readers as he is able to be, and it is only after Aaron is brutally beaten by friends attempting to set him "straight," that he remembers the entirety of his life story through shocking, snapshotlike revelations. More surprising is the knowledge that his family and girlfriend have known his backstory all along. VERDICT A gripping read-Silvera skillfully weaves together many divergent young adult themes within an engrossing, intense narrative.-Ruth Quiroa, National Louis University, IL © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list *Starred Review* A smiling scar marks the inside of 16-year-old Aaron Soto's wrist, both a souvenir of the time he tried to follow in his father's footsteps by checking out of life early and a reminder not to be such a dumbass again. Though his mom has become overprotective and the suicide attempt shambles beside him like an elephant into every room, Aaron is making a comeback, in no small part due to his group of friends and awesome girlfriend, Genevieve. When Gen takes a three-week summer trip, however, Aaron meets Thomas, from the neighboring housing project, and things start to unravel. Sensitive, attractive, and looking for direction, Thomas is unlike any of Aaron's tough-as-nails friends, and the two connect on a deep level. Aaron grapples with burgeoning feelings of homosexuality, which, heartbreakingly, are not reciprocated by the straight Thomas and are bone-shatteringly rejected by his friends, who try to beat being gay out of him. Emotionally and physically broken, Aaron turns to the nearby Leteo Institute, which offers a procedure to erase painful memories. If he can just forget he's gay, everything will be OK, right? First-novelist Silvera puts a fresh spin on what begins as a fairly standard, if well executed, story of a teen experiencing firsts first love, first sex, first loss and struggling with his identity and sexuality. Aaron's first-person narration is charmingly candid as he navigates these milestones and insecurities, making him both relatable and endearing. The book is flush with personal details, and the reader inhabits Aaron's world with ease. A fantasy and comic-book geek to the core, he often filters his own life through a comic lens threatening to Hulk out if someone spoils the end of a movie and wondering what Batman would do in certain situations. Game of Thrones references mingle with veiled Harry Potter allusions (Scorpius Hawthorne and the Convict of Abbadon, anyone?), which many teens will relish. Though some scenes verge on twee and dialogue occasionally strays into precociously-witty-teen territory, it never stays there long, nor does it become self-indulgent. These tender and philosophical moments stand in counterpoint to life in the tough Bronx neighborhood Aaron calls home. There is a borderline gang mentality at work here, where fierce neighborhood loyalty mingles with groupthink to create friends who are as likely to defend as pummel each other, if the code of conduct is challenged. And being a dude-liker is an offense punishable by extreme violence. This prejudice is illustrated with gut-wrenching brutality, and its effects are scarring, but Silvera tempers it with the genuine love and acceptance Aaron receives from a few important friends and family members. Dividing his book into parts by degree of happiness (Happiness, A Different Happiness, Unhappiness, Less Happy Than Before, More Happy Than Not), Silvera examines this state of being from multiple angles to reveal its complexity and dependency on outside forces and internal motive. Is being happy for the wrong reasons real happiness? Can forgetting problems or trauma actually fix your life? The ingenious use of the Leteo procedure allows Silvera to write two versions of Aaron (gay and straight), which proves a fascinating means of drawing attention to the flaw in taking shortcuts past life's major roadblocks. The process of reinvention hinges on memory, on surviving and understanding the sometimes unbearable why of being and that's what Aaron initially misses. Timing is everything in this story, and Silvera structures his novel beautifully, utilizing careful revelations from Aaron's past and consciousness to create plot tension and twists that turn the narrative on its ear. It is not a story of happy endings, but this complexity allows it to move in new, brave directions that are immeasurably more satisfying. Resting somewhere between Ned Vizzini's A Kind of Funny Story (2006) and John Corey Whaley's Noggin (2014), More Happy Than Not will resonate with teens tackling life's big questions. Thought-provoking and imaginative, Silvera's voice is a welcome addition to the YA scene.--Smith, Julia Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus A gentle look at grief.This quiet picture book starts with Henry, a little chatterbox, talking in a garden shed crowded with plants and implements. "But Grandpa was gardening. Again." Grandpa doesn't want to play trains or tell anyone what he wants for lunch. "Just give him time," Mom says, hinting at something deeper. Henry engages his otherwise-mute grandfather by asking him about his "top three" sandwiches and jellyfish, generously offering his own opinions first. Slowly Grandpa comes out of his shell, a smile peeking out from behind his bushy beard. After a top-three day out (to the zoo, swimming pool, and park), Henry asks, "Who are your top three Grannies?" and goes on to answer: "Mine are Granny who is dead," followed by his living grandmother and a fictional one. Readers thus finally learn the reason for Grandpa's sadness and withdrawal as he shares more about his late wife, connecting with his grandson in the process. Well-paced and closely structured, this story works on every level, with Egnus' watercolors showing a range of emotion and activity, balancing clutter with space. It's not quite a story for children processing grief, as Henry seems fairly unaffected, but it may help families explain to children why the grown-ups in their lives are behaving differently after loss. Henry and his family present white.Peaceful and heartfelt. (Picture book. 3-7) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Kirkus A gentle look at grief.This quiet picture book starts with Henry, a little chatterbox, talking in a garden shed crowded with plants and implements. "But Grandpa was gardening. Again." Grandpa doesn't want to play trains or tell anyone what he wants for lunch. "Just give him time," Mom says, hinting at something deeper. Henry engages his otherwise-mute grandfather by asking him about his "top three" sandwiches and jellyfish, generously offering his own opinions first. Slowly Grandpa comes out of his shell, a smile peeking out from behind his bushy beard. After a top-three day out (to the zoo, swimming pool, and park), Henry asks, "Who are your top three Grannies?" and goes on to answer: "Mine are Granny who is dead," followed by his living grandmother and a fictional one. Readers thus finally learn the reason for Grandpa's sadness and withdrawal as he shares more about his late wife, connecting with his grandson in the process. Well-paced and closely structured, this story works on every level, with Egnus' watercolors showing a range of emotion and activity, balancing clutter with space. It's not quite a story for children processing grief, as Henry seems fairly unaffected, but it may help families explain to children why the grown-ups in their lives are behaving differently after loss. Henry and his family present white.Peaceful and heartfelt. (Picture book. 3-7) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Publishers Weekly In 1869, not long after the golden spike is driven into the rails at Promontory Summit, a mother and her two children climb aboard the Transcontinental Railroad, leaving behind their old life in Omaha for a new one in California, where Papa awaits. Floca (Moonshot) chronicles their journey from multiple perspectives: documentarian, poet, historian, tour guide, and irrepressible railroad geek. With the rhythmic, verselike text that's become his signature; expressive typography; and handsome, detailed watercolor, ink, and gouache paintings, he celebrates the majestic (the passing western landscape), the marvelous (the engineering and sheer manpower required to keep the engine safely on its course), and the mundane, from the primitiveness of the toilets to the iffiness of depot food ("If the chicken/ tastes like prairie dog,/ don't ask why"). It's a magisterial work (even the endpapers command close reading), but always approachable in its artistry and erudition. And readers will come away understanding that the railroad wasn't just about getting a group of passengers from Point A to Point B; it carried an entire nation into a new, more rapid world: "Faster, faster, turn the wheels,/ faster, faster breathes the engine!/ The country runs by, the cottonwoods and river./ Westward, westward,/ runs the train,/ through the prairies,/ to the Great Plains,/ on to the frontier." Ages 4-10. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Gr 3-5-It all started with "a new road of rails/made for people to ride" where "covered wagons used to crawl." Almost 150 years ago-just after the Civil War-the completion of the transcontinental railway radically changed both this country's landscape and the opportunities of its people. The book traces the advent of cross-country train travel, focusing on an early trip from Omaha to Sacramento. As in Moonshot (2009) and Lightship (2007, both S & S), Floca proves himself masterful with words, art, and ideas. The book's large format offers space for a robust story in a hefty package of information. Set in well-paced blank verse, the text begins with a quick sketch of "how this road was built" and moves abruptly to the passengers on the platform and the approaching train. The author smoothly integrates descriptions of the structure and mechanics of the locomotive, tasks of crew members, passing landscapes, and experiences of passengers. Simply sketched people and backgrounds, striking views of the locomotive, and broad scenes of unpopulated terrain are framed in small vignettes or sweep across the page. Though a bit technical in explaining engine parts, the travelogue scheme will read aloud nicely and also offers absorbing details for leisurely personal reading. Substantial introductory and concluding sections serve older readers. There's also a detailed explanation of the author's efforts and sources in exploring his subject. Train buffs and history fans of many ages will find much to savor in this gorgeously rendered and intelligent effort.-Margaret Bush, Simmons College, Boston (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list *Starred Review* Floca follows up the acclaimed Moonshot: The Flight of Apollo 11 (2009) with this ebullient, breathtaking look at a family's 1869 journey from Omaha to Sacramento via the newly completed Transcontinental Railroad. The unnamed family is a launching point for Floca's irrepressible exploration into, well, everything about early rail travel, from crew responsibilities and machinery specifics to the sensory thrills of a bridge rumbling beneath and the wind blasting into your face. The substantial text is delivered in nonrhyming stanzas as enlightening as they are poetic: the smoke and cinders, / ash and sweat of the coal engine and the Great Plains stretching out empty as an ocean. Blasting through these artful compositions are the bellows of the conductor ( FULL STEAM AHEAD ) and the scream of the train whistle, so loud that it bleeds off the page: WHOOOOOOO! Font styles swap restlessly to best embody each noise (see the blunt, bold SPIT versus the ornate, ballooning HUFF HUFF HUFF ). Just as heart pounding are Floca's bold, detailed watercolors, which swap massive close-ups of barreling locomotives with sweeping bird's-eye views that show how even these metal giants were dwarfed by nature. It's impossible to turn a page without learning something, but it's these multiple wow moments that will knock readers from their chairs. Fantastic opening and closing notes make this the book for young train enthusiasts.--Kraus, Daniel Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Book list Basgiath War College trains healers, scribes, infantry, or dragon riders to protect Navarre from violent invasion attempts from the kingdom of Poromiel and their gryphon riders. Violet has trained her whole life to enter the Scribe Quadrant, just like her father did. Dedicating her life to recording the war history of Navarre, rather than participating in it, fits well with her intelligence, short stature, and overly flexible joints, which leave her prone to injury. But upon her father’s death, her mother, a decorated Navarrian officer, forces Violet to follow in her footsteps, and that of Violet’s siblings, and join the Riders Quadrant. Once bonded, riders channel powers through their dragons, greatly increasing the likelihood of success both in the college and at war. If that wasn’t challenging enough, Violet is being hunted by Xaden, a third-year cadet whose father was a rebellion leader executed at the hand of Violet’s mother. Hatred will draw him close to her, but will something more powerful and alluring make separating impossible? Suspenseful, sexy, and with incredibly entertaining storytelling, the first in Yarros' Empyrean series will delight fans of romantic, adventure-filled fantasy.

From Booklist, Copyright © American Library Association. Used with permission.

Library Journal Violet Sorrengail wanted to be a scribe rather than join her siblings as dragon riders defending Navarre's borders, but her mother, a decorated general, had other ideas. She's forced Violet to enlist as a rider cadet in the Basgiath War College, even though Violet's hypermobility—a disorder that destabilizes her joints and leaves her easily injured—puts her at a disadvantage. To make matters worse, Violet has been assigned to the Fourth Wing, led by Xaden Riorson, the son of a rebel leader whom her mother executed. Surrounded by dangers in a school designed to weed out the weak, Violet must use her wits and skill to overcome brutal challenges and vicious opponents. The bonds Violet forms with her fellow cadets offset the college's constant violence, and her slowly developing enemies-to-lovers relationship with Xaden will appeal to fans of the trope. Violet's hypermobility gives her a unique way of moving through the world, and Yarros (The Things We Leave Unfinished) uses characters' reactions to thoughtfully explore the ways in which others respond to the lived realities of people with disabilities. VERDICT A good selection for fans of Naomi Novik's "Scholomance" series; will fly off the shelves.—Erin Niederberger

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Publishers Weekly Romance author Yarros (The Things We Leave Unfinished) blends the epic tale of a reluctant dragon rider’s coming-of-age with a sexy dark academia aesthetic in her astounding debut fantasy. Fearsome General Sorrengail demands that her children follow in her footsteps as dragon riders—even her youngest, Violet, who has trained her whole life to be a scribe like her late father. Forced to join a deadly war academy, Violet is unprepared to perform the fatal tasks all cadets must complete to become dragon riders. The odds are stacked against her due both to her delicate stature and to her mother’s reputation: it was Sorrengail who gave the order to execute all separatists in the last rebellion. The rebels’ orphaned children have all been conscripted to the academy, putting a target on Violet’s back. Worse, her own brooding but handsome wing leader, third-year student Xaden Riorson, is the son of the separatists’ leader. Meanwhile, the wards that protect the city are failing, but as danger draws nearer, clever Violet grows stronger, discovering that riding dragons may be her destiny after all. Yarros’s worldbuilding is intricate without being overbearing, setting the stage for Violet’s satisfying growth into a force to be reckoned with. Readers will be spellbound and eager for more. Agent: Louise Fury, Bent Agency. (May)

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Book list *Starred Review* Merci Suárez loves painting with her Papi, playing on his soccer team, telling her Abuelo Lolo about her days at school, and taking pictures of her family when they are together. But lately Lolo has been acting different he wanders off, forgets things easily, and has even gotten angry. To add to Merci's worries, sixth grade at Seaward Pines Academy has gotten off to a rocky start. To make up her school tuition, Merci has been assigned community service as a Sunshine Buddy to new student Michael Clark, and, as the weeks go by, popular Edna Santos only gets meaner as Merci and Michael become friends. Merci isn't sure what to make of this new world where maybe like is not the same as like like, and where popular is not the same as having friends. As she navigates her way through the year, she discovers that, even though change is scary and even though it may mean things will never be the same, sometimes it is unavoidable. Medina's breathtaking coming-of-age story features a strong, deeply honest protagonist whose insights will make readers laugh, as well as dynamic secondary characters who reveal glimmers of profound depth. Medina capably gets to the heart of middle-school experiences in this engrossing story of a kid growing into herself. A must-read.--Paz, Selenia Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Horn Book Cuban American Merci's life in south Florida consists of spending time with her extended family (including her abuelo, Lolo, who no longer seems like himself) and attending elite Seaward Pines Academy, where she does community service to pay for her tuition. Medina brings depth, warmth, and heart to her characters, never shying away from portraying this family's flaws. Accurate, natural use of Spanish builds authenticity. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal Gr 4-7-Eleven-year-old Merci Suárez is starting sixth grade and everything is changing. Not only do upper graders have to switch teachers throughout the day, but playing sports, like Merci loves to do, is seen as babyish and befriending boys is taboo. So when Merci is assigned to show new kid Michael Clark around as part of her scholarship package at Seaward Pines Academy, it's a problem. Especially when the richest, smartest, most popular girl in school, Edna, who gets to write the sixth grade's social rules and break them, too, seems to like Michael. Meanwhile, at home, Merci has to watch over her little twin cousins who live close by at Las Casitas, a row of houses belonging to Mami and Papi; Abuela and Lolo; and Tia, for free, so trying out for the school's soccer team and earning money to buy her dream bike is almost impossible. What's worse, Merci can't even talk to her beloved Lolo about all her problems like she used to as he starts acting less and less like himself. The realistic portrayal of a complex young Latina's life is one many readers will relate to as she discovers that change can be hard, but it's the ride that matters. VERDICT Pura Belpré-winning author Medina cruises into readers' hearts with this luminous middle grade novel. A winning addition to any library's shelves.-Brittany Drehobl, Morton Grove Public Library, IL © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly In this warmly told story, Medina (Burn Baby Burn) introduces 11-year-old Merci, descendent of Cuban immigrants, who attends a Florida private school on scholarship with her whip-smart older brother. Merci doesn't feel much pressure to be anyone but herself, but her self-assuredness ("It's never too early to work on your corporate leadership skills," she declares at one point) makes her a target: rich kid Edna tries to put Merci outside the sixth grade girls' friend circle, and the clashes make school miserable ("No offense is what Edna says right before she takes a hatchet to your feelings," she reports). Merci's home life is also stressful-money is tight, her beloved grandfather is failing, and familial obligations (mostly babysitting twin cousins) mean there's no chance to try out for the school soccer team. Through all this, Medina keeps the tone light as Merci's take-charge personality helps her to succeed in this coming-of-age tale about family and the perils of sixth grade. Ages 9-12. Agent: Jennifer Rofé, Andrea Brown Literary. (Sept.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Kirkus Merci navigates the challenges of being a scholarship kid at a posh South Florida private school and the expectations of and responsibilities to her intergenerational family.Eleven-year-old Merci Surez isn't the typical Seaward Pines Academy sixth-grader. Instead of a stately mansion, Merci lives with her parents and older brother, Roli, in one of three identical homes next to her Cuban-American extended family: Abuela and Lolo, Ta Inz, and her rambunctious little twin cousins. At school, Merci has to deal with condescending mean girl Edna Santos, who loves to brag, boss around her friends, and throw out hurtful comments that start with "No offense." Although Merci wants to earn money so that she can afford a new bike, she's stuck volunteering for Sunshine Buddies, in which current students mentor new ones. What's worse is that her assigned buddy is Michael Clark, a new tall white boy in her class. At home, Merci's beloved Lolo begins to act erratically, and it becomes clear something secret and serious is happening. Medina writes about the joys of multigenerational home life (a staple of the Latinx community) with a touching, humorous authenticity. Merci's relationship with Lolo is heartbreakingly beautiful and will particularly strike readers who can relate to the close, chaotic, and complicated bonds of live-in grandparents.Medina delivers another stellar and deeply moving story. (author's note) (Fiction. 9-13) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

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Publishers Weekly: If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson's-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer's writer and his previous novels have earned critical admiration, but his sales haven't yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG's publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.

Copyright 2001 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms