School Library Journal Gr 9 Up-Galvanized by real-life accounts of black girls whose disappearances went unnoticed, the author depicts a young African American teen unwilling to let her best friend fall through the cracks. Claudia frets when Monday misses the first day of eighth grade, and her worries increase when weeks, and then months, go by with no sign of the girl. Both outsiders, the two have always tried to protect each other: academically gifted Monday keeps teachers from realizing that Claudia has learning disabilities, and Claudia's stable family gives Monday a respite from her often erratic home life. Monday's mother and older sister offer conflicting stories about where she is, and even sympathetic adults are little help-Claudia alone becomes Monday's champion. Just as Jackson's suspenseful debut, Allegedly, explored the corrupt justice system, this thought-provoking thriller examines issues such as abuse, gentrification, and the marginalization of people of color with nuance and sensitivity. The narrative deftly moves back and forth between past and present, building to a devastating conclusion. The Washington, DC, setting is superbly rendered, and the author presents a rich portrayal of the girls' bond, displaying an intuitive understanding of adolescent friendship. VERDICT A spellbinding, profoundly moving choice for YA collections.-Mahnaz Dar, School Library Journal © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Book list In her sophomore effort (Allegedly, 2017), Jackson offers up a suspenseful new mystery. Claudia and Monday have been friends since childhood. When Claudia returns from summer vacation, Monday isn't at school, and she's not returning calls. No one seems to know where she is. Claudia knows something is wrong, but what reason would anyone have to lie about Monday's whereabouts? Jackson hits all the right notes in this compelling mystery. Claudia has a strong voice that will resonate; she struggles with bullying, dyslexia, loss, and the pains of growing up. The plot weaves through time, slowly piecing together clues, until the painful truth is revealed. Jackson doesn't hold anything back when it comes to the pain of abuse and the ramifications of turning a blind eye. This is a powerful and emotional novel that is gripping and heartbreaking and hits upon serious topics. It's a frank, devastating read filled with real and flawed characters, and it's a story that needs to be read.--Konkel, Elizabeth Copyright 2018 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Jackson's sophomore novel, following 2017's acclaimed Allegedly, features another ripped-from-the-headlines premise that will keep readers guessing through the final pages. After a summer in Georgia with her grandmother, Claudia returns to Washington, D.C., ready to take on eighth grade with her best friend, Monday, even though Monday didn't respond to any of Claudia's letters over the past two months. Claudia soon finds, though, that Monday is gone. Stories about where she is don't add up and no one seems concerned, but Claudia can't shake the feeling that Monday might be in real trouble. Time shifts-in chapters such as "Before the Before," "The Before," and "The After"-create a measured and intense buildup as Claudia realizes that Monday was keeping painful and potentially dangerous secrets. Claudia's mother's frequent reminder to check in at home-"Breadcrumbs, Claudia. Always good to leave breadcrumbs"-prompts both Claudia and the reader to remain vigilant. Jackson's characters and their heart-wrenching story linger long after the final page, urging readers to advocate for those who are disenfranchised and forgotten by society and the system. Ages 13-up. Agent: Natalie Lakosil, Bradford Literary Agency. (June) © Copyright PWxyz, LLC. All rights reserved.

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School Library Journal PreS-K—This stunning "counting book thriller" features a hungry fox and tasty hens. Each number appears on a spread. For example, the words "1 famished fox" appears opposite a brilliantly colored fox curled in on itself, eyes peering off the page toward an as yet unrevealed prize. The count continues as the fox slinks forward, obviously lurking behind "3 plump hens" heading toward their hen house. The fox, its "4 padding paws" shown in the top half of a spread, follows. With "6 silent steps" it seems to engulf the hen house, its exaggeratedly long tail curled in the foreground. It knocks, and a page turn reveals the googily eyes of the three hens and their predator, whose sharp teeth flash in the dark interior. Feathers fly, the fox opens its wide mouth, and all seems lost until page turns provide welcome relief. Not three, but 100 "angry hens" chase the fox right back to being "1." Collage and paint in the mixed media illustrations create the various red-orange-gold hues of the fox's dazzling coat. White backgrounds give way to dark ones as the suspense builds. A striking double bleed depicts multicolored hens, their pursuit continuing onto the next page, where the fox appears as a tiny horizontal blur. VERDICT Just the right amount of tension, delicious vocabulary such as "sly," "plump," "famished," and "snug," and alliterative phrases make this a first purchase for group and one-on-one sharing. Count on requests for many readings.—Marianne Saccardi, Children's Literature Consultant, Cambridge, MA

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Book list Mixed media, collage, and paintings illustrate the tale of a sly and very hungry fox who's scouting out his next meal. The conceptual counting book takes readers from 1 to 10, building toward the anticipated end only to offer a surprise. Each of the numbers has a double-page spread with a brightly colored number placed over a short description: One famished fox is accompanied by an picture of a red fox curled into a circle, looking off the page seemingly thinking about what to eat. He decides on three hapless hens for his dinner, but things don't go as expected, and at the story's conclusion, he becomes one frightened fox. The large pictures are delightful the fox's coat and the hens' feathers are collages of many colors and textures and offer humor as well as great technique. Both white and black backdrops show off the vivid, clear colors, and the featured numbers appear in various quadrants on the pages. Teamwork wins the day, and youngsters will cheer on the ultimately fearless fowl.--Maryann Owen Copyright 2019 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus A hungry, sneaky fox silently approaches a henhouse and gets the surprise of its life.A farmyard serves as the setting for a counting book, with each numberone per double-page spreaddepicting how a ruddy, crimson fox with a long, flowing tail closes in on its prey. "1 / One famished fox." The fox curls on recto, pupils directed at the page turn. "2 / Two sly eyes." The fox's face dominates the verso, eyes focused on a single feather on recto. "3 / Three plump hens." The fearsome action builds and darkens as the fox's proximity increases until it is inside. "8 / Eight beady eyes" presents the shadowy outlines of three large hens with white worrying eyes looking at the fox's head, also shadowed, with white menacing eyes and sharp fangs. "9 / Nine flying feathers // 10 / Ten sharp teeth" gives the impression of a fatal conclusion. But turn the page, and amid the scurry and scuffle of feathers flying and hens running, strength in numbers prevails. "100 / One hundred angry hens" startle and chase away "1one frightened fox." In a manner reminiscent of Pat Hutchins' Rosie's Walk (1967), the intrigue and story arc are communicated visually while the counting progresses. Lovely, potent, brightly colored illustrations in a combination of textured collage and paint against white space transition to a dark, moonlit backdrop. Little ones will eagerly count in subsequent readings as they also learn new descriptive vocabulary and cheer for the brave hens.A classic scenario flips the script in this engrossing adventure. (Picture book. 3-5) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Horn Book As ‘one famished fox’ stalks ‘three plump hens,’ readers count from one to ten (plus one hundred at the end) in Read's pleasingly alliterative text. Opening spreads feature ample white space, accentuating the menace: the ‘two sly eyes’ spread shows the fox crouching on verso with a feather on recto. An inky black dominates as the tension builds (‘five snug eggs’; ‘six silent steps’); all ends well (unless you're the defeated fox). (c) Copyright 2021. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Publishers Weekly This clever “thriller” might sound like a familiar tale: hungry fox vs. unsuspecting hens. But Read’s playful twist on the story (akin to Pat Hutchins’s Rosie’s Walk) is also an amusing way to learn the numbers one through 10. It all begins with “one famished fox,” craftily curled with a roguish look on his face. A suspenseful tone is set as his “two sly eyes” spot “three plump hens” (comically wide-eyed and feasting on worms), and the fox hatches a devious plan, portrayed in dynamic collage illustrations that economically express layers of emotion and comedy against nighttime spreads. After the hunter’s “ten sharp teeth” make an appearance, things go sideways for the fox—and for the numerical order. This one wins for its subtle message of power in numbers. Ages 2–6. (Oct.)

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Library Journal Moore's latest (following Long Bright River) is a seamlessly woven crossover lit-fic mystery set in the atmospheric Adirondack Mountains. In the summer of 1975, Barbara Van Laar, the rebellious teenage daughter of a wealthy land-owning family, asks to attend the summer camp her family owns. Then she disappears from camp one night. Barbara isn't the first Van Laar child to go missing on that tract of land; her older brother Bear disappeared 14 years prior, never to be seen again. As so many secrets are hidden within the Van Laar family, and the surrounding community is reliant upon the family's land holdings, panic and suspicion take over. The novel's artfully described setting and the intricately interwoven plots and perspectives of its many players—some innocent and others monstrous—result in expert storytelling that is equally fascinating and devastating. VERDICT Moore's novel is wild yet delicate, with complex characters and an immersive reading experience that will draw audiences. Its explorations of class, crime, and family dynamics, in addition to Moore's incredible storytelling, will appeal to readers of Lisa Jewell, Tana French, and Lucy Foley.—Alana R. Quarles

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Publishers Weekly The gripping and revelatory latest from Moore (Long Bright River) revolves around a prominent banking family’s troubled legacy in the Adirondacks. In 1975, 13-year-old Barbara Van Laar goes missing near the end of her first summer at Camp Emerson. It’s the second time a Van Laar child has vanished from the area; 14 years earlier, Barbara’s older brother Bear disappeared from their summer house when he was eight. The nonlinear narrative lays bare the family’s pain and unhappiness, showing how Peter Van Laar pressures his wife, Alice, to have another child shortly after Bear’s disappearance, and how Barbara frustrates the couple by being comparatively more difficult as a young girl, leading them to send her to boarding school. Moore gradually reveals the truth behind Barbara’s disappearance in scenes told from the alternating perspectives of several characters, including her bunkmate Tracy, who helps Barbara sneak out of the camp to meet her boyfriend. Meanwhile, details about Bear’s disappearance emerge as state police detective Judyta Luptack investigates Barbara’s case. The beautiful and dangerous wilderness setting enhances the suspense as the narrative builds to a dramatic final act that sheds a glaring light on Peter’s reluctance to prioritize the family’s well-being over its reputation. This astonishes. Agent: Seth Fishman, Gernert Co. (July)

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Kirkus Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family. One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint. "Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.