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by David McCullough

Library Journal McCullough (John Adams; 1776) effectively blends impeccable writing with historical rigor and strong character definition in his biography of Wright brothers Wilbur, the abstract thinker and introvert; and Orville, the extrovert and hands-on doer. They had limited formal education, with the author instead attributing his subjects' success to industry, imagination, and persistence, as seen in their early enterprises as newspaper publishers, printers, and bicycle salesmen in Dayton, OH. Credit is also accorded to their widowed father, Bishop Milton Wright, as well as their sister Katharine for their support of "Ullam" (Wilbur) and "Bubs" (Orville). Highlights of McCullough's narrative include his discussions of the Wrights' innovative conception of wing-warping as a means of flight control; the brothers' first controlled, powered, and sustained heavier-than-air human flight at Kitty Hawk, NC, on December 17, 1903; the issuance of the Wright flying machine patent #821,393 on May 22, 1906; the Ohioans' ongoing search for markets abroad; and the elder Wright's perfect flying demonstrations at Le Mans, France, even as Orville was nearly killed in a similar performance before army brass at Fort Myer, VA. The author closes with the incorporation of the Wright Company, patent infringement suits filed against competitor Glenn Curtiss, and the deaths of Wilbur (1912), Milton (1917), Katharine (1929), and Orville (1948). VERDICT A signal contribution to Wright historiography. Highly recommended for academicians interested in the history of flight, transportation, or turn-of-the-century America; general readers; and all libraries.-John Carver Edwards, formerly with Univ. of Georgia Libs. Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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by Nihad Sirees, trans. by Max Weiss

Publishers Weekly Syrian writer Sirees takes on, with piercing insight, the huge themes of freedom, individuality, integrity, and, yes, love, in this beautiful, funny, and life-affirming novel, his first to be translated into English. On the 20th anniversary of an unnamed despot's rule, in an unnamed Middle Eastern country, Fathi Sheen, a silenced writer, is caught in the frenzy of the crowd that "turns all those individuals into droplets in a raging human flood." He runs afoul of the security forces and his ID is confiscated; he arrives at his mother's house to learn that she is planning to marry a man high up in the regime; and on his way to see his girlfriend Lama, "a liberated woman who owns herself," he has a series of absurd encounters as he confronts the noise of the streets-the "roar"-and indulges in laughter and sex to resist the government that would have him "compose poetry that glorifies the leader and write heroic novels." Originally published in 2004, the novel indisputably connects to current events, but its value as art and political commentary is timeless. Sirees has written a 1984 for the 21st century. Agent: Jane Loudon. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

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by Frank McCourt
Library Journal : McCourt is the eldest of eight children born to Angela Sheehan and Malachy McCourt in the 1920s. The McCourts began their family in poverty in Brooklyn, yet when Angela slipped into depression after the death of her only daughter (four of eight children survived), the family reversed the tide of emigration and returned to Ireland, living on public assistance in Limerick. McCourt's story is laced with the pain of extreme poverty, aggravated by an alcoholic father who abandoned the family during World War II. Given the burdens of grief and starvation, it's a tribute to his skill that he can serve the reader a tale of love, some sadness, but at least as much laughter as the McCourts' "Yankee" children knew growing up in the streets of Limerick. His story, almost impossible to put down, may well become a classic. A wonderful book; strongly recommended for readers of any age. [Previewed in Prebub Alert, LJ 5/1/96.]--Robert Moore, DuPont Merck Pharmaceuticals, Framingham, Mass.

Copyright 1996 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : YA--Despite impoverishing his family because of his alcoholism, McCourt's father passed on to his son a gift for superb storytelling. He told him about the great Irish heroes, the old days in Ireland, the people in their Limerick neighborhood, and the world beyond their shores. McCourt writes in the voice of the child--with no self-pity or review of events--and just retells the tales. He recounts his desperately poor early years, living on public assistance and losing three siblings, but manages to make the book funny and uplifting. Stories of trying on his parents' false teeth and his adventures as a post-office delivery boy will have readers laughing out loud. Young people will recognize the truth in these compelling tales; the emotions expressed; the descriptions of teachers, relatives, neighbors; and the casual cruelty adults show toward children. Readers will enjoy the humor and the music in the language. A vivid, wonderfully readable memoir.

Patricia Noonan, Prince William Public Library, VA Distributed by Syndetic Solutions Inc. Terms


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by Leavitt, Lindsey

School Library Journal Gr 6-9-When 15-year-old Payton Gritas gives her family the silent treatment for withholding her father's MS diagnosis for six months, her parents request the aid of their daughter's guidance counselor, who assigns a focus object exercise. Payton chooses Sean Griswold's head because she and Sean have been linked by last name proximity since the third grade. Soon, with the help of her boy-crazy friend Jac, Payton gets to know Sean Griswold the person and the head. Interpersonal conflicts abound as the teen chooses to focus on avoidance rather than confronting the fear she is experiencing. In a balanced proportion of comedy and gravity, she comes to terms with her father's illness, deals with conflicts she has created with Jac, and eventually opens up her heart to a little romance. While the path that Leavitt paves for her protagonist is somewhat predictable, the likable characters will have girls gravitating toward the novel. Though the book takes a light look at a teenager coming to grips with a parent's serious illness, it is refreshing and realistic without being overwrought with angst.-Adrienne L. Strock, Maricopa County Library District, AZ (c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly A chronic worrier, high school freshman Payton Gritas has just had a massive wrench thrown into her hyperorganized life: for six months her family has kept her father's multiple sclerosis diagnosis a secret from her. The school guidance counselor asks Payton to keep a journal about a "Focus Object" of her choosing, and she picks Sean Griswold's head, since he has sat in front of her in class for years. The drama begins when her boy-crazy best friend, Jac, decides that they should research Sean-and then starts playing matchmaker. Payton soon falls for sensitive Sean and begins to share his passion for cycling, but between her father's illness, her declining grades, and her faltering friendship with Jac, she isn't sure that she can let someone new into her life. Leavitt (the Princess for Hire series) delicately handles topics of illness, evolving relationships, and what it means to grow up. Payton's alternately sarcastic, snappy, and reflective narration ("The truth, I know, is that it's not my dad I'm really mad at. I'm mad at his disease") carries this insightful story. Ages 12-up. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Book list A teenager charts her rocky course toward, as she puts it, getting over myself in the wake of the revelation that her father has contracted multiple sclerosis. Enraged to learn that everyone else in her family has been shielding her from the knowledge for six months, 15-year-old Payton stops speaking at home, lets her schoolwork slide, and manages to alienate both her stubbornly loyal best friend and budding romantic interest Sean a classmate who, thanks to alphabetization, has occupied the desk in front of her since third grade. Setting up the central conflict as an inner one between Payton's anger-fueled grief and her deep-seated good nature and common sense, Leavitt tucks in lines like I don't do spandex. The devil wears spandex. And I doubt the devil's butt is as big as mine while bringing her protagonist around to acceptance and repaired relationships with help from patient family members and peers, an unexpectedly wise guidance counselor, a little prayer, a newfound love for long-distance biking, and plenty of self-analysis. It's formulaic, but the formula is tried-and-true.--Peters, John Copyright 2010 Booklist

From Booklist, Copyright American Library Association. Used with permission.