Book list The first day of school is also the first day of hijab for little Faizah's sixth-grade sister, Asiya, who selects a beautiful shade of blue to wear. Faizah sees her sister as a princess, but not everyone shares her perspective. What's that on your sister's head? asks a classmate. At recess, someone shouts, I'm going to pull that tablecloth off your head! These moments teach Faizah to represent her culture with confidence: her whispered answers grow louder; she and her sister walk away from the bully. Muhammad and Ali's poetic prose has a reminiscent quality, with short sentences setting a thoughtful rhythm ( Mama holds out the pink. Mama loves pink. But Asiya shakes her head. I know why. Behind the counter is the brightest blue ) that allows the flourishes to shine ( The color of the ocean, if you squint your eyes and pretend there's no line between the water and the sky ). Aly's ink-wash-and-pencil illustrations settle and soar along with the language, swapping seamlessly between the concrete setting and metaphoric reflections on Asiya's hijab, the scarf's blue tail flowing out into curls of ocean or sky. This story, as both window and mirror, inevitably educates, but more important, it encourages pride in and respect for hijab through a tale of two sisters, their bond strengthened by faith.--Ronny Khuri Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly It’s the first day of school, and Faizah’s older sister Asiya, a sixth grader, has started wearing hijab in a brilliant, proud shade of blue. It’s “like the sky on a sunny day... special and regular” and reminds Faizah of “the ocean waving to the sky... always there, strong and friendly.” When a playground bully, portrayed by Aly (the Unicorn Rescue Society series) as a smudgy silhouette, taunts Asiya (“I’m going to pull that tablecloth off your head!”), Faizah fumes, glaring at the child and looking for “whispers, laughs, and shouts.” But when she sees how Asiya and her diverse friends, who share an easygoing confidence, dismiss the bully and get on with their fun, her sense of what’s “regular” is both restored and expanded. Hijabi U.S. Olympian Muhammad and YA author Ali (Love from A to Z) have created a lovely blend of emotional lyricism and closely observed everyday life. And Aly’s digitally enhanced ink and pencil scenes alternate between dreamy meditations of strength and empowerment, and snapshots of two sisters who are very much in the world—and mean the world to each other. Ages 4–8. Authors’ agents: Greg Ferguson, Full Fathom Five (for Muhammad) and John Cusick, Folio Jr. (for Ali). Illustrator’s agent: Robbin Brosterman, the Bright Agency. (Oct.)

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Kirkus A young girl admires her older sister's "first-day hijab" in this team effort by hijabi Olympian Muhammad (Proud, 2018) and YA novelist Ali (Love From A to Z, 2019).Mama takes Asiyah and Faizah to the hijab shop so that Asiyah can pick out her "first-day hijab." Mama likes pink, but Asiyah picks out "the brightest blue." Faizah has a new backpack and light-up shoes for the first day of school, but when Asiyah walks out in her blue hijab, "It's the most beautiful first day of school ever. / I'm walking with a princess." Once they arrive at school, the reactions of other children alternate with spreads depicting Faizah's thoughts about Asiyah's hijab, which are paired with Mama's words. A girl whispers, asking Faizah about the hijab. But "Asiyah's hijab isn't a whisper"; according to Mama, "It means being strong." These spreads show Aly's close-up illustrations of a smiling Asiyah, with her blue hijab extending into an image of "the sky on a sunny day" or "the ocean waving to the sky." Faizah triumphs over the misunderstandings and bullying she witnesses, her pride in her sister still intact. This sensitive representation of family relationships that provide a loving coat of armor against the world's difficulties is memorable and inspiring. Bullies are depicted as faceless shadows, emphasizing the importance of discounting what they say. Faizah's family is black; the other schoolchildren are multiracial.Triumphant and true. (Picture book. 4-10) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

School Library Journal K-Gr 4—Faizah is excited for her first day of school but even more excited for her older sister, Asiya. Asiya is starting sixth grade with her brand-new blue hijab. As Faizah walks to the school in her new light-up shoes and backpack, she admires her sister who looks like a princess in her blue head scarf. At school, some students celebrate with her, some are ambivalent, and some faceless, nameless characters taunt her. Their mother has prepared the girls with wise words. When the kids in the school bully Asiya, she remembers her mother's advice to not carry hurtful words as "they are not yours to keep. They belong only to those who said them." The illustration and the colors are just as powerful as words conveying the passionate message of how to be proud of one's culture, individuality, and religion and how to stay strong and keep one's faith. This is an empowering book for young readers who can see themselves in Asiya or know someone like her. The touching and celebratory illustrations complement the quiet strength of Asiya as she steps into a beautiful and celebrated coming-of-age rite. VERDICT This excellent story about identity, visibility, and confidence, touches on rites of passage, bonds between sisters, and bullying and is unapologetic in tackling misconceptions and demanding equality.—Noureen Qadir-Jafar, Syosset Library, NY

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School Library Journal Gr 9 Up-Midwinterblood is comprised of seven vignettes, with settings ranging from the future to Viking times and a variety of characters, including vampires, ghosts, and humans. Common to all the stories is the Scandinavian island, Blessed; a mysterious dragon orchid; and Eric and Merle, who play different roles in each story. This unusual book for teens (many of the stories feature adult characters only) goes backwards in time, beginning with a story that takes place in 2073. While each narrative could stand alone, combining them into one volume with the barest threads of connections (similar to Olive Kitteridge or Let the Great World Spin) makes the book noteworthy. The audiobook is expertly narrated by British actor Julian Rhind-Tutt, whose hushed English voice is perfect for the recording. Sedgwick's sparse prose is beautifully read with a haunting, dreamlike quality that lets listeners experience the horror, mystery, romance, and tragedy that abounds in the book. Melancholy yet lovely music briefly separates the vignettes.-Julie Paladino, East Chapel Hill High School, NC (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Publishers Weekly "I always prefer a walk that goes in a circle.... Don't you?" a woman named Bridget says to her daughter, Merle, at one point in this heady mystery that joins the remote northern setting of Sedgwick's Revolver with the multigenerational scope of his White Crow. Sedgwick appears to share Bridget's sentiment: as he moves backward through time in seven interconnected stories-from the late 21st century to an unspecified ancient era-character names, spoken phrases, and references to hares, dragons, and sacrifice reverberate, mutate, and reappear. Set on a mysterious and isolated Nordic island, the stories all include characters with variations on the names of Eric and Merle. In a present-day story about an archeological dig, Eric is a oddly strong, brain-damaged teenager and Merle his mother; in the 10th century, when the island was inhabited by Vikings, Eirek and Melle are young twins, whose story answers questions raised by what the archeologists discover. Teenage characters are few and far between, but a story that's simultaneously romantic, tragic, horrifying, and transcendental is more than enough to hold readers' attention, no matter their age. Ages 12-up. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved.

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Horn Book Sedgwick takes us backwards through time in seven short stories set on a remote island. Each begins with love and ends with death--of young lovers, parents and children, or brothers and sisters. It's only in reading through all seven that we begin to understand the ritual that brings bloody death and forbidden love to "Blessed Island." Sedgwick's prose is taut, careful, and chilling. (c) Copyright 2013. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Book list *Starred Review* In the year 2073, a reporter named Eric is sent to Blessed Island to research a rare flower called the Dragon Orchid. There he finds an insular community of mysterious villagers, a delicious tea that has him losing days at a time, and a beguiling girl named Merle. In just 50 pages, we reach a shattering conclusion and then start anew in 2011. An archaeologist is digging on Blessed Island, where he meets a quiet boy named Eric and his mother, Merle. So begins this graceful, confounding, and stirring seven-part suite about two characters whose identities shift as they are reborn throughout the ages. Sedgwick tells the story in reverse, introducing us to a stranded WWII pilot, a painter trying to resurrect his career in 1901, two children being told a ghost story in 1848, and more, all the way back to a king and queen in a Time Unknown. It is a wildly chancy gambit with little in the way of a solid throughline, but Sedgwick handles each story with such stylistic control that interest is not just renewed each time but intensified. Part love story, part mystery, part horror, this is as much about the twisting hand of fate as it is about the mutability of folktales. Its strange spell will capture you.--Kraus, Daniel Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus The Time Traveler's Wife meets Lost in this chilling exploration of love and memory. A dystopian start to the novel finds journalist Eric on remote Blessed Island in the extreme north in the year 2073. Tasked with gathering information on a rare orchid that is rumored to stop the aging process, he feels instant attraction to native islander Merle. As Eric drinks a strange tea brewed from the orchid, he begins to forget his life on the mainland yet remembers feelings for Merle. But how and when did he know her? Seven linked stories progress backward across centuries, following Eric and Merle's relationship as it takes on many forms, such as father/daughter or brother/sister, throughout time. Presented as different cycles of the moon, the stories feature various genres, from realistic and war stories to stories about ghosts and Viking vampires, ending with a hint of mystery to be revealed in subsequent chapters. This form, as well as the novel's reliance on adult protagonists, is a rarity in literature for teens. Inspired by Swedish artist Carl Larsson's controversial painting, Midvinterblot (translated as midwinter sacrifice), Sedgwick crafts these seven treats with spare, exact prose in which no word is unnecessary. Together, their reoccurring motifs of orchids, moons, blood and language--to name a few--reinforce Eric and Merle's enduring love. Haunting, sophisticated and ultimately exquisite. (author's note) (Fantasy. 13 up)]] Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

School Library Journal Gr 9 Up-Beginning in July 2073, Sedgwick's new novel makes its way backward through time, drawing readers into seven stories from different eras. Whether it is a 21st-century archaeologist, a World War II pilot, or a Viking king, there are subtle but tell-tale signs of the threads that bind them together over the centuries-the echoes of particular names and phrases, the persistence of a mysterious dragon orchid, and other seemingly innocuous moments that all hint at the dark mystery at the center of this lyrical yet horrifying tale. The plot is reminiscent of David Mitchell's Cloud Atlas (Sceptre, 2004), with its themes of love and reincarnation, as well as of the cult-movie-turned-book Robin Hardy's Wicker Man (Crown, 1978), with its setting of remote and sinister island inhabitants. The many characters are vividly real and distinct from one another, despite making only brief appearances. Each of these vignettes seem rich enough to be worthy of a novel of its own, and readers might almost wish they could pause in each fascinating, detailed moment rather than be swept through time-and the novel-on the current of a cursed love. Although fans of the author's Revolver (Roaring Brook, 2010) will likely flock to this book to relish more of Sedgwick's stark, suspenseful writing, new readers might find that there are more questions left unanswered than are resolved.-Evelyn Khoo Schwartz, Georgetown Day School, Washington, DC (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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