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ALA Best Books for Young Adults
Click to search this book in our catalog Young elites.
by by Marie Lu

Book list Gr. 5-8. Igus' prose poems and Wood's evocative paintings combine to give a succinct overview of African American music. A useful time line sets the social context, and brief paragraphs describe the various types of music, from African origins and slave songs through ragtime; the blues; big band, bebop, and cool jazz; gospel; rhythm and blues; and the contemporary sounds of rock, hip-hop, and rap. Igus effectively uses snippets from song lyrics to communicate both a feel for the music itself and a sense of how the various styles played to the emotions of the musicians and their fans ("From the basements to the rooftops, / I see the cool tones of modern jazz / escape the city heat"). Wood's paintings are equally suggestive. Mixing modernist and primitive styles and using color nicely to communicate musical style and tone, her art not only complements the text but vivifies it. Audience may be a problem: the supportive text is too sophisticated for younger readers to grasp themselves, and the format may alienate some older readers. Perhaps best used in a junior-high classroom with audio accompaniment, this striking book, in the hands of a creative teacher or librarian, could give kids a feeling for the majesty, creativity, and continuity of African American music. (Reviewed February 15, 1998)0892391510Bill Ott

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus The collaborators on Going Back Home (1997) return with a stunning history of African-American music. They begin 500 years ago, on the African continent, chronicle the slave trade, and document the work songs and spirituals of American slaves. The blues, ragtime, jazz, gospel, R&B, rock, funk, rap, and hip hop all come under scrutiny in free-verse poems that incorporate lyrics about and the rhythms of every style. In addition, Igus has added a brief description of each musical movement and a terrific timeline noting highlights of African-American history--both musical and more general information--which roots the whole book in a broader context. Wood's vibrant paintings are based in historical detail, and resonate with emotion. The color choices, postures of the figures, as well as the expressions on their faces, reflect various aspects of African-American music; the pictures broadcast joy, innovation, and exuberance in the face of systematic oppression. A child hidden in each scene adds a nice piece of personality for readers to interpret. Stylish and lively design pulls it all together into an absorbing, attractive package. Copyright ©Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

ALA Notable Books for Children
Click to search this book in our catalog My Papi Has a Motorcycle.
by Isabel Quintero

Book list Gr. 5-8. Igus' prose poems and Wood's evocative paintings combine to give a succinct overview of African American music. A useful time line sets the social context, and brief paragraphs describe the various types of music, from African origins and slave songs through ragtime; the blues; big band, bebop, and cool jazz; gospel; rhythm and blues; and the contemporary sounds of rock, hip-hop, and rap. Igus effectively uses snippets from song lyrics to communicate both a feel for the music itself and a sense of how the various styles played to the emotions of the musicians and their fans ("From the basements to the rooftops, / I see the cool tones of modern jazz / escape the city heat"). Wood's paintings are equally suggestive. Mixing modernist and primitive styles and using color nicely to communicate musical style and tone, her art not only complements the text but vivifies it. Audience may be a problem: the supportive text is too sophisticated for younger readers to grasp themselves, and the format may alienate some older readers. Perhaps best used in a junior-high classroom with audio accompaniment, this striking book, in the hands of a creative teacher or librarian, could give kids a feeling for the majesty, creativity, and continuity of African American music. (Reviewed February 15, 1998)0892391510Bill Ott

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus The collaborators on Going Back Home (1997) return with a stunning history of African-American music. They begin 500 years ago, on the African continent, chronicle the slave trade, and document the work songs and spirituals of American slaves. The blues, ragtime, jazz, gospel, R&B, rock, funk, rap, and hip hop all come under scrutiny in free-verse poems that incorporate lyrics about and the rhythms of every style. In addition, Igus has added a brief description of each musical movement and a terrific timeline noting highlights of African-American history--both musical and more general information--which roots the whole book in a broader context. Wood's vibrant paintings are based in historical detail, and resonate with emotion. The color choices, postures of the figures, as well as the expressions on their faces, reflect various aspects of African-American music; the pictures broadcast joy, innovation, and exuberance in the face of systematic oppression. A child hidden in each scene adds a nice piece of personality for readers to interpret. Stylish and lively design pulls it all together into an absorbing, attractive package. Copyright ©Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Independent Booksellers List
Click to search this book in our catalog Gone Girl
by Gillian Flynn

Book list Gr. 5-8. Igus' prose poems and Wood's evocative paintings combine to give a succinct overview of African American music. A useful time line sets the social context, and brief paragraphs describe the various types of music, from African origins and slave songs through ragtime; the blues; big band, bebop, and cool jazz; gospel; rhythm and blues; and the contemporary sounds of rock, hip-hop, and rap. Igus effectively uses snippets from song lyrics to communicate both a feel for the music itself and a sense of how the various styles played to the emotions of the musicians and their fans ("From the basements to the rooftops, / I see the cool tones of modern jazz / escape the city heat"). Wood's paintings are equally suggestive. Mixing modernist and primitive styles and using color nicely to communicate musical style and tone, her art not only complements the text but vivifies it. Audience may be a problem: the supportive text is too sophisticated for younger readers to grasp themselves, and the format may alienate some older readers. Perhaps best used in a junior-high classroom with audio accompaniment, this striking book, in the hands of a creative teacher or librarian, could give kids a feeling for the majesty, creativity, and continuity of African American music. (Reviewed February 15, 1998)0892391510Bill Ott

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus The collaborators on Going Back Home (1997) return with a stunning history of African-American music. They begin 500 years ago, on the African continent, chronicle the slave trade, and document the work songs and spirituals of American slaves. The blues, ragtime, jazz, gospel, R&B, rock, funk, rap, and hip hop all come under scrutiny in free-verse poems that incorporate lyrics about and the rhythms of every style. In addition, Igus has added a brief description of each musical movement and a terrific timeline noting highlights of African-American history--both musical and more general information--which roots the whole book in a broader context. Wood's vibrant paintings are based in historical detail, and resonate with emotion. The color choices, postures of the figures, as well as the expressions on their faces, reflect various aspects of African-American music; the pictures broadcast joy, innovation, and exuberance in the face of systematic oppression. A child hidden in each scene adds a nice piece of personality for readers to interpret. Stylish and lively design pulls it all together into an absorbing, attractive package. Copyright ©Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

New York Times Bestsellers
Click to search this book in our catalog A Flicker In The Dark
by Stacy Willingham

Library Journal When Chloe Davis was 12, her father was convicted of killing six girls who vanished from their small Louisiana town. Now she's a Baton Rouge-based psychologist prepping for her wedding, and it's happening again: local teenage girls are starting to vanish. What's going on? A big debut with a 150,000-copy first printing.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Library Journal DEBUT Willingham's novel explores the post-traumatic stress disorder experienced by those left in the wake of a serial killer. Chloe is a 32-year-old medical psychologist living in Baton Rouge, LA, who appears to have it together. However, she self-medicates to deal with the anxiety she feels because of trauma experienced when she was 12 years old. That was when Chloe's father was convicted of murdering six girls in the small town of Breaux Bridge, and she and her family were left to pick up the pieces. Now, as the 20th anniversary of the killings approaches, a girl goes missing very close to Chloe's home and office. Chloe comes to suspect that the disappearance is connected to her father. VERDICT A great addition to any mystery/psychological thriller collection, with an unforgettable character haunted by her past in an authentic Louisiana setting, which ups the creep factor.—Lacey Webster, Acadia Parish Library, Crowley, LA

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus Twenty years after Chloe Davis’ father was convicted of killing half a dozen young women, someone seems to be celebrating the anniversary by extending the list. No one in little Breaux Bridge, Louisiana, was left untouched by Richard Davis’ confession, least of all his family members. His wife, Mona, tried to kill herself and has been incapacitated ever since. His son, Cooper, became so suspicious that even now it’s hard for him to accept pharmaceutical salesman Daniel Briggs, whose sister, Sophie, also vanished 20 years ago, as Chloe’s fiance. And Chloe’s own nightmares, which lead her to rebuff New York Times reporter Aaron Jansen, who wants to interview her for an anniversary story, are redoubled when her newest psychiatric patient, Lacey Deckler, follows the path of high school student Aubrey Gravino by disappearing and then turning up dead. The good news is that Dick Davis, whom Chloe has had no contact with ever since he was imprisoned after his confession, obviously didn’t commit these new crimes. The bad news is that someone else did, someone who knows a great deal about the earlier cases, someone who could be very close to Chloe indeed. First-timer Willingham laces her first-person narrative with a stifling sense of victimhood that extends even to the survivors and a series of climactic revelations, at least some of which are guaranteed to surprise the most hard-bitten readers. The story is sadly familiar, the treatment claustrophobically intense. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Publishers Weekly At 12, Chloe Davis—the protagonist of Willingham’s devastating debut—watched in horror as her father pleaded guilty to murdering six teenage girls from Breaux Bridge, La., and agreed to serve six consecutive life sentences in order to avoid the death penalty. Shortly thereafter, her mother attempted suicide, and her gregarious older brother retreated inside himself. Now, Chloe is a 32-year-old self-medicating Baton Rouge psychologist, whose family history is unknown to nearly everyone but Daniel Briggs, the pharmaceutical salesperson to whom she’s now engaged following a whirlwind romance. Chloe is already apprehensive regarding the impending 20th anniversary of her father’s crime spree, so when a 15-year-old girl disappears from Chloe’s neighborhood, she tries not to panic. A few days later, however, another 15-year-old girl vanishes after leaving Chloe’s office, forcing Chloe to question whether a copycat killer has found her, or her paranoid imagination is seeing patterns where none exist. Willingham skillfully intercuts Chloe’s anxious first-person narration in the present with flashbacks to her childhood, ratcheting up the tension. Atmospheric prose and abundant red herrings amplify the tale’s intensity. Willingham is a writer to watch. Agent: Dan Conaway, Writers House. (Jan.)

(c) Copyright PWxyz, LLC. All rights reserved

Newbery Medal Winners
Click to search this book in our catalog New Kid
by Jerry Craft

Book list Gr. 5-8. Igus' prose poems and Wood's evocative paintings combine to give a succinct overview of African American music. A useful time line sets the social context, and brief paragraphs describe the various types of music, from African origins and slave songs through ragtime; the blues; big band, bebop, and cool jazz; gospel; rhythm and blues; and the contemporary sounds of rock, hip-hop, and rap. Igus effectively uses snippets from song lyrics to communicate both a feel for the music itself and a sense of how the various styles played to the emotions of the musicians and their fans ("From the basements to the rooftops, / I see the cool tones of modern jazz / escape the city heat"). Wood's paintings are equally suggestive. Mixing modernist and primitive styles and using color nicely to communicate musical style and tone, her art not only complements the text but vivifies it. Audience may be a problem: the supportive text is too sophisticated for younger readers to grasp themselves, and the format may alienate some older readers. Perhaps best used in a junior-high classroom with audio accompaniment, this striking book, in the hands of a creative teacher or librarian, could give kids a feeling for the majesty, creativity, and continuity of African American music. (Reviewed February 15, 1998)0892391510Bill Ott

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus The collaborators on Going Back Home (1997) return with a stunning history of African-American music. They begin 500 years ago, on the African continent, chronicle the slave trade, and document the work songs and spirituals of American slaves. The blues, ragtime, jazz, gospel, R&B, rock, funk, rap, and hip hop all come under scrutiny in free-verse poems that incorporate lyrics about and the rhythms of every style. In addition, Igus has added a brief description of each musical movement and a terrific timeline noting highlights of African-American history--both musical and more general information--which roots the whole book in a broader context. Wood's vibrant paintings are based in historical detail, and resonate with emotion. The color choices, postures of the figures, as well as the expressions on their faces, reflect various aspects of African-American music; the pictures broadcast joy, innovation, and exuberance in the face of systematic oppression. A child hidden in each scene adds a nice piece of personality for readers to interpret. Stylish and lively design pulls it all together into an absorbing, attractive package. Copyright ©Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

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