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by Charlaine Harris

Publishers Weekly The events of Dead Reckoning-particularly the death of the despicable but powerful vampire Victor-have consequences for Sookie Stackhouse and her supernatural gang in Harris's intriguing 13th and penultimate series installment. When Sookie's vampire husband, Eric Northman, summons her to his Shreveport home to welcome the visiting king, Felipe de Castro, and his entourage, she's shocked to find Eric feeding on another woman while the king and his underlings ravage their own humans downstairs. The woman Eric fed from turns up dead on his front lawn and someone calls the police, putting Eric and Felipe's entourage under suspicion. With the help of ex-boyfriend Bill Compton, Sookie grudgingly sets out to clear Eric's name while trying to keep the local fae under control after her kin, Claude and Niall, return to the land of Faery. As loyalties realign and betrayals are unmasked, Harris ably sets the stage for the ensemble's last hurrah. Agent: Joshua Bilmes, JABberwocky Literary Agency. (May) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Book list With her psychic bond to Eric broken (Dead Reckoning, 2011), Sookie Stackhouse is at last on her own and able to make her own decisions without the vampires knowing everything. But the lack of a bond goes both ways; Eric is being courted by a vampire queen and is keeping secrets from Sookie. Of course, things are a little different for everyone in Harris' vampire-strewn world: Area 5 is currently hosting an official representative from the Vampire King of Louisiana, who is looking into peculiar recent deaths (Dead in the Family, 2010), and Eric is being blamed for the death of a young woman whose corpse was found on his front lawn (leaving Sookie to find the real killer). The local fae are upset, too, especially after Sookie's cousin Claude is summoned by Grandfather Niall. If that wasn't enough, Sookie is sure that someone is after the cluviel dor, the powerful fairy relic. With lots of developments that move ahead the larger series plot, this is essential reading for fans but not a good place to start for new readers. HIGH-DEMAND BACKSTORY: Fans of this long-running series jump from book to the TV series True Blood with reckless abandon, anything to feed their craving.--Moyer, Jessica Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

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by Cormac McCarthy

Publishers Weekly Violence, in McCarthy's postapocalyptic tour de force, has been visited worldwide in the form of a "long shear of light and then a series of low concussions" that leaves cities and forests burned, birds and fish dead and the earth shrouded in gray clouds of ash. In this landscape, an unnamed man and his young son journey down a road to get to the sea. (The man's wife, who gave birth to the boy after calamity struck, has killed herself.) They carry blankets and scavenged food in a shopping cart, and the man is armed with a revolver loaded with his last two bullets. Beyond the ever-present possibility of starvation lies the threat of roving bands of cannibalistic thugs. The man assures the boy that the two of them are "good guys," but from the way his father treats other stray survivors the boy sees that his father has turned into an amoral survivalist, tenuously attached to the morality of the past by his fierce love for his son. McCarthy establishes himself here as the closest thing in American literature to an Old Testament prophet, trolling the blackest registers of human emotion to create a haunting and grim novel about civilization's slow death after the power goes out. 250,000 announced first printing; BOMC main selection. (Oct.) Copyright 2006 Reed Business Information.

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Book list A man and a boy, father and son, each the other's world entire, walk a road in the ashes of the late world. In this stunning departure from his previous work, McCarthy ( No Country for Old Men, 2005) envisions a postapocalyptic scenario. Cities have been destroyed, plants and animals have died, and few humans survive. The sun is hidden by ash, and it is winter. With every scrap of food looted, many of the living have turned to cannibalism. The man and the boy plod toward the sea. The man remembers the world before; as his memories die, so, too dies that world. The boy was born after everything changed. The man, dying, has a fierce paternal love and will to survive--yet he saves his last two bullets for himself and his son. Although the holocaust is never explained, this is the kind of grim warning that leads to nightmares. Its spare, precise language is rich with other explorations, too: hope in the face of hopelessness, the ephemeral nature of our existence, the vanishing worlds we all carry within us. McCarthy evokes Beckett, using repetition and negation to crushing effect, showing us by their absence the things we will miss. Hypnotic and haunting, relentlessly dark, this is a novel to read in late-night solitude. Though the focus never leaves the two travelers, they carry our humanity, and we can't help but feel the world hangs in the balance of their hopeless quest. A masterpiece. --Keir Graff Copyright 2006 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Library Journal New territory for McCarthy: a postapocalyptic landscape where readers meet a man who recalls a better world and a boy who doesn't. Copyright 2006 Reed Business Information.

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Library Journal Winner of the National Book Award and the National Book Critics Circle Award, McCarthy (All the Pretty Horses) here offers a prescient account of a man and his son trying to survive in a devastated country where food is scarce and everyone has become a scavenger. The term survival of the fittest rings true here-very few people remain, and friends are extinct. Essentially, this is a story about nature vs. nurture, commitment and promises, and though there aren't many characters, there is abundant life in the prose. We are reminded how McCarthy has mastered the world outside of our domestic and social circles, with each description reading as if he had pulled a scene from the landscape and pasted it in the book. He uses metaphors the way some writers use punctuation, sprinkling them about with an artist's eye, showing us that literature from the heart still exists. Recommended for all libraries. [See Prepub Alert, LJ 5/1/06.]-Stephen Morrow, Columbus, OH Copyright 2006 Reed Business Information.

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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by R William Ritter

Publishers Weekly Toss together an alternate 19th-century New England city, a strong tradition of Sherlockian pastiche, and one seriously ugly hat, and this lighthearted and assured debut emerges, all action and quirk. In the best Doyle tradition, the first-person narrator is pragmatic yet naive Abigail Rook, native of Britain and seeker of adventure. Thwarted in Ukraine, she catches ship for the U.S. and lands in New Fiddleham, penniless and with few employable skills. This matters not to R.F. Jackaby, the peculiar stranger with the awful hat, who is more interested in the kobold (household spirit) Abigail has unknowingly picked up on her travels. Jackaby is a detective in need of an unflappable assistant-literally, as his last one "is temporarily waterfowl." Abigail's keen eye for detail and complete ignorance of the paranormal make her observations invaluable to him, and she's soon caught up in the eccentric mayhem that is Jackaby's workaday world. Ritter is also capable of tenderness and pathos, as his description of a suffering banshee demonstrates, leaving room for development in any future cases Abigail may chronicle. Ages 12-up. Agent: Lucy Carson, Friedrich Agency. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Gr 9 Up-Fans of Jonathan Stroud's The Screaming StaircaseĆ(Disne-Hyperion, 2013) will appreciate Ritter's initial foray into the realm of supernatural. When Abigail Rook abandons university, and her parents' hopes, she arrives at the fictional New England town of New Fiddleham. There, she promptly meets R. F. Jackaby, a paranormal detective, and is flung into the investigation of a serial killer suspected of being nonhuman.ĆWhere Ritter excels is in the fast and furious plotline-events unfold rapidly while satisfying tastes for mystery and a small amount of gore. Unfortunately, so much attention is paid to the unfolding circumstances that the two main characters remain mysteries themselves. While readers know Abigail is fleeing the expectations society and her parents have placed on her, little is done to explain why. The protagonist is also a mystery-he just appears, as if a ghost himself, with much fanfare but scant backstory. Ultimately, however, avid lovers of fantasy will enjoy this quick read.-Amanda C. Buschmann, Atascocita Middle School, Humble, TX (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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