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Caldecott Medal Winners
Click to search this book in our catalog Joseph Had a Little Overcoat
by Simms Taback

School Library Journal Pre-Gr 3-A book bursting at the seams with ingenuity and creative spirit. When Joseph's overcoat becomes "old and worn," he snips off the patches and turns it into a jacket. When his jacket is beyond repair, he makes a vest. Joseph recycles his garments until he has nothing left. But by trading in his scissors for a pen and paintbrush he creates a story, showing "you can always make something out of nothing." Clever die-cut holes provide clues as to what Joseph will make next: windowpanes in one scene become a scarf upon turning the page. Striking gouache, watercolor, and collage illustrations are chock-full of witty details-letters to read, proverbs on the walls, even a fiddler on the roof. Taback adapted this tale from a Yiddish folk song and the music and English lyrics are appended. The rhythm and repetition make it a perfect storytime read-aloud.-Linda Ludke, London Public Library, Ontario, Canada (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list Ages 4^-7. This newly illustrated version of a book Taback first published in 1977 is a true example of accomplished bookmaking--from the typography and the endpapers to the bar code, set in what appears to be a patch of fabric. Taback's mixed-media and collage illustrations are alive with warmth, humor, and humanity. Their colors are festive yet controlled, and they are filled with homey clutter, interesting characters, and a million details to bring children back again and again. The simple text, which was adapted from the Yiddish song "I Had a Little Overcoat," begins as Joseph makes a jacket from his old, worn coat. When the jacket wears out, Joseph makes a vest, and so on, until he has only enough to cover a button. Cut outs emphasize the use and reuse of the material and add to the general sense of fun. When Joseph loses, he writes a story about it all, bringing children to the moral "You can always make something out of nothing." --Tim Arnold

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly As in his Caldecott Honor book, There Was an Old Lady Who Swallowed a Fly, Taback's inventive use of die-cut pages shows off his signature artwork, here newly created for his 1977 adaptation of a Yiddish folk song. This diverting, sequential story unravels as swiftly as the threads of Joseph's well-loved, patch-covered plaid coat. A flip of the page allows children to peek through to subsequent spreads as Joseph's tailoring produces items of decreasing size. The author puts a droll spin on his narrative when Joseph loses the last remnant of the coatÄa buttonÄand decides to make a book about it. "Which shows... you can always make something out of nothing," writes Taback, who wryly slips himself into his story by depicting Joseph creating a dummy for the book that readers are holding. Still, it's the bustling mixed-media artwork, highlighted by the strategically placed die-cuts, that steals the show. Taback works into his folk art a menagerie of wide-eyed animals witnessing the overcoat's transformation, miniature photographs superimposed on paintings and some clever asides reproduced in small print (a wall hanging declares, "Better to have an ugly patch than a beautiful hole"; a newspaper headline announces, "Fiddler on Roof Falls off Roof"). With its effective repetition and an abundance of visual humor, this is tailor-made for reading aloud. All ages. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved

(c) Copyright PWxyz, LLC. All rights reserved

Newbery Medal Winners
Click to search this book in our catalog Splendors and Glooms
by Laura Amy Schlitz

Book list *Starred Review* A brooding, Dickensian novel with a touch of fantasy and a glimmer of hope, Schlitz's latest opens in London in 1860, when lonely Clara, the only remaining child in a doctor's grief-stricken household, attempts to celebrate her twelfth birthday. Grisini the puppet master is engaged to perform, along with the two orphaned children, Lizzie Rose and Parsefall, who serve as his assistants. Clara bridges the class divide to befriend the children. After kidnapping Clara for ransom, cruel Grisini disappears, leaving Lizzie Rose and Parsefall struggling to survive on their own. They make their way to the country house of a bewitched woman whose magical amulet gives her amazing powers while draining away her humanity. There they learn certain grisly secrets involving their cruel master, Clara's fate, and the wealthy witch, who seeks to control them all. The magic of the storytelling here lies in the subtle depiction of menacing evil. After working its way insidiously through the characters' lives, it is defeated by the children, who grow in strength and understanding throughout the novel. Vividly portrayed and complex, the characters are well-defined individuals whose separate strands of story are colorful and compelling. Schlitz weaves them into an intricate tapestry that is as mysterious and timeless as a fairy tale. HIGH-DEMAND BACKSTORY: Schlitz's Newbery Medal winner, Good Masters! Sweet Ladies! Voices from a Medieval Village (2007) earned her a wide following, and librarians will be eager to see what she's up to next.--Phelan, Carolyn Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Anyone who thinks marionettes are creepy will have that opinion reinforced by this dark tale about three children at the mercy of an unscrupulous puppeteer and the witch who pulls his strings. Clara Wintermute asks her father, a wealthy doctor in 1860 London, to hire Professor Grisini and his Venetian Fantoccini to entertain guests at her 12th birthday party. Clara is stagestruck by the puppets and taken with one of Grisini's two assistants, the pretty, well-mannered orphan Lizzie Rose (the other assistant, Parsefall, is an urchin straight out of a Dickensian workhouse). After the puppet show, Clara disappears. Grisini is suspected, but he, too, vanishes. The fate of the three children becomes intertwined with Grisini's old flame, the witch Cassandra Sagredo. It's a fairly complicated plot, and although the pacing occasionally lags, Newbery Medalist Schlitz (Good Masters! Sweet Ladies!) delivers many pleasures-fully dimensional children, period details so ripe one can nearly smell them, and droll humor that leavens a few scenes of true horror. A highly original tale about children caught in a harrowing world of magic and misdeeds. Ages 9-13. Agent: Stephen Barbara, Foundry Literary + Media. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Gr 4-8-Victorian London could be a magical place: horse-drawn carriages, puppet shows, elaborate upper-class houses. Of course it could also be miserable: fog, filthy streets, shabby hovels where too many people live in too few rooms. Schlitz conjures both the magic and the mundane here. For Clara's 12th birthday, her parents hire a street performer to give a puppet show in their home. The puppeteer, Grisini, is so talented that he appears to be magical. His two orphaned assistants, Lizzie Rose and Parsefall, are envious of Clara's home and all its comforts. Clara vanishes the night of the puppet show, and Grisini and his assistants are the prime suspects. Then Grisini disappears, and Lizzie Rose and Parsefall must seek out the missing girl, with the sinister and mysterious help of a wealthy old witch. Schlitz uses such evocative language that readers will practically smell dirty London and then be relieved by the crisp, cold air in the countryside around the witch's crumbling mansion. The characters are recognizable tropes: the witch is rotting from the inside out; the orphans may be dirty and ill-bred, but they have spirit and pluck; the little rich girl is actually sad and lonely; the skinny puppeteer and the overly dramatic landlady are recognizably Dickensian. Yet, they are so well drawn that they are never caricatures, but people whom readers will cheer for, be terrified of, or grow to like. The plot is rich with supernatural and incredibly suspenseful elements. Fans of mystery, magic, and historical fiction will all relish this novel.-Geri Diorio, Ridgefield Library, CT (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

New York Times Bestsellers
Click to search this book in our catalog Astrophysics For People In A Hurry
by Neil deGrasse Tyson

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